JAZZ NEWS: NAACP Image Award Nomination for The Baylor Project’s ‘Generations’

The Baylor Project’s Generations is Nominated for Outstanding Jazz Album – Vocal at the 53rd NAACP Image Awards

The 53rd Annual NAACP Image Awards will take place on February 26 at 8pm EST on BET

The news broke this past Tuesday, January 18. Jean and Marcus Baylor are nominated alongside Jazzmeia Horn, Ledisi, Freda Payne and Rubén Blades y Roberto Delgado & Orquesta. The 53rd Annual NAACP Image Awards will take place on February 26 at 8pm EST on BET.

On Tuesday, January 18, it was announced that the remarkable vocal-drumming duo The Baylor Project received an NAACP Image Awards nomination for Generations, their sophomore album release. Generations is nominated for the 53rd NAACP Image Award in the Outstanding Jazz Album – Vocal category. Released on June 18, 2021 on the eve of Juneteenth during Black Music Month, Generations celebrates the Black experience, its nuances and layers, and the universality of the human condition. This marks The Baylor Project’s first NAACP Image Award nomination. 

“We are ecstatic to have been nominated for an NAACP Image Award for our album, Generations!  It is truly an honor to stand with so many great artists in a space that was created to advance African-Americans in every area of life,” The Baylors shared. “The NAACP’s cultural, educational, social and political efforts changed the landscape of American life for black people and we are proud to be a part of its rich legacy.”

The Baylor Project features vocalist Jean Baylor and drummer Marcus Baylor, who present nine original compositions and two covers on Generations. The record, released in June, celebrates the Black experience, its nuances and layers, and the universality of the human condition. While the majority of Generations was recorded prior to 2020, the coronavirus pandemic kept the project from reaching completion until 2021. The record features an overabundance of first-call collaborators including special guests Kenny Garrett, Dianne Reeves, Jazzmeia Horn, Jamison Ross, and Sullivan Fortner.

Musically, Generations pulls from married musical partners Marcus’ and Jean’s varied backgrounds rooted in the church, and steeped in soul, jazz, gospel and blues. Storytelling has always been central to The Baylor Project’s creative output, and they have shown a particular adeptness at making their personal stories universally felt. They accomplish this and then some on Generations, which presents as a soulful sonic story quilt released via their own independent record label, Be A Light. 

Photos by Deneka Peniston

Announced in November 2021, Generations is also GRAMMY® nominated in the Best Jazz Vocal Album category at this year’s 64th GRAMMY® Awards taking place in Las Vegas on April 3, 2022. This marks The Baylor Project’s fourth GRAMMY® nomination, following a 2020 nod to the single “Sit On Down” in the Best Traditional R&B Performance category and two 2017 nominations from their debut recording, The Journey, in the Best Jazz Vocal Album category and Best Traditional R&B Performance for the single “Laugh And Move On.” A critical and commercial success, The Journey debuted at #1 on the iTunes Jazz Chart and #8 on the Billboard Jazz Chart upon release. Since its release in June, Generations collected parallel praise from top tier media outlets worldwide, including NPR, WBGO, Glide Magazine, a 4-star mark from Jazzwise and an 11-week run in the Top 5 of JazzWeek’s radio chart.

The Baylor Project is made up of two music industry veterans. Before forming The Baylor Project in 2013, Jean Baylor burst onto the scene in the mid-1990’s as part of the groundbreaking R&B duo Zhané. Marcus Baylor first rose to prominence in the early 2000’s as the drummer for the world-renowned, GRAMMY® Award winning fusion group The Yellowjackets. Both Marcus and Jean have performed and toured with various jazz legends, ranging from Kenny Garrett and John Scofield to Marcus Miller and Harold Mabern. 

Joining Jean and Marcus Baylor in the Outstanding Jazz Album Vocal category at the NAACP Awards is Dear Love by Jazzmeia Horn, Ledisi Sings Nina by Ledisi, Let There Be Love by Freda Payne and Salswing! by Rubén Blades y Roberto Delgado & Orquesta. The 53rd NAACP Image Awards will take place on Saturday, February 26th and air live on BET at 8pm. 

Voting is now open to the public in select categories to determine the winners of the 53rd NAACP IMAGE AWARDS by visiting www.naacpimageawards.net – Winners will be revealed during the 53rd NAACP Image Awards telecast. For all information and the latest news, please visit the official NAACP Image Awards website at www.naacpimageawards.net or on Facebook at naacpimageawards and Twitter @naacpimageaward (#NAACPImageAwards).

