Showing posts with label Nobuyoshi Ino. Show all posts
Showing posts with label Nobuyoshi Ino. Show all posts

Wednesday, March 9, 2022

Masayuki Takayanagi - ECLIPSE (April 18, 2022 Black Editions)

Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950’s and 60’s as a master of the electric guitar and jazz improvisation, Takayanagi was a restless spirit, deeply engaged with the era's new movements in contemporary art, music, literature and philosophy. His work, beginning in the late 1960’s placed him on the leading edge of these developments; he began expanding on the most radical elements of American and European free jazz, infusing them with the raw feedback and dissonance of electronic and avant-garde music. With his various “New Direction” groups, Takayanagi broke free of traditional structures and developed a new theory of music that embraced an aggressive and unrelenting style of playing that has remained almost completely unparalleled in its ferocity.

Of all the albums to be released during Takayanagi's lifetime, 1975’s Eclipse was perhaps the most enigmatic and sought after. Released in an edition of only 100, it almost immediately disappeared and became a Holy Grail for Japanese connoisseurs of adventurous music, and rightly so. It’s first side contained a two part realization of Takayanagi’s “Gradually Projection” modality – a searching interplay between instruments- slowly emerging from a sparse open field and building with the tension of a looming thunder storm. The second side contains an epic performance of a “Mass Projection”, a high energy, densely layered barrage of sound that in its 25 minutes, never once slackens in intensity. It would be another 31 years before this key album in Takayangi’s oeuvre would finally have a (slightly) wider audience through a CD release by Japan's P.S.F. Records.

Black Editions is proud to present a deluxe vinyl edition of this masterwork, revealingly remastered from the original tapes by Elysian Masters. The album is packaged in a heavy double tip-on gatefold jacket that pays tribute to the original handmade packaging and features a previously unseen studio photograph of Takayanagi by Tatsuo Minami. 

1. First Session 1 (Gradually Projection)
2. First Session 2 (Gradually Projection)
3. Second Session (Mass Projection)

Masayuki Takayanagi: Electric Guitar
Kenji Mori: Alto Saxophone, Flute, Recorder
Nobuyoshi Ino: Electric Bass
Hiroshi Yamazaki: Drums, Percussion

Recorded in Tokyo, March 14, 1975
Engineer: Mikio Aoki
Cover Photographs and Design by Kazuharu Fujitani
Gatefold Photograph by Tatsuo Minami

Insert Notes by Yasunori Saito

Produced by Satoru Obara, Yoshiaki Kamei, Nihon Gendai Jazz Ongaku Kenkyukai

Originally released in an edition of 100 by ISKRA Records, Japan in 1975.

Black Edition remastered from the original master tapes by Dave Cooley, Elysian Masters and produced by Peter Kolovos.

Saturday, December 11, 2021

Choi Sun Bae Quartet​: ​The Sound Of Nature (Live at Shinjuku PIT INN) December 2021 Chap Chap Records

Choi Sun Bae Quartet, Kazutoki Umezu, Nobuyoshi Ino, Shota Koyama live at Shinjuku PIT INN 1995

1. Higher Ground 19:16
2. Higher Place 06:40
3. Holy Ground 20:49
4. My Tribute 27:02

Sunday, March 19, 2017

Itaru Oki / Nobuyoshi Ino / Choi Sun Bae - Kami Fusen (NO BUSINESS RECORDS 2017)




Itaru Oki, born in Kobe in 1941, leading Japanese jazz scene as one of the most innovative trumpeter, boldly moved to Paris in 1974, leaving the past career including even local popularity behind. As one of his occasional homeland tours, he did a tour with Nobuyoshi Ino, bassist from the following generation.


Ino, born in Kiryu in 1950, made a professional debut as early as in 1971, has been counted as one of the leading bassists with a longer career including performances with the most prominent local jazz musicians such as Masayuki Takayanagi, Kazumi Watanabe, Masahiko Satoh, Masabumi Kikuchi and so on. Right after their gig at my club Café Amores was confirmed, I called up Choi Sun Bae, a Korean trumpeter known also as a member of the Kang Tae Hwan trio. There was no reason for him to decline my offer since Oki is one of his most respectable trumpeters and also Ino is one of his closest musical friends who had ever played together with in Korea, which I knew.


To our greatest surprise Choi came over here with his wife just to play one gig with Oki and Ino ! Oki whom Choi respects is as old as Choi and they can have a great chemistry. Their performance continued much over two hours in excess of the capacity of DAT, which I employed to record their gig live. Choi played any music prepared by Oki and Ino at sight-read without any rehearsal. Performing styles of two trumpeters are pretty different and it must be a fun to try to recognize which
is which. It is Choi who hits high notes with rather noisy sound.


Paper balloon (Kami-fusen), a title tune and Yawning Baku are Ino’s master pieces both of which he played with Lester Bowie together for their album “DUET” recorded in Tokyo in 1985. Lester loves Paper Balloon much enough to play with Abdulah Ibrahim at the Moers New Jazz Festival. In some occasions Oki and Choi go far away but they also love to play beautiful melodies. It is pretty interesting to know the fact that both of them have ever recorded an album with strings.
Takeo Suetomi (translated by Kenny Inaoka)