Showing posts with label Enrico Rava. Show all posts
Showing posts with label Enrico Rava. Show all posts

Friday, January 21, 2022

Andrew Cyrille / William Parker / Enrico Rava - 2 Blues for Cecil (January 21, 2022 TUM Records)

2 Blues For Cecil brings together three legends of modern improvised music, drummer Andrew Cyrille, bassist William Parker and flugelhornist Enrico Rava, in a tribute to the late, great pianist and bandleader Cecil Taylor (1929-2018). Although the three played together for the first time as members of this trio, they share a common bond through their separate time spent performing and recording with Taylor.

Enrico Rava and Andrew Cyrille are among the elders of improvised music with their careers going back to the 1960s. William Parker rose to prominence during New York’s loft jazz era of the 1970s. The three musicians share one major link in their respective careers. Namely, they all have at different times been members of Cecil Taylor Unit or other ensembles of the legendary late pianist and bandleader Cecil Taylor.

Rava, Parker and Cyrille first performed together as a trio in a tribute to Cecil Taylor, with Taylor himself present, at the Whitney Museum in April 2016 as part of an exhibit/program under the heading “Open Plan: Cecil Taylor.” 2 Blues For Cecil was recorded on February 1 and 2 at Studio Ferber in Paris following the trio’s concert on December 31, 2020 under the heading “Tribute to Cecil Taylor” as part of the Sons d’hiver festival in Paris.

While 2 Blues For Cecil features compositions by all three of its members and even a standard, the emphasis is on improvisation. Four of the ten tracks are extended collective improvisations, including two versions of “Blues for Cecil.” The trio does not seek to emulate Cecil Taylor’s approach to creating music but rather draws on all the experiences, separate and shared, of its members.
“Cecil was a spokesman for individuality, a musical warrior always operating on a high level,” says Parker. “He was not avant-garde, he was a human being who loves life as music. He would not be boxed in by the music world’s value system that asks artists to conform to their standards.”

Although Andrew Cyrille was already an accomplished young musician at the time, his international breakthrough came with his membership in the Cecil Taylor Unit, which lasted for over a decade (1964-75), during which he established his position as one of the leading drummers in freely improvised music and participated in some of Taylor’s most legendary recordings. More than five decades later, Cyrille is still considered to be one of the most creative and versatile percussionists in modern jazz, equally at home in a modern mainstream setting as with more avant-garde music.

Similarly, William Parker first recorded with Frank Lowe, Billy Bang and many others in the 1970s but became internationally recognized when performing with the Cecil Taylor Unit in 1980-91 and participating in more than ten recordings led by Taylor. Parker is now best known for the many groups he has led or co-led over the past four decades. As well as being an improviser, writer and poet, Parker is a prolific composer and has composed everything from operas, oratorios, ballets and film scores to soliloquies for solo instruments. To date, he has participated in approximately 500 recordings with well over 50 albums under his own leadership.

Enrico Rava began his career in his native Italy in the mid-1960s but his work with saxophonists Gato Barbieri and Steve Lacy led to years spent living in New York City in the late 1960s and early 1970s and working with many of the musicians then active on the New York improvised music scene. Soon, Rava began recording under his own name. With more than 50 recordings as a leader or coleader, he is one of the most internationally known Italian jazz musicians and one of the best known in all of Europe. Although Rava met Cecil Taylor in the late 1960s in New York City, the two performed together for the first time almost two decades later, first in Taylor’s Orchestra Of Two Continents in 1984 and then in the Cecil Taylor European Orchestra in 1988.
Andrew Cyrille (b. 1939) was born in Brooklyn, New York, into a family with Haitian parents. He was mentored in the art of drumming by the great Philly Joe Jones circa 1958 and began recording and performing with the likes of Walt Dickerson, Coleman Hawkins, Roland Kirk and Mary Lou Williams when barely 20 years of age. However, Cyrille truly made his mark through his membership in the Cecil Taylor Unit, which lasted for over a decade (1964-75), during which time he established his position as one of the leading percussionists in the then emerging freely improvised music. Cyrille soon became one of the most respected drummers in modern jazz through both of his own recordings as a leader and through his collaborations with virtually every important name on the contemporary scene. Since the 1970s, Cyrille has led or co-led a number of ensembles, including Maono, The Group, the percussion quartet Pieces Of Time and Haitian Fascination that pays homage to his Haitian roots. In 1992, Oliver Lake, Reggie Workman and Cyrille founded Trio 3, a cooperative group that has over time become one of the main performing vehicles for all three of its members, recording more than 10 albums with several of the later ones also featuring a visiting pianist. Altogether, Cyrille has released more than 30 recordings as a leader or co-leader and countless others as a sideman. His most recent recordings as a leader are The Declaration Of Musical Independence (with Richard Teitelbaum, guitarist Bill Frisell and bassist Ben Street) in 2014, Lebroba (with trumpeter Wadada Leo Smith and Bill Frisell) in 2017 and The News (with pianist David Virelles, Bill Frisell and Ben Street) in 2019. In 2020, Cyrille received the Doris Duke Artist Award.
Photos ©Luciano_Rossetti

