Showing posts with label Cameron Brown. Show all posts
Showing posts with label Cameron Brown. Show all posts

Tuesday, February 1, 2022

Lena Bloch & Feathery Quartet - Live at iBeam Brooklyn (February 1, 2022)

Recorded live at iBeam Brooklyn, 12/12/021.

"Superior ensembles develop deep levels of telepathy, a singularity of purpose. That is evident here. It has become a cliche to say someone—usually a rhythm section player, a drummer, bassist or pianist—elevates the music. With Lena Bloch's Feathery, everyone participates in the four-way elevation"
- Dan McClenaghan, All About Jazz

"The concept behind the group’s name lies in their ability to rapidly shift direction, darting from point to point like a feather borne on the wind. Lossing shares compositional duties, and rounding Bloch’s tight-but-loose ensemble are veteran bassist Cameron Brown, still an electrifying presence, and undersung drum hero Billy Mintz."
- Fred Grant, Jazz Journal

1. Rivers (L.Bloch) 10:17
2. Valzer Quadrato (L.Bloch) 08:14
3. Wintry Mix (R.Lossing) 11:10
4. Curieux (R.Lossing) 14:06
5. Esmeh (L.Bloch) 12:52

Lena Bloch - tenor saxophone
Russ Lossing - piano
Cameron Brown - bass
Billy Mintz - drums

Randy Thaler - sound engineer, mix & mastering

Friday, October 8, 2021

Lena Bloch & Feathery - Rose of Lifta (October 8, 2021 on Fresh Sound New Talent)

Out October 8, 2021 on Fresh Sound New Talent, recording features Bloch, pianist Russ Lossing, bassist Cameron Brown and drummer Billy Mintz in gorgeous original music 

“Most impressive quartet – or rather, four equals perfectly attuned to each other. ‘Collective’ is the key word here, for this is truly musical togetherness, creating a sound all its own.” – Dan Morgenstern

“The stunning thing about every performance here is the delicate blend of composed music and spontaneous invention." – Donald Elfman, New York City Jazz Record

“..unwaveringly cohesive...bone-deep gorgeousness...complex, compelling and beautiful, sounds of the highest quality and inspiration laid down by a premier jazz quartet." –  Dan McClenaghan, All About Jazz .”

“I am from there. I am from here. / I am not there and I am not here.” So wrote Palestinian poet Mahmoud Darwish, a guiding inspiration for Russian-born saxophonist Lena Bloch and her quartet Feathery as they release their stunning new album of original music, Rose of Lifta.

Due out October 8, 2021 via Fresh Sound New Talent, Rose of Lifta digs deep into the yearning, soulful, complex sounds and the themes of exile, loss, and home encapsulated by Darwish, and emerges with seven shimmering original tracks. Bloch’s personal story is also closely related to yearning for home, as it traverses Russia, Israel, Holland, Germany, graduate studies, a few years of work, and finally immigration to the United States. Her experience informs the music and gives it a deeply personal angle.

With a remarkably cohesive band featuring pianist Russ Lossing, bassist Cameron Brown, and drummer Billy Mintz, Bloch’s second Feathery recording, a follow up to the acclaimed 2017 Heart Knows, demonstrates once again her three-tier excellence as a saxophonist, composer, and a bandleader whose approach nurtures listening, trust, and musical freedom. “We prefer to not have any particular arrangements of our compositions,” she says. “Jazz doesn’t have to be risk free – on the contrary, I think risk is a great factor! Because we cultivate this feeling, given the professionalism and experience of my fellow ensemble members, risk and challenge only facilitate the result. The less safe we all feel, the better it is for the music.”

With a tone simultaneously delicate, nuanced, and emotionally powerful, Bloch leads her quartet in four Bloch originals and three Lossing originals. As Brian Morton writes in the liner notes, “[Bloch’s] beautiful record is conditioned by and dedicated to the experience of exile. I cheerfully admit that it made me cry – I am no longer young, and have no shame over this – but not because of any political stance or any anecdotal content, but quite simply because her music, and that of Lossing, is so damned beautiful.” 

“Promise of Return,” the opening track by Bloch, begins with Brown’s single bass line, joined by piano, drums, and saxophone melding into cascading, conversant, recurring motifs. A resonant, wistful saxophone solo starts the second track, “Mad Mirror,” another Bloch’s original. Lossing’s searching, emotional piano and compositional acumen are highlighted on “New Home” and “Old Home,” as well as the final track, “Wintry Mix.” Two more pieces by Bloch round out the recording, the  title track “Rose of Lifta,” and “Mahmoud Darwish,” Bloch’s sonic ode to the poet whose art and work inspired the album.

