Showing posts with label Birgitta Flick. Show all posts
Showing posts with label Birgitta Flick. Show all posts

Tuesday, March 23, 2021

Pål Nyberg - Lowlands (March 2021 AMP Music & Records)

His initial approach was that of a composer, exploring his own creative world, but improvisation has been an ever-present factor in the development of the music too. The songs were often created from musical fragments that recur in new shapes throughout the album until finally, everything is woven together in a cinematic, captivating, slightly more produced sound. The end result is a singular and reflective musical statement that bears traces of cool jazz and psychedelia.

Pål Nyberg is an award-winning and versatile guitarist, known to many for his collaboration with the American cool jazz pioneer Jimmy Halperin. His melodic and original guitar playing has led him to collaborations with many of Europe’s most prominent musicians. Keyboards are played by Markus Jägerstedt, who also mixed the album, known for his collaboration with hitmakers such as Robyn, Seinabo Sey, Röyksopp and Little Jinder. One of the two woodwinds on the album is Per ”Texas” Johansson. ”Texas” has since his debut in the late 90’s with the album ‘Alla Mina Kompisar’, been considered one of Swedens foremost jazz musicians. Perhaps less known to the Scandinavian audience is the Berlin saxophonist Birgitta Flick, who has recently established herself as a strong voice on the international jazz scene. Through her own groups and collaborations with e.g.

American pianist Carol Liebowitz, she has received well-deserved recognition on both sides of the Atlantic. Konrad Agnas is currently one of Swedens prominent drummers in pop and jazz. In addition to his participation on ‘Lowlands’, Konrad is current with e.g. Sara Parkman, Loney Dear and Hedrosgruppen. Together with his brother Mauritz Agnas he has also collaborated with greats such as Nils Landgren and Pat Metheney.

1. Europa
2. Café de Jaren
3. On the Island
4. Love Streams
5. Lowlands
6. Apostel
7. Lowlands II
8. Nørrebro
9. Apostel II
10. Fox & Hedgehog

Birgitta Flick - saxophone
Per "Texas" Johansson - clarinet
Pål Nyberg - guitar
Mauritz Agnas - bass
Konrad Agnas - drums
Markus Jägerstedt - korg mono/poly, B3

Thursday, November 29, 2018

Birgitta Flick Quartet - Color Studies (DOUBLE MOON RECORDS 2018)


This is a step in a different direction. Forward, sideways, pause for a moment and then continue. But do not go back in any case. Before Birgitta Flick was pigeonholed as a Nordic sound artist due to the explicitly Swedish, peaceful, expansive ambiance of her previous albums “Yingying” (DMCHR 71121) and “Dalarna” (DMCHR 71170), she wanted to very consciously head in a different direction, introduce new colors, get to the bottom of them and play with them. Although there is of course grey again (“Grey”), because that fits somehow to the reflective tenor saxophonist, who was grown up in the area of Neubrandenburg and lives in Berlin. However, she also likes to romp around in “Yellow Room”, loves the colorful hotchpotch of “Pop Art”, juggles with musical shades of color in “Major and Minor” (composed by Béla Bartók), surprises with a “Happy Song” (“Happiness is currently the color blue for me. But that can change again in half a year.”) and gets to bottom of everything, i.e., “Color Studies”.  A paradigm shift for Birgitta Flick, which gives her and her perfectly matched band with drummer Max Andrzejewski, pianist Andreas Schmidt and the new bassist James Banner the possibility to present themselves as sound artists in the best sense of the word.

“After ‘Dalarna’, which originated from an order for a composition with a clear contextual background, we simply wanted to move in free space, wanted to improvise and combine the sum total of our inspirations,” Birgitta Flick explained the motif of her collective studies. “The idea with colors originated rather by chance, because I had the piece ‘Color Studies’. However, we soon realized that it expresses what we are doing very well.” The reason is that Flick, Andrzejewski, Schmidt and Banner experiment with the respective compositions as well as their melodic and rhythmic structures to create music from and for the moment.