William Parker (b. 1952) is a composer, improviser, multi-instrumentalist, writer and poet born in the Bronx in New York City. He entered the music scene during New York´s loft jazz era in the early 1970s and quickly became a much sought-after bassist playing primarily with fellow improvisers, such as Billy Bang, Don Cherry, Milford Graves, Khan Jamal, Frank Lowe, Jemeel Moondoc, Charles Tyler and Frank Wright, among many others. Parker became internationally recognized when playing in the Cecil Taylor Unit from 1980 through 1991. Parker´s key collaborators have also included his spouse, dancer Patricia Nicholson, as well as Roy Brown, Peter Brötzmann, Rob Campbell, Cooper-Moore, Hamid Drake, Charles Gayle, Peter Kowald, Joe Morris, Matthew Shipp and David S. Ware. Since the early 1990s, Parker has increasingly led his own ensembles, including In Order To Survive, The Little Huey Creative Music Orchestra and the William Parker Quartet. Parker’s special projects have featured the music of Duke Ellington, Curtis Mayfield and Fats Waller, among others, and he has released several solo bass recordings as well as several duo recordings with fellow bass players. To date, Parker has participated in approximately 500 recordings, including well over 50 albums under his own leadership. Parker is a prolific composer and has composed everything from operas, oratorios, ballets and film scores to oliloquies for solo instruments. He is also a theorist and the author of several books as well as volumes of poetry.

Enrico Rava (b. 1939) was born in Trieste, Italy. Rava began playing the trombone in Dixieland bands when he was 15 but switched to the trumpet at 18 after hearing Miles Davis perform in Turin. Soon Rava was participating in local jam sessions and, in 1963, the Argentine saxophonist Gato Barbieri, who was then living in Rome, convinced Rava to join him there. Rava’s first recordings were in the mid-1960s with Gato Barbieri, Giorgio Gaslini and Steve Lacy. After Barbieri moved to Paris, Rava joined Steve Lacy's quartet, which led to extended stays in London, South America and eventually New York City. After moving to New York City in 1967, Rava soon played with many of the local musicians then active on the improvised music scene, such as Carla Bley, Lee Konitz, Jeanne Lee, Paul Motian and Roswell Rudd. Rava traveled back and forth between the United States and Europe and began making records both in New York City and in Europe with increasing frequency.

Rava’s first albums as a leader were with the Enrico Rava Quartet in 1972 and 1973. His first album for ECM Records was The Pilgrim And The Stars in 1975 and thus began a relationship that still continues today and has resulted in a total of 15 albums with the most recent being Edizione Speciale in 2021. Rava has also continued to work with many other European improvisers, including concerts and recordings with a number of large ensembles, such as ICP Orchestra, Globe Unity Orchestra and Italian Instabile Orchestra. Altogether, Rava has participated in more than 200 recordings with more than 50 of those as a leader or co-leader.Although Rava met Cecil Taylor in the late 1960s in New York City, the two did not perform together until almost two decades later. Rava participated in the recording of Winged Serpent (Sliding Quadrants) in Milan in 1984 by Taylor’s Orchestra Of Two Continents as well as the European tour that followed. In 1988, Rava was a member of Cecil Taylor’s European Orchestra.