While the tunes on Rose of Lifta arise from dark themes, the music is transcendent. “This isn’t a plangent song of sorrow, but an affirmation of life,” writes Morton. “It is music about life. I hear it as a continuous suite of dances and narratives, the voice of someone telling her and their story, arrestingly and thoughtfully. You cannot ask for more in music.”

Founded in 2014, Feathery Quartet draws its inspiration from diverse musical traditions: jazz, Middle Eastern, Eastern European, 20th and 21st century classical music. It performs original compositions written by Lena Bloch and Russ Lossing. Based on collective improvising, Feathery's musical approach consists of blurring the lines between composition and spontaneous invention, and between written and improvised sections. 

The ensemble's name refers to lightness, flexibility, readiness to drift in the new directions - like a feather in the wind. DownBeat says of Feathery, “rippling energy and sublimely weightless interplay.”

After years of live performances at venues including Cornelia Street Cafe Jazz At Kitano, Puffin Cultural Forum, Baha’i Center NYC, University of Massachusetts Amherst, Maureen’s Jazz Cellar, Live At The Falcon, the quartet released “Heart Knows” on Fresh Sound Records in 2017, receiving high praise in American and international publications including All About Jazz, New York City Jazz Record, DownBeat Magazine, France Musique and Chamber Music Magazine, to name a few. The album was also recognized by international outlets as a top jazz release, and in the NPR Jazz Critics Poll’s Top 100. 

Lena Bloch is a Russian-born saxophonist, composer and bandleader, based in New York since 2008. She has been leading her own chamber groups, performing original music since 1990, in Israel, Europe and the United States, including Red Sea Jazz Festival (Israel), Leverkusener Jazz Tage and Ingolstaedter Jazz Tage (Germany), Jazz Lent Maribor (Slovenia), Voronezh Jazz Festival (Russia), Washington Women in Jazz Festival, Vermont Jazz Center Festival, and Temple of the Arts Festival (United States). As a saxophonist she worked with Embryo, Steve Reid, Mala Waldron, Roberta Piket, Sumi Tonooka, Vishnu Wood, Harvey Diamond, Sebastien Ammann and many other American and European bandleaders.

Promise Of Return
Mad Mirror
New Home
Climbing Rose Of Lifta
Old Home
Mahmoud Darwish
Wintry Mix

Lena Bloch (saxophone, composition)
Russ Lossing (piano, composition)
Cameron Brown (bass)
Billy Mintz (drums, percussion)

Recorded July 12, 2019 at Skyline Studios 
Recording engineer mixing and mastering - Paul Wickliffe 

Wednesday, September 15, 2021

Gilbert Isbin with Cameron Brown - Spring Cleaning (November 15, 2021 Jazz'Halo)

Self-taught guitarist/composer Gilbert Isbin was born in Knokke on May 29, 1953. He’s probably one of the best kept secrets in Belgian jazz.

After playing lute and baroque music for quite a while, his love for European improvised music and jazz prevailed. Especially Paul Bley’s minimalistic approach, the introspective playing of Bill Evans and the compositions by Cuban master Leo Brouwer influenced him a lot. Thru’ the years he built up his very personal style that is marked by strong melodies and subtle, inventive playing.

‘Spring Cleaning’, Gilbert’s first album for the Jazz’halo label, illustrates what a fine composer and guitar player he is. Working with such great musicians as Cameron Brown, Chris Joris, John Ruocco and Steve Houben finally gave him the opportunity to record his compositions in the best possible way.

