Showing posts with label Eric Kennedy. Show all posts
Showing posts with label Eric Kennedy. Show all posts

Monday, March 8, 2021

Lafayette Gilchrist - NOW (Morphius Records)


"New Orleans barrelhouse piano, the Impressionism of Ravel, and Duke Ellington’s jaggy solo-piano sound form the bedrock of Lafayette Gilchrist’s style at the keyboard. But if there’s one big influence on the way he thinks about rhythm, it’s the deeply swinging ‘pocket’ of a classic go-go beat. With its classic loping groove, built on heavy hand percussion and call-and-response flow, go-go is the unofficial musical idiom of Gilchrist’s native Washington, D.C.”
– Giovanni Russonello, The New York Times

“Lafayette Gilchrist has dug deep into [jazz piano] history… he's tapping into jazz's spiritual, historical and cultural roots. He's an old soul at ease in the modern world.” – Kevin Whitehead, NPR’s Fresh Air

Pianist, composer and bandleader extraordinaire Lafayette Gilchrist returns to the trio format on his engrossing, self-released double disc, NOW, the follow-up to last year’s critically acclaimed solo piano album, Dark Matter, which many critics cited as one of 2019’s best jazz releases.

On NOW, Gilchrist’s first trio recording since his 2007 release 3, the pianist leads his formidable group Specials Revealed, featuring bassist Herman Burney and drummer Eric Kennedy. The three musicians have developed a deep rapport from years of playing together in other people’s bands. When the trio convened to record in November 2019, Gilchrist was bursting with creative energy.

The album begins with Gilchrist’s signature tune, “Assume the Position,” a protest song about police violence that was featured on HBO’s crime drama The Wire. Atop a combustive, deep-pocket groove, Gilchrist unleashes his signature two-handed improvisations, often marked by granite-hard rhythmic attacks, rumbling blues-laden melodies, a striking harmonic sense and off-kilter improvisations.  

NOW includes other socially and politically conscious compositions as well, such as the dramatic “Bmore Careful,” which examines crime and police brutality in Baltimore, where Gilchrist has lived since 1987. The piece features rumbling tremolos, a stuttering groove and a cinematic melody that fluctuates between menacing and wistful.
Gilchrist also cites other influences, including Billy Preston, Aretha Franklin, Randy Weston, Thelonious Monk, McCoy Tyner and Bud Powell. Make no mistake though, Gilchrist is a modernist who deftly juxtaposes multiple jazz idioms with the rhythmic bounce, syncopation and grooves associated with go-go music, funk and hip-hop.  

Born in August 1967 in Washington, D.C., Gilchrist’s life as a pianist began at 17 while he was studying economics at University of Maryland, Baltimore. On his way to an English class during his freshman year, he wandered into a recital hall and began pecking out melodies and riffs on a Steinway piano. 

Gilchrist subsequently spent many hours teaching himself piano and auditing music theory classes. By the time he graduated, he had started his career as a pianist and composer. He formed his first ensemble, New Volcanoes, in 1993 and released his debut album, The Art is Life, that same year. He’s since released 13 other albums as a leader. In addition to The Wire, his music has been featured on HBO’s Treme and The Deuce. “Gilchrist's writing weaves together old-school funk rhythms with hip-hop cadences and raw street beats,” says Troy Collins in All About Jazz. “His melodic sensibility embraces the esoteric angularity of Andrew Hill and Sun Ra as much as the emotional directness of the blues.”  

In addition to his work as a leader, Gilchrist has also performed as a sideman with a host of jazz luminaries including saxophonist David Murray, singer Cassandra Wilson, trombonist Craig Harris, bassist William Parker and drummer Andrew Cyrille.
Disc 1
1 ASSUME THE POSITION 8:56
2 BAMBOOZLED 6:39
3 RARE ESSENCE 10:30
4 OLD SHOES COME TO LIFE 10:00
5 ON YOUR BELLY LIKE A SNAKE 10:50
6 SAY A PRAYER FOR OUR LOVE 7:36
7 BMORE CAREFUL 12:30
8 THE MIDNIGHT STEP RAG 8:40

Disc 2
1 TOMORROW IS WAITING NOW (SHARON’S SONG) 13:33
2 THE WONDER OF BEING HERE 5:58
3 PURPLE BLUES 10:55
4 NEWLY ARRIVED 7:14
5 ENOUGH 10:25
6 GET STRAIGHT TO THE POINT 8:19
7 CAN YOU SPEAK MY LANGUAGE 9:24
8 SPECIALS REVEALED 7:48

Lafayette Gilchrist - piano
Herman Burney - bass
Eric Kennedy - drums

Tuesday, May 8, 2018

Todd Marcus - On These Streets (a Baltimore Story) 2018


Since 1997 Marcus has lived a double life as a community activist and leader of the west Baltimore nonprofit Intersection of Change, while also carving out a career as one of the world’s preeminent jazz bass clarinetists. His album On These Streets offers a musical portrait of his neighborhood of 20 plus years which was thrust into the national spotlight in 2015 due to the civil unrest following the death of fellow community resident Freddie Gray.

Self taught in jazz theory and composition, Marcus’ straight-ahead playing has carved out a unique voice for the bass clarinet in modern jazz. The New York Times writes, “Mr. Marcus is probably the most inventive bass clarinetist working in straight-ahead jazz today…[and] lives in Baltimore, where he is a guiding light on the city’s jazz scene who doubles as an activist and organizer.”

While the New Jersey native’s work over recent years has focused extensively on his Egyptian heritage by incorporating Middle Eastern influences in jazz, his current efforts have focused on his experiences at home in Baltimore as On These Streets seeks to portray both the challenges and strengths of his community.


1. On The Corner 08:28
2. An Intersection of Change (Intro) 02:04
3. An Intersection of Change 07:21
4. Ground Zero (at Penn. & North) (Intro) 01:32
5. Ground Zero (at Penn. & North) 08:48
6. I Surrender All (Intro) 00:40
7. I Surrender All 05:14
8. Fear of the Known 06:14
9. PTSD In the Hood (intro) 00:22
10. PTSD In The Hood 05:50
11. Pennsylvania Avenue Hustle (Intro) 01:42
12. Pennsylvania Avenue Hustle 04:55
13. It Still Gets Still (Intro) 00:33
14. It Still Gets Still 06:51
15. Covered In Snow 06:11
16. NJ '88 (Ode to the 80s) 06:20

Warren Wolf - vibraphone & drums
Paul Bollenback - guitar
George Colligan - piano
Kris Funn - bass
Eric Kennedy - drums & vocal