Showing posts with label Jim Hart. Show all posts
Showing posts with label Jim Hart. Show all posts

Friday, August 20, 2021

Komos Jazz - Power Of Soul / The Music of CTI (August 20, 2021)

When his mother brought Stanley Turrentine’s Salt Song LP back from a trip to Canada, Julien Lourau, then a teenager, was impressed by the scope of the sound and the groove of the saxophone. He was also charmed by the lush arrangements and funky sound of the record, typical of releases on the CTI label. Created by producer Creed Taylor, CTI left an imprint in the minds of 70s jazz fans much like Blue Note did in the 60s, and it even ended up releasing work by artists who started out on this mythical label such as Stanley Turrentine and Freddie Hubbard. The two even shared the same sound engineer, the great Rudy van Gelder.

Yet CTI, though highly prolific during its 15 years of activity, has not benefitted from the same aura as its predecessor.

“To breathe life into this album, I listened to a wealth of CTI releases and discovered some I had never heard before. I noticed, oddly, that many of today’s musicians know very little about CTI - a label unfairly considered as minor.”

The choice of tracks was determined by Julien’s personal tastes, always keeping in mind a desire to help people discover them yet focusing on the joy of actually playing them too.

“The album is made up of 9 pieces. Mathieu Débordes got everything down to the nearest note before we even attempted to play them. CTI didn’t hold back in fuelling their compositions with brass and violins, but I erased this aspect and pared things down to a bass, drums and two keyboards.”

English drummer Jim Hart, someone Julien worked with during his London years, propels the group - from hard-bop polyrhythms with “drum & bass” inflections to a reworking of classic Red Clay.

Sylvain Daniel on the bass and Arnaud Roulin on the analogue keys are two musicians close to the saxophonist, and that he met when they were students in 1999 while organising a master class at the Conservatoire de Nantes. Since then, they have become his esteemed companions.

The collaboration with young pianist Léo Jassef began on this recording, where he also plays the Prophet 5. The dynamic and overlap of the many keyboards played by Arnaud and Léo bring the record a richness of timbre and harmony that the strings and brass provided on the CTI recordings.

For the final track on the record, Julien called upon his friend of 30 years, guitarist Bojan Z, for a fresh, Gospel take on Love and Peace, a track recorded by Quincy Jones in 1969, which here, is dedicated to Bojan’s recently departed brother.

“When it comes down to it, this album really is as I had imagined it, with, luckily, a few unexpected turns. I created a playlist I then claimed as my own. But in the end, I must admit that I would have loved to have composed some of these tracks.” 

1. People Make The World Go Round
2. Psalm 150
3. Westchester Lady
4. Piece Of Mind
5. Power Of Soul
6. Don't Mess With Mr. T
7. Red Clay
8. Firebirds - Birds of Fire
9. In The Beginning
10. Love and Peace

Julien Lourau : tenor and soprano saxophones
Arnaud Roulin : analog synthesizers
Léo Jassef : piano & prophet 5
Sylvain Daniel : bass
Jim Hart : drums, percussions, vibes, marimba

Arrangements by Mathieu Débordes and Julien Lourau

'Love and Peace' in memory of Nebojsa 'Keba' Sulfikarpasic featuring Bojan Zulfikarpasic on guitar, Mathieu Débordes on trombone and Sylvain Daniel on fluegelhorn

A&R : Antoine Rajon

Recorded by Félix Rémy at Studio Pigalle, Paris, January 2021
Mastering by Frank Merritt at The Carvery, London

Cover artwork by Brüno

Monday, January 15, 2018

Cloudmakers Five - Traveling Pulse (WHIRLWIND RECORDINGS February 23, 2018)



Vibraphonist, drummer and composer Jim Hart’s ascension, especially over the past decade, has been nothing short of remarkable. Much sought-after across Europe, he has worked alongside an illustrious roster of musicians including Stan Sulzmann, Sir John Dankworth and Dame Cleo Laine, John Taylor and Kenny Wheeler. Yet as bandleader, his own Cloudmakers Trio – with double bassist Michael Janisch and drummer Dave Smith – introduced a distinctly energized take on the traditional vibraphone ensemble. 