About NAACP:

Founded in 1909, the NAACP is the nation’s oldest and largest nonpartisan civil rights organization. Its members throughout the United States and the world are the premier advocates for civil rights in their communities. You can read more about the NAACP’s work and our six “Game Changer” issue areas at naacp.org.

About BET Networks:

BET Networks, a subsidiary of Viacom Inc. (NASDAQ: VIA, VIA.B), is the nation’s leading provider of quality entertainment, music, news, and public affairs television programming for the African-American audience. The primary BET channel reaches more than 90 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom, and sub-Saharan Africa. BET is the dominant AfricanAmerican consumer brand with a diverse group of business extensions: BET.com, a leading Internet destination for Black entertainment, music, culture and news; BET HER, a 24-hour entertainment network targeting the African-American Woman; BET Music Networks – BET Jams, BET Soul and BET Gospel; BET Home Entertainment; BET Live, BET’s growing festival business; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET around the globe.

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NEW RELEASE: The Baylor Project, 3X Grammy Nominated Duo, Presents New Album 'GENERATIONS' on June 18, 2021 via Be A Light

3X GRAMMY® Nominated Duo The Baylor Project to Release Second Full-Length Album Generations on June 18, 2021 via Be A Light

Be A Light proudly announces the release of Generations, the highly-anticipated new album by 3X GRAMMY® nominated duo The Baylor Project. Set for release during Black Music Month and on the eve of Juneteenth, June 18th, 2021, this soulful sonic story quilt celebrates the universality of the human condition, viewed through the lens of the Black experience. Married musical partners Marcus and Jean Baylor welcome listeners to their proverbial kitchen table, as they pass on stories of family and faith, and love and legacy over the course of nine original compositions, and two covers. Generations is available for pre-order now for digital download only on iTunes, and includes an instant download of the lead track “Strivin’” featuring special guest Kenny Garrett. 

Anchored by Jean’s crystal-clear vocals, and Marcus’ commanding mastery on the drums, Generations features an overabundance of first-call collaborators including special guests Kenny Garrett, Dianne Reeves, Jazzmeia Horn, Jamison Ross, and Sullivan Fortner, as well as a rock-solid band featuring pianists Shedrick Mitchell and Terry Brewer, bassists Dezron Douglas, Ben Williams, D.J. Ginyard, Richie Goods guitarists Rayfield “Ray Ray”Holloman and Marvin Sewell, saxophonists Keith Loftis and Korey Riker, trumpeters Freddie Hendrix and Christopher Michael Stevens, trombonists Mark Williams and Aaron “Goody” Goode, percussionists Pablo Batista and Aaron Draper and harpist Brandee Younger. A pristine string section augments three of the albums’ tracks, delivering lush string arrangements by Geoffrey Keezer and Darin Atwater.

Storytelling has always been central to the Baylor Project’s creative output, and they have shown a particular adeptness at making their personal stories universally felt. They accomplish this and then some on Generations, which shares poignant stories of the Black experience, influenced by their own unique perspective. In his liner notes for Generations, noted cultural critic Andre Kimo Stone Guess introduces the age-old traditions of quilt making in Black families, and how when these tri-layer textiles are passed down from one generation to the next, their stories go with it. Generations is just like this, he says, but instead of sewing squares, Marcus and Jean poured their heart and soul into a meaningful audio capsule that celebrates love, family, community and faith. 

The Baylor Project notably rose to prominence in 2017 when they released their debut album The Journey. A smashing international success, it debuted at #1 and #8 on the iTunes and Billboard Jazz charts respectively, garnered world-wide acclaim from top-tier media, and went on to receive two GRAMMY® nominations (for Best Jazz Vocal Album and Best Traditional R&B Performance for their song “Laugh And Move On”). “The Journey was an introduction to the Baylor Project and established that foundation of our sound,” explains Marcus. “Generations is an extension of that sound and goes way deeper into our story, life and culture.” 

While the majority of Generations was recorded prior to 2020, the coronavirus pandemic kept the project from reaching completion. However, the Baylors continued to work on new music. In April 2020, they released “Sit On Down”, a pandemic-era anthem that went on to snag them their third GRAMMY® nod. They also took this downtime to refocus, and to really re-familiarize themselves with who the Baylor Project really is. By the time Generations was a wrap, Marcus and Jean had created their most fully realized and extraordinary project to date. 

