Showing posts with label James Davis. Show all posts
Showing posts with label James Davis. Show all posts

Wednesday, September 29, 2021

Matt Ulery to Issue First Live Recording – ‘Delicate Charms Live at the Green Mill’ on October 6

Celebrated Bassist and Composer Matt Ulery Announces the Release of His First Live Record, Delicate Charms Live at the Green Mill 

Out October 6th on Woolgathering – Release Show/Residency Kickoff at the Hungry Brain on October 6th

Woolgathering Records is thrilled to announce the October 6th release of bassist and composer Matt Ulery’s Delicate Charms Live at the Green Mill. This recording captures an electrifying evening of live music from Ulery’s Delicate Charms ensemble, performing at the legendary Chicago institution The Green Mill. Following the ensemble’s eponymous release in October of 2019, 2021’s Delicate Charms Live at the Green Mill presents six brand new Ulery compositions interpreted by five masterful musicians that when assembled, create a deeply adept ensemble unparalleled in interplay and dynamic sensibility. Profoundly reflective of the time-period in which the album was recorded, the exultant energy heard here captures an eagerly-awaited evening of live music – a hungrily anticipated night of freedom and creative expression after a disorienting period of imposed solitude due to the global health crisis. In addition, the travel restrictions of the time imposed some changes in the ensemble’s personnel – Ulery is joined here by pianist Paul Bedal, drummer Quin Kirchner, alto saxophonist Greg Ward, and trumpeter James Davis. On the night of release, Ulery will kick off the first outing of his new weekly residency at The Hungry Brain with an album release celebration. Details can be found HERE
Photo by Sandy Morris

Ulery reflects: “Just as Chicago was starting to open up in April/May 2021, it seemed like the only live music happening inside was at some of the jazz clubs. The Green Mill was operating with a seated only capacity. While braving the elements, we were all so hungry for live music in a room together, so it was no surprise that the vibe in the room was tangible…We couldn’t imagine replicating the energy in a studio that was created and felt that weekend at the Mill. ” The band played six sets from 8pm to midnight each night for two nights, as Dave Jemilo, the proprietor of the Green Mill, mixed live sound. Performing new material written by Ulery within the year, Delicate Charms Live at the Green Mill documents the most spirited takes of the ensemble’s first impressions of these striking compositions. 

The composer explains, “The tunes on this record have long, dynamic forms requiring intense engagement of the musicians at play. I wanted to create something new (to me) that has the composure of chamber music while having the agility through these forms only potent improvisers can bring to the flow… These guys absolutely crushed the new material, all the ink and all the dynamic improvisation that is always woven throughout this music.”

From the album’s very first refrains, the ensemble strikes an acute balance between harmonic intensity, thoughtful nuance and soulful delivery. Ulery’s orchestral genius is apparent when one notes the sheer range of timbre and dynamics that he pulls out of a single quintet – pieces like “We Are Just at the Limit” and “That Hideous Strength” seem to center heavily around the piano while “Oceans Away” and “The Arrival” are driven by the ensemble’s steadfast horn section. “Consumer of Time” makes ample use of Ulery’s stellar bass playing, before evolving into a true ensemble piece. These changes in density make for a diverse and exciting listening experience.

This live release acts as a vibrant follow-up to Ulery’s 2019 release Delicate Charms which garnered international acclaim. Hrayr Attarian of Chicago Jazz Magazine noted “The mellifluous and intricate Delicate Charms is thought-provoking and charmingly sophisticated. It is novel, complex yet accessible, which, together with its singular style, are the makings of an instant classic.” Michael Ambrosino wrote, for 33Third: Best of 2019, “By the end of the album you’ll realize this is Matt Ulery’s harmonic world, and we just live in it.” Delicate Charms Live at the Green Mill transports listeners into Ulery’s immersive harmonic world within the stirring, irreplaceable atmosphere of a live performance.

1. We Are Just At The Limit 07:05
2. Oceans Away 11:07
3. The Arrival 14:43
4. Undertow 08:58
5. That Hideous Strength 07:15
6. Consumer Of Time 13:36

Greg Ward | alto saxophone
James Davis | trumpet
Paul Bedal | piano
Quin Kirchner | drums
Matt Ulery | double bass and compositions

Saturday, October 20, 2018

Matthew Golombisky's Cuentos - Volume 3 (EARS&EYES RECORDS November 16, 2018)


Matthew Golombisky’s Cuentos represent the compositional culmination of his experiences living in cities throughout the world. His experiences of the musical and cultural environments of each city awaken different directions for inspiration to be opened and explored as short stories in the form of simplistic soundscapes. These Cuentos (the Spanish word for ‘short stories’) are an ongoing project in which Golombisky works with close musical cohorts from each city to convey the stories of a unique musical geography. The first release (September 2017) showcased in-depth explorations of musical friendships developed in both Oakland (Volume 1), where he lived for one year, and Chicago (Volume 2) where he lived for more than three years. 

In this third volume, he has returned to Chicago to work with a longtime collaborator, drummer Quin Kirchner, which marks the first volume with drum set. Quin and Matthew have been working together in various groups, ranging from rock/pop to straight-ahead, chamber, electro and free jazz formats since meeting in New Orleans 17 years ago. After working together for several years in New Orleans and after the devastating Hurricane Katrina, they were able to continue their work together in Chicago until Golombisky moved to Buenos Aires after stints in Rochester NY and Oakland CA. They continue their music with free jazz trio Pedway (with Caroline Davis) and the occasionally re-emergence of Golombisky’s Tomorrow Music Orchestra. 

Each of the Cuentos is concise, intentional aural plots utilizing a group of trusted musicians. The compositional structures are meant to be simple, and showcase the improvisational precision (not virtuosity) of each performer, conveying a modest concept with fluidity, clarity, and focus. (Usually,) even the lengths of the pieces represent a conceptual modesty. Most pieces range from three to six minutes in length; single ideas presented, explored, and left to the listener for reflection. The Cuentos are here and gone before a single musician is able to explore every possibility of the story. The mood of each piece can vary, but usually remains with one singular musical gesture, goal, or feel. In this way, they humbly encourage that the music stays within the realm of a short story format, and doesn't develop into a full novel (so to speak). 


James Davis - trumpet
Dustin Laurenzi - tenor sax
Naomi Moon Siegel - trombone
Matthew Golombisky - bass
Quin Kirchner - drums

1.Cuento #13
2.Cuento #14
3.Cuento #15
4.Cuento #16
5.Cuento #17
6.Cuento #18
7.Cuento #1 (V3 bonus)
8.Cuento #5 (V3 bonus)

Recorded by Nick Broste at Constellation in Chicago IL, USA
Mixed and mastered by Florencio Justo at Estudio Doctor F. in Buenos Aires, Argentina
Album concept/design by Matthew Golombisky
Original art by Isabella Golombisky