01 Improvisation No. 1 (Cyrille, Parker and Rava)
02 Ballerina (Enrico Rava)
03 Blues For Cecil No. 1 (Cyrille, Parker and Rava)
04 Improvisation No.2 (Cyrille, Parker and Rava)
05 Top, Bottom and What’s in the Middle (Andrew Cyrille)
06 Blues For Cecil No. 2 (Cyrille, Parker and Rava)
07 Enrava Melody (Andrew Cyrille)
08 Overboard (Enrico Rava)
09 Machu Picchu (William Parker)
10 My Funny Valentine (Richard Rodgers and Lorenz Hart)

Enrico Rava flugelhorn
William Parker double bass
Andrew Cyrille drums

Tuesday, November 30, 2021

Cecil Taylor - Music From Two Continents (November 30, 2021 Fundacja Słuchaj)

In 1984 Cecil Taylor came to Poland for the second time. His first performance in Poland was in 1968 in Warsaw Philharmony where he presented a solo piano recital. After 16 years he returned to the Jazz Jamboree festival but that time with a large group of internationally acclaimed and most important improvisers on the free jazz scene. The lineup was incredible. Two great trumpeters one from Poland, Tomasz Stańko another from Italy, Enrico Rava. In the reed section, long time Cecil's collaborator, legendary altoist Jimmy Lyons with his wife bassoonist Karen, John Tchicai, Frank Wright Jr. on tenor saxophones, phenomenal trombonists Conrad Bauer, iconic vibraphone and bass clarinet player Gunter Hampel and finally a gorgeous rhythm section with Henry Martinez on drums and great William Parker.

Together they played for over one hour set of unbelievable, strong, and magnificent music in front of the hall lined to the brim. Here you have the whole Cecil Taylor concert with Music From Two Continents.

Includes unlimited streaming of Music From Two Continents via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

1. Music From Two Continents A 12:04
2. Music From Two Continents B 25:06
3. Music From Two Continents C 25:01

Full-length, legendary Cecil Taylor Orchestra concert from Jazz Jamboree 1984 feat. greatest names on American and European free jazz scene: Tomasz Stańko, Enrico Rava, Conrad Bauer - trombone, Jimmy Lyons - alto saxophone, Frank Wright Jr. - tenor saxophone, John Tchicai - tenor saxophone, Karen Lyons - bassoon, Günter Hampel - bass clarinet, vibraphone, William Parker - double bass, Henry Martinez - drums. Brilliantly recorded by Polish Radio.

1. Music From Two Continents 62.15 (on CD you received the whole set without any cuttings. On Bandcamp site for technical reasons music was divided to three parts)

Cecil Taylor – piano, leader
Tomasz Stańko - trumpet
Enrico Rava - trumpet
Conrad Bauer - trombone
Jimmy Lyons - alto saxophone
Frank Wright Jr. - tenor saxophone
John Tchicai - tenor saxophone
Karen Lyons - bassoon
Günter Hampel - bass clarinet, vibraphone
William Parker - double bass
Henry Martinez - drums

Recorded 26.10.1984 at Jazz Jamboree, Congress Hall PKiN, Warsaw, Poland by POLSKIE RADIO
Produced under the license of POLSKIE RADIO (Polish Radio) 2021

Mastered: 30.04.2021 by Grzegorz Piwkowski (Hi End Studio, Warsaw)
Photos: mirek makowski
Cover design. SEMAFOR
Executive Producer: Maciej Karłowski

Friday, October 29, 2021

Enrico Rava | Edizione Especiale | Available October 29 via ECM

Trumpeter Enrico Rava's
Musical Enthusiasm Returns With
New Live Recording Edizione Speciale

Quartet Features Francesco Diodati,
Gabriele Evangelista, and Enrico Morello


Enrico Rava delivers a characteristically outgoing performance in this live recording from Antwerp’s Jazz Middelheim festival. In the summer of 2019, the doyen of Italian jazz was in buoyant mood as he zigzagged between celebrations marking ECM’s 50th anniversary and his own 80th. For these concerts, the core of his current quartet with guitarist Francesco Diodati, bassist Gabriele Evangelista and drummer Enrico Morello was augmented with guests to form a special unit, an Edizione Speciale able to rove across the totality of Enrico’s musical enthusiasms. To differing degree, all the players heard here have been inspired by Enrico Rava’s example: he has been a mentor to most of them and, in turn, draws fresh energy from their spirited interaction. “I give them a lot of freedom,” he has said of his sidemen, “because I trust them. I have to trust them, and they have to trust me – at that point, everything is possible.”
 