In the process, we again experience the amazing magnetic attraction of a quartet, this small, compact, unbelievably dynamic band lineup. The musicians have to fit together in any case, love freedom and master their respective instrument. They start with a minimum of guidelines and information, interleave, and blend seamlessly into one. “There are notes there, and we simply make something of them,” Birgitta Flick stated concisely. When they do this, only unique pieces are created, no copies or repetitions, even in concerts. Everything comes and disappears again (if it is not recorded as in this case). Consequently, there are two different versions of Bach’s “Sarabande”, Flick’s older, many-layered miniature “Gespenster” and even “Color Studies” on the album, which approach themes from two opposing sides. Additionally, there are the dedications “Für Paul”, “Für Connie” (in honor of the deceased pianist Connie Crothers), “Line”, “Kor” and “H”, the homage by Andreas Schmidt for Thelonious Monk and Eric Dolphy (“Molphy”), his “Art Pop” as well as the collective improvisation “Ludus”. Four instrument players who come together in a confined space, four streams of thought, 16 takes, exciting, unique and gripping.

The “Color Studies” reveal themselves to be a collection of sketches and pictures, fragments and small strokes of genius, which Birgitta Flick has combined into a whole picture with her magnificent quartet. A snapshot of a rather peaceful, modest saxophonist, who will add a soothing, fresh color to the German jazz scene in the coming years.

Birgitta Flick - saxophone
Andreas Schmidt - piano
James Banner - bass
Max Andrzejewski - drums

1 Grey  03:34
2 Yellow Room  04:54
3 H  03:34
4 Für Paul  03:21
5 Art Pop  04:28
6 Color Studies #1  03:27
7 Sarabande #1  01:30
8 Gespenster #1  02:18
9 Kor  01:38
10 Gespenster #2  01:41
11 Sarabande #2  01:21
12 Happy Song  04:28
13 Molphy  05:43
14 Major and Minor  01:27
15 Ludus  01:27
16 Line  04:01
17 Für Connie  05:18
18 Color Studies #2  04:17

Friday, August 31, 2018

"Malita-Malika" by Carol Liebowitz & Birgitta Flick (LEO RECORDS 2018)


Carol Liebowitz
Birgitta Flick
MALITA-MALIKA 

New Release

With this duo's first CD, the New York based pianist and singer Carol Liebowitz and Berlin based tenor saxophonist Birgitta Flick create an extraordinary soundscape  —  where freedom of expression connects with an intense lyricism in original compositions, spontaneous improvisations, and inspired explorations into the Great American songbook. Whether it is a spontaneous free improvisation or a standard that dates back nearly a century — to them it's all one: they are guided by the spirit and the intuition of the very moment the music comes into being. A continuity of feeling and inspiration, each time anew.

Photo © Kate Koenig

Carol Liebowitz, piano, voice
Birgitta Flick, tenor saxophone

1. Moon
2. Portrait 
3. Visions
4. Malita-Malika (for Johanna)
   (Birgitta Flick, GEMA)
5. Hummingbird
6. Marionette/September in the Rain*
    Marionette (Billy Bauer); September in the Rain (Harry Warren & Al Dubin)
7. Jasmine
8. You Don’t Know What Love Is*
    (Gene De Paul & Don Raye)
9. Sehnsucht
10. Crossed Lines
11. Reflections

All tracks by Carol Liebowitz and Birgitta Flick (GEMA), except where noted. 
Published by Alissa Publishing / PRS
Recorded November 4 & 6, 2017 by Ryan Streber at Oktaven Audio, Mount Vernon, NY
Mixed by Brian Montgomery
Mastered by Jim Clouse, Park West Studios, Bklyn, NY
Photography by Kate Koenig
Produced by Birgitta Flick, Carol Liebowitz & Leo Feigin
Supported by the Senate Department for Culture and Europe


Carol Liebowitz, piano/voice

Pianist Carol Liebowitz brings a uniquely expressive and personal sound to the jazz and free improvisation scene. After focusing on classical repertoire at the High School of Performing Arts and NYU, her musical direction turned to improvisation and she began studying with Connie Crothers. Other influential teachers have included Sal Mosca, Jay Clayton and Sheila Jordan. She has performed in Europe and throughout the New York City metropolitan area in venues such as Roulette, The Stone, Cornelia Street Cafe, IBeam, The Firehouse Space, Arts for Art, Spectrum, and Birdland. In addition to frequent solo concert appearances, Carol has worked in various groups with musicians including Tom Blancarte, Adam Caine, Daniel Carter, Claire de Brunner, Maryanne de Prophetis, Andrew Drury, Ken Filiano, Andy Fite, Birgitta Flick, Ratzo Harris, Ron Horton, Louise D.E. Jensen, Adam Lane, Eva Lindal, Nick Lyons, Ryan Messina, Kevin Norton, Bill Payne, John Pietaro, Lorenzo Sanguedolce, John Wagner, Michael Wimberly, and Andrea Wolper.  