Jos Demol

1. Spring cleaning
2. Fresh breath
3. Troubled
4. Free flight to A'dam
5. Wawacou
6. Warm your heart
7. Why was that?
8. Wintertime
9. Here, my dear
10. Lift your feet
11. Buzz

Gilbert Isbin: classical and electric guitars
Cameron Brown: double bass
John Ruocco: tenor sax, alto clarinet and clarinet
Steve Houben: flute
Chris Joris: miscellaneous percussion and berimbau
Mark Van Overmeire: drums on (7)

Recorded at STUDIO FIELDS, Braine-l’Alleud (Belgium), May 19 & 20 and June 22, 1992 by Didier de Roos

Saturday, September 4, 2021

Jeff Pearring - Pearring Sound Socially Distanced Duos (2021)

UPCOMING LIVE APPEARANCES

Wednesday, September 29th 8pm
Pearring Sound
Appearing
at
636 Dean St
Brooklyn, NY 11238 

Pearring Sound
Jeff Pearring, alto sax
Ron Horton, trumpet
Russ Lossing, piano
Adam Lane, bass
Billy Mintz, drums

This event can also be live-streamed up to 72 hours after the performance.

During the last part of the COVID era, altoist Jeff Pearring offers a set of duets that, while socially distanced, feature close communication with a variety of fellow greats

Musicians Names + Instruments: Billy Mintz, drums 1,2, Cameron Brown, bass 5,6, Claire de Brunner, bassoon 3, Daniel Carter, soprano saxophone 7, Francisco Mela, drums 8, Ken Filiano, bass 4, Jeff Pearring, alto saxophone all tracks

2020 was an extremely difficult year for all musicians but some took advantage of the extreme limitations to express themselves in unique ways. Alto-saxophonist Jeff Pearring, who under the group name of “Pearring Sound” normally leads units ranging from trios to a quintet, wanted to interact with other inventive musicians but in a safe manner. He decided to play duets with six diverse but very talented musical partners, resulting in the eight selections that comprise Pearring Sound Socially Distanced Duos.
 
“Twisting Pavement,” the first of two duets with Billy Mintz (leader of the ten-piece Two Bass Band and a drummer who has had important associations with the likes of Mike Garson, Vinny Golia, Bill Mays, Charles Lloyd, and Alan Broadbent among countless others), begins with Mintz setting the mood before Pearring constructs a melodic and rhythmic improvisation. They also team up together on “Time In Isolation,” a relaxed jazz waltz that serves as a showcase for the altoist.
 
Alto-bassoon duets are not exactly common, but there are few improvising bassoonists with the abilities of Claire de Brunner who studied with Lee Konitz and Connie Crothers and has worked with some of the most adventurous musicians in the New York area. On “Shapeshifter,” she is very much an equal partner with Pearring as they inspire each other during their passionate encounter. Ken Filiano has been an important bassist since the 1980s, working with Vinny Golia, Anthony Braxton and the who’s who of the avant-garde, appearing on over 150 albums. He pushes Pearring throughout “A Continuous Conversation Renewed,” coming up with a nonstop flow of creative ideas while swinging throughout. Bassist Cameron Brown worked extensively with Sheila Jordan, the Don Pullen/George Adams Quartet, Archie Shepp. and Dewey Redman. He performs Miles Davis’ “Solar” and the playful “No, We Don’t” with Pearring, playing subtle and inventive lines. Saxophonist Daniel Carter, who has had important associations with William Parker and Matthew Shipp and has led at least 50 albums of his own, plays soprano-sax on “Present Value Impact, the Gift,” a pretty ballad that features the two horns spontaneously harmonizing with each other. Francisco Mela has played drums with an endless number of top artists from the jazz and Latin music worlds including Joe Lovano, McCoy Tyner, and Chucho Valdes. He teams up with Jeff Pearring on the set’s final duet, “Extempore Arquitectura,” an episodic musical adventure that begins with quite a bit of fire before becoming lyrical and wistful. 
 
Jeff Pearring was born in Colorado, started on the alto saxophone when he was ten, and had a career in economics before switching to music. He worked early on in classical music, ska and reggae, but turned towards jazz, studying with the late pianist-educator Connie Crothers, one of his mentors. With his constantly evolving Pearring Sound, the altoist recorded What Had Happened in 2016 (featuring electric bassist Adam Lane and drummer Flin van Hemmen), 2018’s True Story (Connie Crothers’ last recording which also includes Ken Filiano and drummer Carlo Costa), and Nothing But Time (2019) with bassist Lane and drummer Tim Ford.
 
Socially Distanced Duos is the most unusual of the Pearring Sound recordings but is quite timely and features Jeff Pearring in top form as the COVID era finally begins to end.