Always a special case among the improvisers, Rava (born in Trieste in 1939) stood out in the late 1960 and early 1970s era of the new music, as a tradition-conscious player in the inner circle of the free blowers. This is apparent on some of his earliest recorded appearances - with Steve Lacy on The Forest and the Zoo, for instance, or with Manfred Schoof on European Echoes or with Carla Bley in the massed ranks of Escalator Over the Hill.
 
“I always felt connected to the tradition of jazz, and started to discover a more ‘Italian’ way of feeling the music which to me means giving greater importance to the melody”, Rava explained in the book Horizons Touched. The trumpeter/flugelhornist gradually dove deeper into his “personal musical world, which represents a synthesis of the many experiences of my life.” This meant jazz from New Orleans to Ornette Coleman and beyond, influences from Italian classical and popular music, and also “the feeling of South America, in a way my second home, with tango and Brazilian music…I’m putting all the musics that I love together making something that is still essentially jazz but also unmistakably my music.” 
 
The repertoire of Edizione Speciale expresses this autobiographical flavour from the first moment. “Infant” begins with briefly unaccompanied Rava flugelhorn, soon to introduce a theme that moves initially like one of Ornette’s themes for his early group with Don Cherry, as saxophonist Francesco Bearzatti plays tight unisons with Enrico. The entry of guitarist Gabrieli Evangelisti subverts the association in an explosion of sound-colour and by the time Giovanni Guidi, one of Rava’s most gifted protégés, arrives with a boiling piano solo the feeling is established that this music, brimming over with personality, can go anywhere, swinging with insouciant recklessness from mood to mood.
Michel Legrand’s “Once Upon A Summertime” is gradually untethered from associations with the Miles Davis/Gil Evans collaboration on Quiet Nights, with poetic and limpid Guidi piano easing the ballad into freer areas which coalesce into Rava’s “Theme for Jessica Tatum” from his Noir collection of darkly cinematic tunes. 
 
“Wild Dance”, title track of the Rava Quartet’s 2015 album, proposes balletic movement over a floating pulse with flugelhorn juxtaposed against distorted electric guitar texture, which Rava refers to as “clouds of sounds.” “The Fearless Five”, meanwhile, takes us back to the heyday of Enrico’s group with the late Roswell Rudd, with roots in Dixieland and the lurching rhythms of Thelonious Monk, while always reaching for other freedoms. 
 
“Le Solite Cose/Diva” brackets a piece that was a favourite of Enrico’s duo with Stefano Bollani together with another noir-ish portrait, which Rava has returned to on several occasions (including Wild Dance). And finally, there is a carnival-spirited account of the popular Cuban tune “Quizás, Quizás, Quizás”. (Guidi has recorded it previously for ECM on his own album This Is The Day). Rava’s Edizione Speciale ensemble uses its syncopated groove as a launching pad for cheery solos from each of the band members. Enrico Morello, whom Rava hails as “the best drummer in Italy right now”, elegantly negotiates the shifting Latin rhythms.

Enrico Rava made his earliest ECM recordings on The Pilgrim And The Stars (1975) and The Plot (1976), with his international quartet with John Abercrombie, Palle Danielsson and Jon Christensen. Since then he has been heard in many other contexts including, recently, the album Roma, with a quintet co-led by Joe Lovano and also featuring Giovanni Guidi, Dezron Douglas and Gerald Cleaver (recorded 2018). Edizione Speciale is Enrico Rava’s 18th recording for ECM.  Further recordings are in preparation. 

