Showing posts with label Bárður Reinert Poulsen. Show all posts
Showing posts with label Bárður Reinert Poulsen. Show all posts

Friday, September 10, 2021

Flukten - Velkommen Håp (September 10, 2021 ODIN Records)

What happens when you put four of the most creative musicians from the Norwegian jazz scene in lockdown? They create.

In march 2020, when the corona pandemic forced Norway into lockdown, Flukten found their oasis. Flukten springs out of one thing – the will to create music.

Flukten consists of musicians from some of the most critically acclaimed jazz groups in Norway: Hanna Paulsberg Concept, Atomic, Moskus, GURLS, Wako, Espen Berg Trio, Hullyboo, Skadedyr and Trondheim Jazz Orchestra.

After Flukten´s debut concert last year one music critic wrote: «if there is one band debut that really has left their mark in soul and heart, it is this».

With a musical reference library filled with the likes of John Scofield, Joe Lovano, Per «Texas» Johansson, Salif Keita and Paul Motian, they take detours through hip hop, soul and folk music from all over the world. Here, all spontaneous whims can be cultivated and explored. Flukten gives you dirty jazz that makes you move, and soft, fine tuned jazz that makes you think. This is music that celebrates life and embraces the unbelievable.
In February 2021, the four musicians entered the recording studio with the same open attitude as when they first jammed together. On Flukten`s debut album you hear saxophonist Hanna Paulsberg´s eternal vocabulary and multifaceted tone unfold completely without compromises. You hear guitarist Marius Klovning somewhere in the middle of John Scofield, sharp soul, western and Norwegian folk music. Hans Hulbækmo´s drumming is tempting to compare with the playing of a solo pianist in his melodic repertoire. Bassist Bárður Reinert Poulsen drives everything with his punchy, hard swinging hand, but also provides us with emotional solos.

Together, Flukten are an explosion of joyful playing from some of Norways most talented musicians.

The songs of Flukten´s debut album span from playful melodies to dissonant harmonies. Sometimes it´s a composition based on a voice memo of someone humming. Other times we hear snapshots from improvisations in the vivid studio atmosphere. The music dances, other times it is like a soft caress. Suddenly they fly into ecstasy. This album is the sonic equivalent to jumping from a hot sauna and into cold water. The music wakes you up.

This is music that could only appear this exact moment from these exact musicians.

Maybe you spend hours lying on the floor, lost in a book. Maybe you get drunk, or you run into the woods? We all need to escape now and then. 

1. Velkommen håp
2. Budeie boogie
3. Framsyning
4. Barneblues
5. Mellomspill
6. Jonas og hvalen
7. Tennis med Torstein
8. Bleik myrk legg
9. Pave Toten Totten
10. Blomstrene

Flukten:
Hanna Paulsberg - saxophone
Marius Hirth Klovning - guitar
Bárður Reinert Poulsen - double bass
Hans Hulbækmo - drums

Produced by Flukten
Recorded by Mike Hartung and Andrea Louise Horstad at Propeller Music Division, Oslo, February 5th and 6th 2021
Mixed by Mike Hartung at Propeller Music Division
Mastered by Morgan Nicolaysen at Propeller Mastering

Tuesday, August 28, 2018

Wako - Urolige sinn (ØRA FONOGRAM August 31, 2018)

Wako will release their third album 31st of August 2018. A live  album recorded in the legendary Norwegian studio, Athletic  Sound. The band explores the possibilities for the quartet, and as  a listener you will always get a surprise for each listening.  Wako  has through the last years gone a new direction inspired by  improvisation and textures, mixed with simple but well done  compositions and ideas, and they play this mix in a way Øra is  very proud to represent.
Walco © Signe Fuglesteg Luksengard

About their release​: "Urolige sinn" – the new album from Wako – is  equal parts atmosphere and energy. Smoky moods envelop  runaway train rhythms, while the contemplative can seem like a  mask for a chaos ready to erupt at any second. This is a series of  dramaturgical tone poems, triple-distilled concepts, their purity  and brevity carrying only the ​essential sounds – but you shouldn't  take this as meaning "minimalism": here it means intense  concentration, perfect focus. There is a build and release of  tension, occasional hints of a threatened dissonance in the midst of melody, or glimpses of golden harmony  emerging from chattering agitation. There are technicolour highways through chiaroscuro dreamscapes.  There is what could easily be the incidental music for an urban hallucination of a heated conversation  between Pharoah Sanders and Man Ray, or Erik Satie antagonized by Friedrich Nietzsche. Traces of joy mix  with stains of sorrow, the everyday life intertwines with sinuous and wandering reveries.

This is realism walking  in expressionist shoes along a well-paved path. That path was created by Wako, both as a collective and as  individuals. Where similar groups would regard a "jazz composition" as merely a framework for an extended  solo (or three), Wako operate as a unified musical consciousness, thinking, dreaming, reacting and planning  together. While pianist Kjetil André Mulelid and saxophonist Martin Myhre Olsen each take individual composer  credits on several tracks, the group coherence and synergy means that bassist Bárður Reinert Poulsen and  drummer Simon Olderskog Albertsen are integral to the final delivery of the music. The Wako philosophy is  one of "music first"; "Urolige sinn" is that philosophy made flesh. 