1. Twisting Pavement 6:45 
2. Time in Isolation 8:45 
3. Shapeshifter 4:42 
4. A Continuous Conversation Renewed 5:32 
5. Solar 3:12 (Miles Davis) 
6. No, We Don’t 3:11 
7. Present Value Impact, the Gift 3:55 
8. Extempore Arquitectura 5:49

All tracks composed by Pearring Sound except where noted

AVAILABLE FROM: Amazon, Apple Music, CD baby, all streaming services

Wednesday, January 23, 2019

Angela Verbrugge - The Night We Couldn't Say Good Night (GUT STRING RECORDS February 1, 2019)


The Night We Couldn’t Say Good Night is the witty and joyful debut release from Vancouver-based vocalist Angela Verbrugge.

Verbrugge’s sound finds its home somewhere between vocal jazz, traditional pop and American Songbook/Broadway/Cabaret.


Some real-life stories are so remarkable, they take on a cinematic quality. In the case of  Verbrugge, her personal journey is filled with not one, not two, but three near-death experiences that have shaped her path, and have provided the fuel for her burgeoning music career:  “I was in a head-on collision, almost drowned, and then, when I had three kids under five, I got a very serious kind of cancer that had spread. I decided that if I could get through the treatments and survive it, and get my life back together, I would pursue my dream.” 

That dream is music.  Pursuit of this dream took her to the Vermont Jazz Centre to work with legendary jazz vocalist, Sheila Jordan.  It was there that she met Jordan's long-time bassist Cameron Brown, and when she was invited to go to New York to record with him, she jumped at the chance.  

Highlights abound on the album: on ‘I’m Running Late’, Verbrugge’s super-fast-paced vocals match the rushed theme of her witty lyrics...it’s a delightfully smart track with modern references listeners can instantly relate to.  ‘Speak Softly Love’ is elegant...a reverent reimagining of the beloved ‘Godfather’ melody.  The original ‘You’re Almost Perfect’ is another centrepiece, where intelligence and humour come together, with clever lyrics such as “you’re almost perfect, I want to change you!” 


In addition to the standout songwriting, Verbrugge at times incorporates her background as an actress into her vocal performances, elevating the songs and bringing her characters to life.


Ray Gallon - Piano
Cameron Brown - Bass
Anthony Pinciotti - Drums

1. I’m Running Late (That’s The Question)* 4:34
2. The Night We Couldn’t Say Good Night* 3:52
3. Love Walked In 4:39
4. All Too Soon 5:14
5. You’re Almost Perfect* 3:27
6. This Could Be the Start of Something Big 3:00
7. Interlude (A Night in Tunisia) 3:12
8. Cool Baby 4:18
9. Si Tu Pudieras Quereme 3:41
10. Speak Softly, Love 3:53
11. Plus Je T’Embrasse 3:01
12. The Moon Was Yellow 3:06
13. How Did I Know This Was the End?* 3:18

(Asterisk denotes compositions written/co-written by Angela Verbrugge)

Thursday, June 16, 2016

Jason Rigby: Detroit / Cleveland Trio - One (2016) FRESH SOUND NEW TALENT



present



JASON RIGBY DETROIT-CLEVELAND TRIO combines the creative powers of Detroit natives Cameron Brown and Gerald Cleaver, with Cleveland native Rigby. Hailed as “a truly lyrical musician” and “New York’s rising start of tenor sax” with a “pioneering voice that deftly combines many influences,” Rigby is known for his compelling inside-outside improvising. Cameron Brown is one of the greatest living bass veterans, a driving and creative constant. Gerald Cleaver is an unstoppable modern drummer who consistently dazzles with his creative depth.



Tracklisting:
01. Dive Bar 6:59
02. Dorian Gray 6:28
03. You Are Too Beautiful 8:09
04. Newtoon 7:00
05. Speak Like a Child 7:19
06. Live By the Sword 4:03
07. Embraceable You 4:26
08. Dewey 7:45

Total time: 52:11 min.

All songs composed by Jason Rigby, except #3 by Richard Rodgers & Lorenz Hart, #4 by George Schuller, #5 by Herbie Hancock, #7 by George & Ira Gershwin

Personnel:
Jason Rigby (tenor & soprano sax)
Cameron Brown (bass)
Gerald Cleaver (drums)
Recorded & mixed at the Bunker Studio, Brooklyn, New York, 2016

Engineering: Aaron Nevezie
Mastered by Steve Fallone at Sterling Sound, New York

Photography & design by Colleen Chrzanowski

Produced by Jason Rigby

Executive producer: Jordi Pujol

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