Showing posts with label Gene Coye. Show all posts
Showing posts with label Gene Coye. Show all posts

Tuesday, May 4, 2021

Zane Carney Quartet - Alter Ego (2021 Orenda Records)

Guitarist Zane Carney today announced the debut of “Alter Ego,” a bold and bombastic improvised jazz quartet record featuring Jerry Watts Jr. on bass, Gene Coye on drums, and Katisse Buckingham on woodwinds, to be released on April 30 on Orenda Records.

“Alter Ego” embodies an adventurous new wave of free improvisation, along with modal jazz in its most electric, high-octane form. The album features a series of improvised compositions, experiments, and sketches, as well as two rearranged standards. It consists mostly of first takes, with no editing, and aims to subvert convention. In addition, all tracks were mixed from the drummer’s perspective, placing the listener in the middle of the live action, on stage with the group.

“I wanted this record to feel alive,” said Zane Carney. “This is the first time my actual improvisational spirit is being expressed in recorded format. I wanted to capture the sparks that fly when Jerry, Gene, Katisse and I improvise together, and document the untamed, almost manic spirit that LA’s late night jazz scene has produced: there is a certain energy and freedom that transcends genre. West Coast jazz is genreless, it’s reckless, it’s audacious, and it pushes boundaries. In order to summon that ferocity, we approached this session as one might approach an unmoderated debate: no judgement or rules, freely exploring new lands harmonically whenever a member felt like leading the charge.

I wanted us to be as nimble and agile as possible so we could access that core flow state more readily. Every one of us served as a conversation-leader at different points on the record, and I think you hear that especially on songs like ‘Alter’ and ‘Lost.’”
Listeners will find a compelling melding of modern jazz performance that’s been balanced by a fully analog, straight-to-tape vintage recording process. Carney is playing a custom, modified Fender, which he built using a Broadcaster neck and a Telecaster bridge pick-up, to create his signature sound. He used old-world and new-world guitar pedals and played them through a custom Siegmund Sound King, powered by a 1940s pair of 300B television tubes. “The goal was to contrast our current jazz vocabulary with old technology, and see what happens when modern jazz is played with rare, modified instruments and recorded in a fully analog process” Carney added.

The album opens with “Brain Freeze,” drawing listeners in with a meditative, haunting melody before bursting into an explosion of textures, patterns and colors, then promptly clearing the canvas for a flute/guitar battle. This sets the stage for a stream of multilayered experiments, provocative inquiries, and jarring juxtapositions, from “Alter” to “Lost,” “Found,” and finally, “Ego.” The two standards on the record showcase distinct choices: “Oleo” revisits the classic melody with an absurdist chromatic twist, while “Minority” is turned on its head as a new-wave samba.

Throughout the record, listeners may recognize guitar tones that Carney developed over the years with his various solo and group projects and collaborations, now applied in an improvisational jazz setting. As the record unfolds, tape crackling and hissing, it leads to “Things You Aren’t,” a vulnerable, intimate solo guitar piece, continuing the conversation between past and future.

At its core, “Alter Ego” revels in tensions and the new possibilities they open up. It calls for a full immersion in the present moment and seeks to expose a side of West Coast jazz that’s mostly unchronicled. Zane Carney’s quartet prompts the listener to probe and question jazz norms while investigating what creates those perceptions as the album shape-shifts from track to track. Fittingly, it mirrors the bandleader’s mission: throughout his career, Carney has made a point to defy genre expectations and refuse all stylistic affiliations, his playing standing out on its own.

1. Brain Freeze 03:49
2. Alter 05:45
3. Oleo 03:06
4. Lost 06:48
5. Pitchfork 07:54
6. Minority (feat. Katisse Buckingham) 07:57
7. Things You Aren't 02:42
8. Found 06:46
9. Ego (feat. Jerry Watts Jr. and Gene Coye) 05:13

Guitar - Zane Carney
Bass - Jerry Watts Jr.
Drums - Gene Coye
Woodwinds - Katisse Buckingham

Tracks 1, 2, 4, and 8 written by Zane Carney, Katisse Buckingham, Jerry Watts Jr. and Gene Coye
“Oleo” written by Sonny Rollins
“Pitchfork” written by Zane Carney, Mark Foster, Katisse Buckingham, Jerry Watts Jr. and Gene Coye
“Minority” written by Gigi Gryce
“Things You Aren’t” written by Zane Carney
“Ego” written by Zane Carney, Jerry Watts Jr. and Gene Coye

Produced by Zane Carney, Chris Rondinella and Adriana Stan
Mixed and mastered by Reeve Carney
Recorded live to tape at Heritage Record Co. in Burbank, CA

Album Cover Art by Marshall Roemen

Katisse is a D’Addario Woodwinds Artist, Jerry Watts Jr. uses D’Addario Strings and Kala U-Basses, Gene Coye plays Yamaha Drums and Ufip Cymbals

Saturday, August 4, 2018

Christine Hitt - Magical Kite (2018)


Vocalist Christine Hitt's "MAGICAL KITE" produced/arranged by Geoffrey Keezer featuring John Beasley, Jeff Hamilton and more

"She has an unpretentious approach while sharing her great musical sensibilities with others. She's a real joy to work with."
Jeff Hamilton, legendary jazz drummer


MAGICAL KITE, the newest CD from vocalist and multi-instrumentalist CHRISTINE HITT, comprises a range of styles, from standards to gospel to bebop. The selection of songs reflects Hitt’s eclectic tastes and influences, but it’s her innate musicality that elevates and personalizes these songs.  The CD was produced and arranged by GEOFFREY KEEZER, the prolific, Grammy nominated pianist, composer, and arranger, and features JOHN BEASLEY on piano. She’s also accompanied by some of the top jazz musicians in Southern California. MAGICAL KITE is the long-awaited follow-up to YOU’D BE SO NICE TOCOME HOME TO, her 1999 MaxJazz debut that featured Hitt on vocals and piano, along with several well-known jazz artists.

Hitt’s warm voice can express a rich tapestry of tones, and she sings ballads and swing tunes with equal facility. Keezer’s arrangements truly set this recording apart, but Hitt also wanted the experience of  Keezer as an accompanist; she closes the CD with a gentle but emotional duet with him on “Around The World.” With Hitt’s sophisticated lyric interpretations along with her musical chops, MAGICAL KITE is a showcase from an experienced artist with great depth and maturity.


John Beasley, piano, Fender Rhodes, melodica
Geoffrey Keezer, piano (9) 
Jeff Hamilton, drums (1,5,7,8)
Gene Coye, drums (2,3,4,6)
Leo Amuedo, guitar
Bob Sheppard, alto sax  
Walter Rodriguez, percussion
Eric Hitt, bass
Erin Bode, vocals (4,6)
Cory Hitt, vocals (2,3,4)

Arranged and produced by Geoffrey Keezer
Executive producer Christine Hitt

1. Wade in the Water  4:40
2. Magical Kite  4:00
3. Don’t You Worry ‘Bout a Thing  5:39
4. Shower the People  5:09
5. Yardbird Suite  4:15
6. Believe in Me  4:26
7. Shine on Harvest Moon  6:23
8. Smile  4:17
9. Around the World  3:23