Showing posts with label Jonas Kullhammar. Show all posts
Showing posts with label Jonas Kullhammar. Show all posts

Friday, March 18, 2022

Koma Saxo with Sofia Jernberg - Koma West (March 18, 2022 We Jazz Records)

Petter Eldh's explosive ensemble Koma Saxo continues their adventures with a new album "Koma West", out on We Jazz Records, 18 March 2022. The album sees Koma Saxo expand on their previous sound with the addition of vocalist Sofia Jernberg and a strong cast of featured artists, including cellist Lucy Railton, violinist Maria Reich, pianist Kit Downes and accordionist Kiki Eldh (Petter's mom!). The hard-hitting key quintet remains, including Eldh on bass and assorted instruments, Christian Lillinger on drums, plus saxophonists Otis Sandsjö (of Y-OTIS), Jonas Kullhammar and Mikko Innanen bringing the SAXO to the KOMA operation.

At 14 tracks, "Koma West" is a full menu of monumental compositional ideas that could spawn entire albums. True to his chop & go production style, Eldh relies on continuous movement while presenting another all killer no filler program taking Koma Saxo on a sonic outing not quite like anything that had previously appeared under the band's name. That being said, there's very much the Petter Eldh touch here, one which might be hard to pinpoint and verbalise, but nevertheless a recognisable style of composing, producing and arranging.

Thematically, the album is rooted in the West Coast of Sweden, where Eldh grew up – he's from a tiny town called Lysekil. There's a thread of Swedish folk song tradition that has been part of the Koma Saxo DNA from the get-go and you can hear that here as well, especially on cuts such as "Närhet", beautifully sung by Sofia Jernberg.

Petter Eldh says:

"In a way, it's a concept album and a celebration of the Swedish West Coast. The first single is called 'Koma Kaprifol', and kaprifol is the landscape flower of Bohuslän on the West coast, where I grew up. I'm not too wild about attaching strong narratives to my music but there's no way around it this time. The oysters, a common snack around the coast, are a strong conceptual presence here. Anyway, they seem to pop up here and there quite often already thus far in the Koma Saxo narrative, even though it's not always so obvious. Koma Vocals! Koma Strings! I love the presence of Sofia Jernberg here and I love writing string arrangements, too, although I never thought I would do it for Koma, but of course, Koma should have some strings, why not?. Koma Saxo should and can become anything." 

1. Lo Ve Ko Ma
2. Croydon Koma
3. Koma Krig
4. Flamman
5. Lake Koma
6. Koma Kaprifol
7. Ostron Accordion
8. Klippan Granit
9. Koma Rail
10. Närhet
11. Koma Fred
12. Saxo Chop
13. Clos Eko
14. Koma Camu

Petter Eldh - Double Bass, Sampler, Piano, Percussion
Sofia Jernberg - Voice
Christian Lillinger - Drums
Otis Sandsjö - Tenor Saxophone, Alto Clarinet
Jonas Kullhammar - Tenor Saxophone, Flute, Slide Saxophone
Mikko Innanen - Alto Saxophone, Sopranino Saxophone
Lucy Railton - Cello
Maria Reich - Violin
Kiki Eldh (the momvillain) - Accordion
Kit Downes - Piano

Produced by Petter Eldh
Executive producer Matti Nives

All compositions by Petter Eldh except “Närhet”, written by Fritz Sjöström, arranged by Petter Eldh
Recorded at Atlantis, Stockholm, 14th of April 2021, by Niclas Lindström
Additional recordings by Petter Eldh at Koma Saxo Industries, Berlin
Some of the voice and piano additions recorded by Sofia and Kit somewhere in Europe
Kiki Eldh recorded by Petter Eldh at Mountain Man Studios, Lysekil
Mixed by Petter Eldh at Koma Saxo Industries, Berlin
Mastered by Martin Ruch at CONTROL ROOM BERLIN
Design by Matti Nives

Wednesday, June 9, 2021

La La Lars - La La Lars III (2021)

Over the course of three albums, Lars Skoglund’s La La Lars ensemble has focused intricate music through the lens of a crystal clear melody. A quintet of drummer Skoglund (also on acoustic guitar and keyboards), trumpeter Goran Kajfeš, tenor saxophonist Jonas Kullhammar (also on flute and bassoon), pianist Carl Bagge (also Wurlitzer 200A and organ), and bassist Johan Berthling show that a light-hearted delivery and a riveting presence aren’t mutually exclusive. The music of La La Lars is a heady drink, with a rich palette that goes down smoothly.

1. Häxa 03:47
2. Dur 05:20
3. Oår 04:37
4. Det Blev Sent 03:19
5. Kolsvarta Natten 04:51
6. Pour Qui Pourquoi 04:48
7. Ett Nytt Kapitel 03:42
8. Vart Ska Du? 04:23

Jonas Kullhammar - Tenor Saxophone, Flute and Bassoon,
Goran Kajfeš - Trumpet
Carl Bagge - Piano, Wurlitzer 200A and organ
Johan Berthling - Bass
Lars Skoglund - Drums, Cymbals, Acoustic Guitar and Additional Keyboards

Wednesday, November 22, 2017

Aalberg / Kullhammar / Zetterberg / Santos Silva - Basement Sessions Vol.4 (The Bali Tapes) CLEAN FEED RECORDS 2017


The fourth volume of the series “Basement Sessions” have again (like the previous “Vol. 3”, with Jørgen Mathisen as special guest) an addition to the trio formed by Jonas Kullhammar, Torbjorn Zetterberg and Espen Aalberg, the name of the drummer showing this time upfront because the compositions have his authorship – the extra element now is the Portuguese trumpeter Susana Santos Silva, presently living in Stockholm, as the other musicians here. Once again, the “mutated hard bop” concept followed by the band is in full application, but there’s a substantial difference confirming the subtitle “The Bali Tapes”, and not only to confirm that the recording was done in Indonesia: all the musicians play gamelan instruments besides their own, and among Aalberg’s pieces one is a Javanese traditional tune.

There’s no contradiction of the new proceedings with the post-Coltranean identity of the project – faithfull to the spiritual explorations put in music by the late saxophonist, what we find here is a group ritual diving deep into the inner soul of jazz and the souls of everybody involved, with a mercurian drive and a lyricism that, in the middle of all the fire going on, keeps astonishingly elegant. The Swedish scene keeps surprising us with unexpected ideas put into old formats with aspects yet to discover, and Santos Silva shows, once again, that there’s no boundaries for creativity. A must listen, must have record of the present day European jazz.

1. Slow Ostinato 10:35
2. Dewas Dance 6:39
3. Ilir Ilir 10:16
4. Irama Berat 9:06
5. Suling 10:59