1 INFANT 13:01
2 ONCE UPON A SUMMERTIME / THEME FOR JESSICA 16:58
3 WILD DANCE 06:17
4 THE FEARLESS FIVE 12:57
5 LE SOLITE COSE / DIVA 09:43
6 QUIZÁS, QUIZÁS, QUIZÁS 05:24

Enrico Rava   Trumpet & Flugelhorn
Francesco Bearzatti   tenor saxophone
Francesco Diodati   Guitar
Giovanni Guidi   Piano
Gabriele Evangelista   Double Bass
Enrico Morello   Drums


CONCERTS
November 01 Enrico Rava Elbphilharmonie, kleiner Saal Hamburg Germany

Monday, March 29, 2021

Dino Piana - Al gir dal Bughi (2021 Parco della Musica Records)

Il nuovo disco della Parco della Musica Records  è un doveroso e affettuoso omaggio al trombonista Dino Piana, definito da Enrico Rava, che ha fortemente voluto il progetto insieme al figlio Franco, “uno dei più grandi jazzisti italiani, uno dei più amati e dei più richiesti in Europa, uno dei padri storici del jazz moderno in Italia e fonte d’ispirazione per tutti i giovani trombonisti negli anni a venire”. Il titolo “Al gir dal bughi” (al giro del Boogie) nasce dal racconto del loro primo incontro durante una jam session avvenuta più di sessant’anni fa, in cui cominciarono suonare e Piana fece il primo assolo rivelandosi “qualcosa di straordinario, con una fluidità e una logica che ci lasciarono basiti. Un altro pianeta”. Da quel momento è nata una amicizia che arriva fino a oggi e che trapela anche in questo disco, prodotto dalla Parco della Musica Records e Jando Music, in cui vengono interpretati alcuni standard immortali del jazz da Bernie’s Tune a Polka Dotz and Moonbeams e Everything Happens to Me. Dino Piana, Enrico Rava e Franco Piana sono accompagnati da una sezione ritmica d’eccezione capitanata da Roberto Gatto alla batteria con Gabriele Evangelisti al contrabbasso e Julian Oliver Mazzariello al pianoforte.

1. When Lights are Low
2. Bernie's Tune
3. Polka Dotz and Moonbeams
4. Rhythm a Ning
5. I'll Close My Eyes
6. When Will the Blues Leave
7. Everything Happens to Me
8. Dear Old Stockholm
9. Line for Lions

Dino Piana valve trombone
Enrico Rava flugelhorn
Franco Piana flugelhorn
Julian Oliver Mazzariello piano
Gabriele Evangelista double bass
Roberto Gatto drums

Monday, July 9, 2018

Quintorigo - Opposites (INCIPIT RECORDS 2018)


I Quintorigo celebrano i vent’anni dall’esordio sulla scena musicale con un doppio album composto per metà di brani di propria composizione e per metà di cover. Insieme al quartetto (Andrea Costa: violino, Gionata Costa: violoncello, Valentino Bianchi: sax e Stefano Ricci: contrabbasso) hanno partecipato al lavoro Alessio Velliscig (voce), Gianluca Nanni (batteria), Enrico Rava al flicorno e Joe Pisto alla voce.

Opposizione, giust-apposizione, contrapposizione di fenomeni artistici lontani nel tempo e nello spazio: quanto dista Duke Ellington da David Bowie? Qual è la strada più breve fra Ornette Coleman e i Rage Against the Machine? E spesso, cercano di dimostrare i Quintorigo, le distanze non sono poi così grandi e di conseguenza le opposizioni sono solo apparenti. La Musica è un universo molto più facile da percorrere di quello siderale. Non servono astronavi o ponti di Einstein-Rosen per una gita turistica non esaustiva ma sensata. Il personalissimo percorso che propongono i Quintorigo è proprio questo: una rivisitazione di classici e un dialogo con essi, in 10 cover e 11 brani originali, con la massima libertà artistica. Un lavoro in cui la conseguita maturità li riporta al fanciullesco stupore di fronte ai propri mostri sacri e al folle proposito di emularli e sfidarli. Un album, anzi due, che suonano “deliranti” nel senso etimologico del termine, che escono dal solco dell’artisticamente corretto e soprattutto del già ascoltato.