Musically, Generations pulls from Marcus and Jean’s varied backgrounds rooted in the church, and steeped in soul, jazz, gospel and blues. Album opener “Strivin’”, featuring special guest and Marcus’ former bandleader, saxophonist Kenny Garrett, is an invigorating boogaloo bounce that immediately sets the mood with it’s Aretha Franklin and Ray Charles leanings. The interlude that follows instantly transports listeners into the Baylor’s living room, as family members of all ages reminisce on love and life. This endearing introduction gives way to the shuffling high point “Happy To Be With You”, which emits an after-church, celebratory air.

Gears shift on the reflective reimagining of “Loves Makes Me Sing”, made famous by R&B songwriter and singer Michael Wykoff in 1980. On this contemporary update, Jean’s crystalline vocals find support in a lush string arrangement by Geoffrey Keezer. Wayne Shorter’s “Infant Eyes,” featuring original lyrics by Jean, comes next, followed by one of the album centerpieces. That would be “2020”, a prayer sang in the form of a blues that takes a page from the Negro Spitirual in spirit. The pulse of the beat leads into the heart of Jean’s wrenching cry, which draws parallels between the racial oppression of yesterday, with the all too prevalent injustices seen today.  That same pulsating beat culminates in a fiery drum solo by Marcus that encapsulates the song in its entirety.

A major highlight of Generations is the upbeat vocal summit in session on “We Swing (The Cypher)”. Jean is the intergenerational bridge between Dianne Reeves and Jazzmeia Horn, a couple of powerhouse jazz vocalists representing two different generations in this celebration of resilience and love. The lush “Becoming” takes inspiration from the majestic balladry of Shirley Horn, and lyrically nods to Michelle Obama’s inspiring biography “Becoming”. “[“Becoming”] really connects the story of Generations by highlighting our individual and collective process of growth through seasons of life,” says Jean. 

“Black Boy” is a somber and telling drama shaped by the age-old realities of racism in current society. Haunting and beautiful, this sweeping composition is also adorned by strings, this time arranged by Darin Atwater. This song asks questions nobody can answer – but yet, even in its heaviness, undeterred faith remains strong. The R&B/soul infused “Walk On By” comes next, followed by the Thelonious Monk-inspired “Do You Remember This?” This reminiscence of earlier times features Jean and Sullivan Fortner in angular vocal-piano interplay before easing into a hard-swinging common time break.

Generations comes full circle toward the end, as it brings listeners back to the Baylor Project’s Gospel roots with the help of the multifaceted Jamison Ross on vocals. Coming from a similar upbringing in the Black church like Marcus and Jean, Jamison, the grandson of a pastor, is the perfect vessel to convey a wise parting message that faith is the answer through the darkness. This is further reinforced with the last track “The Benediction”, which closes the album with an electrifying message of purpose delivered by their brother, Apostle Larry J. Baylor. 

On Generations, The Baylor Project has created a masterful musical exploration that is both timely and timeless. “We hope every listener enjoys this celebration and comes away with a renewed desire to honor those who came before us while positively impacting the next generation,” says The Baylors. 

1. Strivin’ (feat. Kenny Garrett) (5:15)

2. A Love Story (Interlude) (1:46)

3. Happy To Be With You (6:12)

4. Love Makes Me Sing (5:27)

5. Infant Eyes (5:49) 

6. 2020 (7:27)        

7. We Swing “The Cypher” (feat. Jazzmeia Horn & Dianne Reeves)  (5:38)

8. Becoming  (7:29)

9. Black Boy (8:53)

10. Walk On By  (6:18)

11. Do You Remember This? (feat. Sullivan Fortner) (6:32)

12. Only Believe (feat. Jamison Ross) (5:42)  

13. The Benediction (feat. Apostle Larry J. Baylor)  (1:57)

All songs written and arranged by The Baylors with the exception of “Infant Eyes” written by Wayne Shorter and “Love Makes Me Sing” written by Michael Wykoff.

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Jamison Ross - All for One (CONCORD RECORDS January 26, 2018)

The disc perfects the intoxicating chemistry of the 29-year-old’s debut, which intermingled blues, jazz, R&B and soul effortlessly. "All For One is literally the second chapter,” Ross explains after comparing the success of his debut and the world tour in support of that album as a "whirlwind of smiles and gratitude.” "There’s no deep way to view All For One other than it being the second chapter of me revealing myself as a man who loves as a father, husband, friend, and brother and as an artist who brings that love to other people while receiving love from my audience.”

