Mark Lockheart - Dreamers (January 28, 2022 Edition Records)

PLEASE NOTE: VINYL IS NOT EXPECTED TO BE DELIVERED UNTIL 13TH MAY - ALL OTHER FORMATS WILL BE RELEASED 28TH JANUARY

Dreamers is the new project from the legendary British saxophonist and composer Mark Lockheart featuring Elliot Galvin (Dinosaur, Elliot Galvin Trio), Tom Herbert (Polar Bear, The Invisible) and Dave Smith (Robert Plant). Stylistically free and psychedelic in nature, the release of Dreamers signals a new trajectory for the musician who has already featured on a wide ranging and diverse catalogue of albums including Radiohead's Kid A. As a founding member of Loose Tubes and Polar Bear, Mark Lockheart has always remained ahead of the curve and has constantly explored new directions in his own music. Dreamers epitomises this adaptation and evolution, allowing the music to speak beyond the boundaries of genre and predictability. Mark has created an album which is direct and unpretentious but also surprising and unexpected.

As Mark explains: “The grooves, the sonics and the musical character of each piece are all hugely important. The process of writing music for these musicians led me into a new sound world that's very different from anything I’d done before”.

“I wanted this music to be unfussy and direct, but also unpredictable and surprising. The writing happened quickly for this album - my only intention being not to be restricted by style or genre. Of course there are influences and with hindsight I can hear many of them, John Zorn, Burt Bacharach, Ellington and  Kraftwerk are all here, not sure how, perhaps they were all in one of my dreams!”

Since 2009’s quintet album In Deep, Mark has become one of the Edition family, releasing a string of critically acclaimed albums under his own name, with the group Malija and with Edition artists including Slowly Rolling Camera, Jasper Hoiby and Laura Jurd. Mark has continued to work with classical artists (a collaboration that began with his group Perfect Houseplants in the 1990s (the Orlando Consort, Andrew Manze and Pamela Thorby) continued with theatrical and operatic work with Mark Anthony Turnage in the 2000s and his English Renaissance music record Salvator Mundi recorded at Temple church in London with organist Roger Sayer in 2019. 

1. Dreamers

2. Weird Weather

3. Jagdish

4. King of the World (Jagdish reprise)

5. Gangster Rat

6. Nature V Nurture

7. Fluorescences

8. Marmalade Skies

9. Mirage

10. Sixteen

11. Dream Weaver

12. Mingle Tingle

Music composed by Mark Lockheart except tracks 4 and 9 written by Mark Lockheart, Elliot Galvin, Tom Herbert & Dave Smith

Produced by Mark Lockheart

Executive producer Dave Stapleton

Recorded at the Fish Factory, London December 3rd-5th 2020 by Sonny Johns

Mixed by Alex Bonney

Mastered by Peter Beckmann at Technology Works

Special thanks to: Matt Calvert, Olivia Maguire, Rita and Daisy Lockheart, Steve Baker

Dave Smith would like to thank Istanbul Agop cymbals

This album is dedicated to John Ashton Thomas

Album artwork by Oli Bentley, Split

Photos by Dave Stapleton

PRE ORDER

Cloudmakers Five - Traveling Pulse (WHIRLWIND RECORDINGS February 23, 2018)

Vibraphonist, drummer and composer Jim Hart’s ascension, especially over the past decade, has been nothing short of remarkable. Much sought-after across Europe, he has worked alongside an illustrious roster of musicians including Stan Sulzmann, Sir John Dankworth and Dame Cleo Laine, John Taylor and Kenny Wheeler. Yet as bandleader, his own Cloudmakers Trio – with double bassist Michael Janisch and drummer Dave Smith – introduced a distinctly energized take on the traditional vibraphone ensemble. 

Taking the vision a significant step further, Traveling Pulse is the first release from an augmented Cloudmakers Five project introducing saxophonist/clarinettist Antonin-Tri Hoang and electric guitarist Hannes Riepler – a superbly-produced live recording garnered from two resounding nights at London’s Vortex Jazz Club which concluded their January–March 2017 tour. 

Explaining the impetus for the progression, not least influenced by playing in larger line-ups with Marius Neset and Ivo Neame, Hart says: “The Cloudmakers Trio was partly an idea of setting myself a challenge, to match the fullness and texture of a piano trio; a kind of response to that with a vibraphone trio, writing with the same density – which I felt we really did achieve. Michael, Dave and I had gigged a lot, with the end of our 2015 North American tour feeling like a big punctuation mark. But we were still enjoying some great trio gigs. So, sensing it had much more of a future, I decided to expand the concept. Antonin had worked with Cloudmakers before, as a guest on a ‘Jazz on 3’ radio broadcast, offering fantastic improv through so many extended techniques; and I play with Hannes in Julian Lourau’s Electric Biddle, enjoying what he creates through pedals and loops.” 

Significantly, Jim Hart chose to write away from instruments or electronic software, inspired instead by the environments around him as he traveled, and resulting in what he believes to be his most mature and honest work to date. “Once I knew who I was writing for, the music came very quickly, and it was so freeing to have all these ‘colors’ available. I found I could now share the responsibility of covering the harmonic and melodic elements, while affording each player room to express themselves.” 

It was the immediacy of The Cloudmakers Trio’s vibrant first release (Live at the Pizza Express – Whirlwind, 2012) which presented him with the clear intention of recording another live album, Hart recalling: “The idea just jumped off the page at me as a great thing to do”. The breadth of sound is striking, with Hoang’s alto sax or clarinet on top, threading his distinctive reedy tones through, while Riepler offers an impressive range of guitar textures and electronic effects. That coalescence alone offers a very different dynamic to the more usual inclusion of piano, often conjuring a bewildering sonic mesh; but when merged with the synergetic drive of Hart, Janisch and Smith… that’s where the alchemistic reactions are sparked. 

Animated conversations between Hoang’s alto and Riepler’s solo lines are prominent in ‘The Past is Another Country’, as are the mellifluous clarinet-and-guitar juxtapositions of lullaby ‘Golden’. Increasingly chattering ‘The Exchange’ reveals “an illusive resolution – a melody trying to get somewhere, but never quite does”, while percussively turbulent ‘The Road’ (a journey to Hart’s native Cornwall) excitingly showcases the new-found intensity of the five. Zawinul/Shorter-hued escalations characterise brightly chiming ‘Cycle Song’; and a complex “8 over 9 over 12” Ghanaian polyrhythm (which the vibraphonist mastered four years ago and can now summon instantly) infuses ‘Traveling Pulse’ with bewitching, mesmeric vigor. 

Revelling in this new direction, Hart affirms: “I’m happy to have written some more expansive music, with all the richness that offers. It’s all typically propulsive, yet also abstract, picking you up on a conveyor belt of rhythm and taking you off on an Escher-like journey somewhere”.

1. The Past Is Another Country

2. Traveling Pulse

3. Golden

4. The Road (For Ed)

5. The Exchange

6. Cycle Song (For J.T)

Jim Hart - compositions, vibraphone

Michael Janisch - double bass

Dave Smith - drums

Antonin-Tri Hoang - alto saxophone/clarinet

Hannes Riepler - guitar

Recorded live at The Vortex Jazz Club, London (March 10/11 2017)

Engineered, edited and mixed by Alex Bonney

Produced by Jim Hart

Live Sound - Ali Ward

Mastered by Tyler McDiarmid

Artwork - Sophie Moates

Executive Producer - Michael Janisch