Taking the vision a significant step further, Traveling Pulse is the first release from an augmented Cloudmakers Five project introducing saxophonist/clarinettist Antonin-Tri Hoang and electric guitarist Hannes Riepler – a superbly-produced live recording garnered from two resounding nights at London’s Vortex Jazz Club which concluded their January–March 2017 tour. 

Explaining the impetus for the progression, not least influenced by playing in larger line-ups with Marius Neset and Ivo Neame, Hart says: “The Cloudmakers Trio was partly an idea of setting myself a challenge, to match the fullness and texture of a piano trio; a kind of response to that with a vibraphone trio, writing with the same density – which I felt we really did achieve. Michael, Dave and I had gigged a lot, with the end of our 2015 North American tour feeling like a big punctuation mark. But we were still enjoying some great trio gigs. So, sensing it had much more of a future, I decided to expand the concept. Antonin had worked with Cloudmakers before, as a guest on a ‘Jazz on 3’ radio broadcast, offering fantastic improv through so many extended techniques; and I play with Hannes in Julian Lourau’s Electric Biddle, enjoying what he creates through pedals and loops.” 

Significantly, Jim Hart chose to write away from instruments or electronic software, inspired instead by the environments around him as he traveled, and resulting in what he believes to be his most mature and honest work to date. “Once I knew who I was writing for, the music came very quickly, and it was so freeing to have all these ‘colors’ available. I found I could now share the responsibility of covering the harmonic and melodic elements, while affording each player room to express themselves.” 


It was the immediacy of The Cloudmakers Trio’s vibrant first release (Live at the Pizza Express – Whirlwind, 2012) which presented him with the clear intention of recording another live album, Hart recalling: “The idea just jumped off the page at me as a great thing to do”. The breadth of sound is striking, with Hoang’s alto sax or clarinet on top, threading his distinctive reedy tones through, while Riepler offers an impressive range of guitar textures and electronic effects. That coalescence alone offers a very different dynamic to the more usual inclusion of piano, often conjuring a bewildering sonic mesh; but when merged with the synergetic drive of Hart, Janisch and Smith… that’s where the alchemistic reactions are sparked. 

Animated conversations between Hoang’s alto and Riepler’s solo lines are prominent in ‘The Past is Another Country’, as are the mellifluous clarinet-and-guitar juxtapositions of lullaby ‘Golden’. Increasingly chattering ‘The Exchange’ reveals “an illusive resolution – a melody trying to get somewhere, but never quite does”, while percussively turbulent ‘The Road’ (a journey to Hart’s native Cornwall) excitingly showcases the new-found intensity of the five. Zawinul/Shorter-hued escalations characterise brightly chiming ‘Cycle Song’; and a complex “8 over 9 over 12” Ghanaian polyrhythm (which the vibraphonist mastered four years ago and can now summon instantly) infuses ‘Traveling Pulse’ with bewitching, mesmeric vigor. 

Revelling in this new direction, Hart affirms: “I’m happy to have written some more expansive music, with all the richness that offers. It’s all typically propulsive, yet also abstract, picking you up on a conveyor belt of rhythm and taking you off on an Escher-like journey somewhere”.

1. The Past Is Another Country
2. Traveling Pulse
3. Golden
4. The Road (For Ed)
5. The Exchange
6. Cycle Song (For J.T)

Michael Janisch - double bass
Dave Smith - drums
Antonin-Tri Hoang - alto saxophone/clarinet
Hannes Riepler - guitar

Recorded live at The Vortex Jazz Club, London (March 10/11 2017)
Engineered, edited and mixed by Alex Bonney
Produced by Jim Hart
Live Sound - Ali Ward
Mastered by Tyler McDiarmid
Artwork - Sophie Moates
Executive Producer - Michael Janisch