CD1
1) 1977
2) Special Mind
3) Aeneis
4) A Pigeon's Overview
5) Opposite Attract
6) Grey Comedy
7) Suit And Tie Bandits
8) Dust Town
9) Fuck The Bank
10) The great surrender
11) Waltz For Naima

CD2
1) Congeniality 
2) Stolen Moments 
3) Well You Needn't / Think Of One
4) Space Oddity 
5) Jeru 
6) Blue Rondo A La Turk
7) Killing In The Name 
8) Boy Meets Horn
9) Alabama Song 
10) You Go To My Head


Monday, November 28, 2016

Randy Kaye Quintet (feat. Enrico Rava) - Brooklyn 1967 May 24th (Tears for a Year Gone By) [PHILOLOGY 2016] 2 CD


Un documento di valore storico assoluto: non si può definire in altro modo il doppio CD che la Philology pubblica a nome del batterista Randy Kaye, entrato negli annali del jazz soprattutto grazie alla sua lunga collaborazione con un polistrumentista avventuroso come Jimmy Giuffre.

Nato nel 1947 e scomparso il 2008, Kaye suonò anche con il clarinettista Perry Robinson e il contrabbassista David Izenzon, con i quali costituì lo Uni Trio, con il vibrafonista Bobby Naughton, la vocalist Sheila Jordan e poi con i francesi André Jaume e Remi Charmasson. Durante una jam ebbe pure l’occasione di suonare accanto a Jimi Hendrix. L’album si intitola “Brooklyn 1967, May 24th: Tears For A Year Gone By” e vede riunito attorno a Kaye un notevole gruppo formato da Enrico Rava, all’epoca attivissimo sulla scena jazzistica newyorkese più innovativa, alla tromba, dal sassofonista Joel Peskin (che si ascolta anche al clarinetto basso), dal pianista inglese Peter Lemer e dal contrabbassista Steven Tintweiss (collaboratore di Abert Ayler e di altri uomini del free jazz).

I nastri delle registrazioni date alle stampe dalla Philology sono rimasti chiusi in una cassetto per decenni e riportate alla luce grazie al figlio di Randy Kaye, Justin: ora tutti possono finalmente ascoltare una musica dinamica, intensa, specchio di un periodo storico in cui il jazz era una musica in costante evoluzione, viva e pulsante. Note di copertina di Enrico Rava!! 90 minuti di musica su 2 cd.

Disc 1
01. Apricot Lady (feat. Enrico Rava) 13:54
02. Pretty Sweet (feat. Enrico Rava) 15:45
03. Tears for a Year Gone By (feat. Enrico Rava) 13:56

Disc 2
01. Laughter (feat. Enrico Rava) 13:34
02. What Little Girls Are Made Of (feat. Enrico Rava) 17:53
03. To Angel with Love (feat. Enrico Rava) 9:41

Randy Kaye, drums
Steven Tintweiss, bass
Peter Lerner, piano
Joel Peskin, tenor sax & bass clarinet
Enrico Rava, trumpet



Pretty Sweet

Tuesday, May 24, 2016

Enrico Rava - My Songbook (2016) Casa Del Jazz



La collana che porta dalla Casa del Jazz in edicola i grandi musicisti jazz del nostro Paese con una serie di diciotto live esclusivi, una panoramica sulla musica d'improvvisazione in Italia, sarà in tutte le edicole mercoledì 6 aprile con la quinta uscita "My Songbook" di Enrico Rava.

01. Choctaw 07:00
02. Espejismo Ratonera 05:49
03. Cromosomi 08:05
04. Cornette 08:07
05. Song Tree 04:08
06. Overboard 08:14
07. Sola 05:28
08. Water Kite 07:09
09. The Fearless Five 06:32

Alto Saxophone, Soprano Saxophone – Daniele Tittarelli
Double Bass – Stefano Senni
Drums – Zeno De Rossi
Flugelhorn – Enrico Rava
Guitar – Marcello Giannini
Piano – Giovanni Guidi
Tenor Saxophone, Bass Clarinet, Arranged By – Dan Kinzelman
Trombone – Mauro Ottolini
Written-By – Enrico Rava

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