Walco © Signe Fuglesteg Luksengard

About Wako​:
Coming from the vanguard of the New Wave of Nordic Jazz, Wako are one of the most dynamic  and innovative groups on the scene. Touring extensively since 2015, they have honed their stagecraft and  performances, garnering a solid fanbase and critical acclaim along the way.

Described as having "​buoyancy and originality" by Terje Mosnes (​Jazz i Norge - Norway), as possessing "​a very personal and distinctive sound" (Mike Collin, ​London Jazz News - UK), and as creating music that "​would melt even the blackest heart" (​Bird is  the Worm – USA), Wako have brought their ever-evolving musicianship and creativity to impressive live  renditions of their work across Europe, including collaborative performances with Oslo Strings and with  Norwegian trumpeter ​ne plus ultra, Arve Henriksen. The scope of their musical reach is always finely attuned  in equal measures to audience, environment and source material, meaning not only is each concert  superlative, but also a unique experience. In short, Wako are one of the most impressive young live acts today,  signalling a healthy future for jazz in Norway and beyond.    Individually, the members are part of different bands and projects, such as Hegge (Norwegian grammy award winner 2017), Megalodon Collective (Norwegian grammy nominee 2016,Espen Berg trio (NTNU  ambassadors 2016), Kjetil Mulelid Trio, Kjemilie and the Trondheim Jazz Orchestra with Chick Corea.

Wako is​:

Production​:
Produced and arranged by Wako
Recorded by Dag Erik Johansen on the 2​nd​ and 3​rd​ of October 2017, at Athletic Sound, Norway
Mixed and mastered by Karl Klaseie at Greener Mastering
Cover photo by Anders Beer Wilse: “Skavlet føre” 1909
Cover design by Christian Meaas Svendsen

Tracklist​:
1. Jernvilje
2. Skavlet føre
3. Skumring og det som hører til
4. Den endeløse planen
5. Du gråter aldri
6. Elisabeths vise
7. Revelje
8. Snart blir jeg far
9. En liten halvtime senere
10. Skogens uklare omriss
11. Svovelpredikant
12. De som viste oss rundt
13. Langt, langt der nede

All compositions by Wako, except:
2, 9, 13 by Kjetil André Mulelid
6, 7, 8 by Martin Myhre Olsen

Saturday, March 24, 2018

Espen Berg Trio - Bølge (ODIN RECORDS 2018)

Now the trio is back, with a striking and elegant new album that very possibly will be an even bigger breakthrough for the trio. This is a group that is positively overflowing with talent and musical enthusiasm.


The jazz trio format is tried and tested and has become one of the basic ensemble formats of modern jazz. Here is a trio that has its feet planted firmly within the tradition, but still offers something unique to the listener. The Espen Berg Trio made its mark with the group’s first album, “Mønster”, in 2015. The trio was referred to as “the biggest and most important musical discovery in the first half of 2016” by Jazz Japan, and they have toured extensively in Japan, where they have also signed a recording contract. Now the trio is back, with a striking and elegant new album that very possibly will be an even bigger breakthrough for the trio. This is a group that is positively overflowing with talent and musical enthusiasm.


Pianist and composer Espen Berg (b. 1983), from Hamar in central Norway, is currently living in Trondheim, where he earned a master’s degree in 2008 from the Norwegian University of Science and Technology’s (NTNU) renowned jazz programme. Since then he has been engaged as a professor at the university. He has toured worldwide with his trio Listen, the Trondheim Jazz Orchestra and Marius Neset, as well as with his own projects. He has released two critically acclaimed solo piano albums, and in 2007 he was voted the best soloist at the Hoeilaart International Jazz Contest in Belgium. In 2016 he won one of Norway’s most important music awards, JazZtipendiatet, which resulted in the commissioned work “Maetrix”. This piece had its world premiere at the Molde Jazz Festival in 2017, played by the Trondheim Jazz Orchestra. Among the musicians Espen has worked with are Silje Nergaard, Anders Jormin, Per Jørgensen, Hildegunn Øiseth, Arve Henriksen and Mathias Eick. The music Berg composes demands a level of precision that could make a Swiss watch tremble in fear, but it seems simple and organically free-flowing when he and the trio are playing it.

The trio

Bassist Bárður Reinert Poulsen is originally from Tórshavn on the Faroe Islands. He moved to Trondheim, where he received a degree from the NTNU’s jazz programme in 2014. He is an extremely active musician, and plays with both jazz and pop projects – the Fjords, Wako, Fieldfare, Swenefon – in addition to being a member of the Faroese Symphony Orchestra.

Drummer Simon Olderskog Albertsen is from Stjørdal, and like the other members of th trio, also has a background from the jazz programme at the NTNU. He plays in a number of jazz bands, but also works with folk and pop music, and as a theatre musician. He released the album “War Wounds” together with the English singer-songwriter Mark Gregory, and has appeared on records with Wako and Operasjon Hegge. “Bølge” was recorded at the legendary Rainbow Studio by engineer Jan Erik Kongshaug, and is available as a digital recording, on CD and as a stylish 2LP.