For sure, love is a recurring theme on All For One as the material touches on both the romantic kind and the socio-political aspect of love that calls for unity among a diverse and, at times, a divisive community. The album also finds the Jacksonville, Florida born and now New Orleans-based Ross plowing into the rarefied areas of blues and R&B that seldom gets investigated by his peers.

Ross begins the disc with mighty shout out to the Crescent City’s R&B legacy with the vivacious make of "A Mellow Time,” a 1966 tune written by Allen Toussaint and made famous by Lee Dorsey. "I’m the biggest Lee Dorsey fan and I’m a huge Allen Toussaint fan,” Ross enthuses. "A lot of tunes like this taught me how to write. I want to write songs that have stories inspired by love.

The title track – "All For One” – is another Big Easy-based song; it’s a rare groover written and recorded in 1993 by Wilson Turbinton, better known as Willie Tee. The lyrics’ plead for love takes on both amorous and socio-political overtones that spills over to other songs on the album, such as Ross’ splendid rendition of Mose Allison’s 1968 classic, "Everybody’s Cryin’ Mercy.” "It’s a rough time in America. It’s that simple,” Ross explains. "I know a lot of Mose Allison’s music. I like the way that he could talk the blues. He didn’t sing the blues; he talked the blues. That song has such a pivotal message for where we are right now as a nation.”

Fats Waller’s 1936’s "Let’s Sing Again,” which closes All For One is another old-school gem. On Ross’ makeover, his sanguine singing soars atop of Irvin’s churchy organ accompaniment – a strategic move that tips its hat pays to Waller’s church roots in New York as well as Ross’ background in Jacksonville, Florida, where he grew up singing in his grandfather’s church.

Ross also delves into jazz standards on All For One with his haunting reading of "Don’t Go to Strangers,” a ballad written by Arthur Kent and Dave Mann and made famous in 1960 by Etta Jones, and his alluring version of Ira Gershwin and Kurt Weill’s 1941 classic, "My Ship,” which gains a subtle country vibe thanks for Lollar’s guitar yawns. "I don’t do a lot of jazz standards. The covers that I do come more from the obscure blues realm,” Ross says. "But I honestly love singing ‘Don’t Go to Strangers.’ I sang it at NPR’sJazz Night in America tribute to Rudy Van Gelder Concert. That song taught me a lot about phrasing, which I used on ‘My Ship.’”

All For One contains some exquisite originals too. The gentle, blues-tinted ballad "Unspoken” is a song Ross penned for his wife, Adrienne, to express his enduring love for her while he’s on the road. The jaunty "Call Me” is another original written with Ross’ wife in mind. The backstory of "Call Me” involves his wife phoning him while he was in the middle of crafting an infectious boogaloo drum groove. Instead of getting frustrated by the interruption, Ross allows the phone call from his wife to become an inspirational force. Ross dedicates the melancholy "Away” to his daughter, Jazz Aubrielle as he conveys missing her while he’s constantly on the road and reminding her that his love for her is unending.

The soothing bossa nova, "Safe in Arms of Love,” co-written with Lollar and Joshua Starkman, and the somber, wordless vocalese ballad "Tears and Questions” find Ross turning his attention back to more socio-political issues. Both songs were written while he was touring Australia with Nicholas Payton then receiving news of the 2016 police killing of Alton Sterling in Baton Rouge.  Ross’ soul-infused "Keep On” offers encouraging balm in the face of tragic upheaval.

Besides the wordless "Tears and Questions,” All For One contains no instrumentals like its predecessor; nor does it explicitly showcases Ross’ virtuosity as a drummer. "I started touring and playing on a constant basis with my band. That didn’t happen before I made my first record,” Ross explains. "So playing instrumentals was part of my development then. I feel now, I don’t have to prove that I can play instrumentals anymore nor do I have to prove my drumming skills. Recording instrumentals is not indicative to what my artistic concept has grown into.  This album is a result of a personal revelation that we all have the capacity to love with empathy in a deeper way.  The love you need comes from me and the love I need comes from you.  All for one, one for all.”

1. A Mellow Good Time

2. Unspoken

3. Don't Go To Strangers

4. Away

5. Everybody's Cryin' Mercy

6. Safe In The Arms Of Love

7. Tear And Questions

8. Keep On

9. All For One

10. Call Me

11. True Love (Interlude)

12. My Ship

13. Let's Sing Again

www.jamisonrossmusic.com