Showing posts with label Charlotte Greve. Show all posts
Showing posts with label Charlotte Greve. Show all posts

Friday, February 25, 2022

Marta Sanchez - SAAM (Spanish American Art Museum) February 25, 2022 Whirlwind Recordings

Marta Sanchez’s creative voice is strikingly original – circling rhythms, elaborate forms and criss-crossing counterpoint distinguishes her sonic signature on the crowded New York contemporary music scene. Following three critically acclaimed quintet releases, the Madrid-born pianist-composer presents SAAM (Spanish American Art Museum) on Whirlwind Recordings, an album driven by emotional candour and boundary-pushing compositions.

A talented cast realises her knotty, technical writing – frontline partners Alex Lore and Roman Filiu meet Sanchez, Rashaan Carter andAllan Mednard on backline duties.

SAAM riffs on the Smithsonian American Art Museum, on an album that’s an exhibition of Sanchez’s life in musical form: “It’s made up of all the elements of society from both countries [Spain and America] that impact my life and make me who I am.” Matters internal and external are realised in musical expositions of complex feelings. The pieces took shape in lockdown, as Sanchez exchanged fortnightly composition tasks with a pen- pal. “Those compositions express all the phases I was going through at that time. I was reflecting super deeply on what’s important, and how we might give some sense to life.”

Most of the album draws on those precisely realised emotions. The colouristic, texturally driven opener ‘The Unconquerable Areas’ describes parts of herself “that are still vulnerable. These weak parts of myself; even though I’ve been dealing with them for a long time, they’re still there.” Similarly reflective is ‘Dear Worthiness’, a “sad ballad that reflects on my self worth” – it features beautifully lithe melodies, but melancholy is never far away. ‘SAAM’ cuts through that smoothness, in a jagged, Schoenberg- inspired outburst full of intense feelings and dense clusters, built around an essential pain.
A different form of pain features in ‘The Eternal Stillness’ – mournful sighs and cries emanate from the saxophones, as layered textures shift underneath. Then something very different comes along – ‘Marivi’, featuring Ambrose Akinmusire and Camila Meza, offers a warm tribute to Sanchez’s mother, who died during lockdown. “I tell her things I could never tell her,” says Sanchez of the lyrics. “I loved my mum but it was really hard to tell her the deep things.”

‘If You Could Create It’ strikes a lighter tone, with cascading torrents of tenor sax sound, before ‘The Hard Balance’ offers reflection, both musically and personally – the track is finely balanced on an intricate polyrhythm, that reflects the difficulties of maintaining a work-life balance. ‘December 11th’ is the day Sanchez’s mother died, a personal tribute featuring an extended, heartfelt piano solo.

The album concludes with ‘When Dreaming is Only’, the most complex tune on the album; insistent piano rhythms and duelling saxophones give way to a band texture that’s bustling, brimming with energy. “Sometimes I just take the vibe, compose the atmosphere, and sometimes I focus on something super specific.” Sanchez’s ability to tap into emotional expression through detailed instrumental music is without parallel – this collage of moods and feelings is testament to that.

1. The Unconquered Vulnerable Areas
2. Dear Worthiness
3. SAAM (Spanish American Art Museum)
4. The Eternal Stillness
5. Marivi
6. If You Could Create It
7. The Hard Balance
8. December 11th
9. When Dreaming Is The Only

Alex LoRe - alto saxophone
Roman Filiu - tenor saxophone
Marta Sanchez - piano
Rashaan Carter - bass
Allan Mednard - drums
Camila Meza - voice and guitar (5)
Ambrose Akinmusire - trumpet (5)
Charlotte Greve - synths (5)

Recorded by Chris Allen at Sear Sound
(March 15/16, 2021)
Mixed by Dave Darlington
Mastered by Dave Darlington
Produced by Marta Sanchez
Executive Producer - Michael Janisch
Liner Notes - Michael Formanek
Photography by Kimberley M Wang
Graphic Design by Dave Bush

Tuesday, November 20, 2018

Zack Clarke - Mesophase (CLEAN FEED RECORDS 2018)


Mesophase is a term used in physics describing a state of matter that is neither liquid nor solid, sharing properties of both while defining a state unique unto itself. By extension, the concept can also apply to a reconciliation of emotional polarities or conflicting ideas. Zack Clarke leverages the idea of a mesophase as a vehicle for musical expression through the synthesis of disparate musical forces. His album “Mesophase” unites the natural and the human-made, bringing together acoustic and electronic elements in profound and unusual ways. The result is a music that is not defined by genre, taking essential elements from improvisation, electronic music and through-composed writing. With this combination of approaches, the pianist and composer from New York creates harmonic and melodic forms that translate through multiple mediums. Clarke refers to the process of creating the album as “feeling less like construction and more like a discovery and translation of something that is already there.” After the initial success and critical acclaim of his first Clean Feed release, “Random Acts of Order,” Clarke takes a bold and significant step forward with this record, as he expands his previous approach to electro-acoustic music through the incorporation of a score for an ensemble of musicians. Performed by some of New York City’s finest up-and-coming improvisors, the outcome is a vibrant palette of unique instrumentation and modern synthetic sound that delivers a powerful and thought-provoking listening experience.


Chris Irvine  cello
Charlotte Greve  saxophone, clarinet, flute
Nick Dunston  double bass
Leonid Galaganov  percussion, waterphone, shakuhachi

1 Curtain 06:24 
2 Generative 08:14
3 Infiltration 02:00
4 Beggar 04:41
5 Tilted 04:48
6 Reticence 05:35
7 Frontier 04:14
8 Assimilate 05:48
9 Bridge 05:40
10 Bravery 05:37

All compositions by Zack Clarke

Recorded April 25th 2017 by Jim Clouse at Park West Studios, Brooklyn, NY | Mixed and mastered by Dave Darlington, Bass Hit Studios, New York, NY
Produced by Zack Clarke | Executive production by Pedro Costa for Trem Azul | Design by Travassos