Her CD “Payne Lindal Liebowitz” on Line Art Records with clarinetist Bill Payne and violinist Eva Lindal was voted one of the Top Ten Jazz CDs in the 2015 NPR Jazz Critics Poll by Art Lange. Also on Line Art Records are “First Set” (a duo with alto saxophonist Nick Lyons), “Poetry from the Future” (To Be Continued, a quartet with Claire de Brunner, Daniel Carter, and Kevin Norton), and most recently in 2018, “Spiderwebmandala,” a duo with Bill Payne, featuring poet Mark Weber. Carol has two releases on the New Artists label: “Waves of Blue Intensities,” a duo with tenor saxophonist Bob Field, and “Time on My Hands,” a voice/guitar duo with Andy Fite.

“...three-dimensional kaleidoscopic displays.” —Mel Minter (musically speaking), melminter.com

“...chords that brim with ardent energy and hypnotic beauty.” — All About Jazz

Birgitta Flick, tenor saxophone 

Birgitta Flick is a saxophonist and composer and lives in Berlin. She studied saxophone and Jazz at the Jazz-Institut Berlin (UdK) and the Royal College of Music, Stockholm. Current projects—besides her Duo with Carol Liebowitz—are her Berlin-based quartet and the German-Swedish-Finnish band Flickstick, with whom she won the 2012 Jazz Baltica Förderpreis and released the 2nd album in January 2018. Ms. Flick’s other work includes playing in the Nico Lohmann Quintet, and in drummer Sebastian Voegler’s Stockholm-based band Fluxmaschine and the German Women’s Jazz Orchestra.

In 2011–12 her research and composition project on traditional Swedish music was sponsored by the Elsa Neumann Scholarship of the state of Berlin. The resulting suite for the Swedish singer Lina Nyberg, Silke Eberhard (bass clarinet), Nico Lohmann (alto saxophone, flute) and the Birgitta Flick Quartet was released in April 2016 by Double Moon Records. The quartet’s debut CD, “Yingying” was released in 2013 by Jazz thing Next Generation. In autumn 2018 the new CD “Color Studies” will be published by Double Moon Records/Challenge, supported by the Initiative Musik gGmbH. Further CD productions include those with the Nico Lohmann quintet, Esther Kaiser and Z’lil schel bet Haskala, amongst others. 

Her concert tours have taken her to several European countries, the USA and the Middle East, and in winter 2014–15, to New York for a three month stay including private studies with Connie Crothers. Festival concert appearances include XJazz Berlin, Elbjazz in Hamburg, JazzBaltica, Jazzwoche Burghausen, Jazzahead German Jazz Meeting and Cairo Jazz Festival. Since 2013 Birgitta also contributes to the monthly Psalmton Jazz Pop Services at Kaiser-Wilhelm-Gedächtnis-Kirche in Berlin—both as a performer, composer and coordinator. Since 2015 she also serves as the artistic director of the summer concert series “InSpirit“ at the Kaiser-Wilhelm-Gedächtnis- Kirche.

In 2017 she received a scholarship of the City of Berlin to realize a new improvisation project and the CD recording for “Malita-Malika" together with Carol Liebowitz. 

“An excellent tenor-saxophonist based in Berlin, Birgitta Flick has an original sound on her horn, not sounding like any of her historical predecessors.” —Scott Yanow

“The large scale of Flick’s music is testimony to her rich orchestral experience, and this album first of all surprises the listener with her outstanding talent as a composer.” —Kayo Fushiya, JazzTokyo

Contact
Jim Eigo Jazz Promo Services
Ph: 845-986-1677 / jim@jazzpromoservices.com
"Specializing in Media Campaigns for the music community, artists, labels, venues and events.”