Showing posts with label Justin Tyson. Show all posts
Showing posts with label Justin Tyson. Show all posts

Tuesday, March 9, 2021

R+R=NOW - R+R=NOW LIVE (2021 Blue Note)

In October 2018, Robert Glasper settled into the Blue Note club in NYC for a month-long residency several nights of which featured the new dream team collective R+R=NOW with Glasper on keys, Terrace Martin on synthesizer, vocoder, and alto saxophone, Christian Scott aTunde Adjuah on trumpet, Derrick Hodge on bass, Taylor McFerrin on synthesizer, and Justin Tyson on drums. The band had recently released their debut album Collagically Speaking and the music had already taken on expansive new dimensions in concert as evidenced on R+R=NOW Live, a thrilling live recording with standout tracks including “Respond,” “Change of Tone,” “Resting Warrior,” and a cover of Kendrick Lamar’s “How Much a Dollar Cost.”

1. Respond (Live)
2. Been On My Mind (Live)
3. How Much A Dollar Cost (Live)
4. Change Of Tone (Live)
5. Perspectives/Postpartum (Live)
6. Needed You Still Feat. Omari Hardwick (Live)
7. Resting Warrior (Live)

Thursday, July 12, 2018

Now Vs Now - The Buffering Cocoon (September, 14 2018)


Jason Lindner, a keyboardist with eclectic musical sensibilities that intermesh to create a unique voice that has served as a key ingredient for numerous projects, including David Bowie's final album "Blackstar", presents his New York-based band's third album (and first for Jazzland), 'The Buffering Cocoon'.

Broad in scope, grand in ambition, and possibly a wormhole to a different musical dimension, the album takes the listener on the musical journey and experience that defies clear classification by any traditional measures. If music is about ideas expressed via the right notes in the best possible configuration using the best sounds, this is what Now Vs Now delivers. The ideas are focused on the future: the future of humanity, society, the planet. The themes of each track are interconnected, and their musical expression is perfectly attuned accordingly: no excess notes in the name of ego-based skill exposition, no scarcity of sounds where the concepts demand them. From the moment you press play, to the final drone and tick-tock of "Buffer Failed. Restart" you are taken on a journey with a perfectly planned and executed itinerary, a journey from an uncertain present to possible futures.

Genres become grist for Now Vs Now's musical mill, stylistic compass points to orient the listener. Chick Corea's description of Lindner as a "musical universe" is shown here to be a truth rather than mere hyperbole. They produce electronic music tinged with jazz, funk and soul, with nods to relaxing vaporwave ("Accelerating Returns"), analog synth-pop (the percolating "Cloud Fishing"), danceable darkwave (the propulsive, '80s-reminiscent "Motion Potion"), and modern electro-R&B ("The Scarecrow"). On other songs, IDM's taut beatkeeping, jazztronica's livewire energy, and elements of the cutting-edge Wonky subgenre popularized by Flying Lotus and J Dilla contribute verve and velocity.

In addition to fronting Now Vs Now - whose lineup also features bassist Panagiotis Andreou and drummer Justin Tyson - Lindner is a sound designer, composer, arranger, and producer. Originally from Brooklyn, he taught himself piano by ear before studying formally, simultaneously finding expression on electric guitar and saxophone. An apprentice of New York's elder jazz masters, his musical career began in jazz and sasla clubs. But he soon proved to be a voracious student of many types of music, eventually leading to synthesizers and electronics. Lindner currently tours and records with saxophonist Donny McCaslin - whose band, including Lindner, was enlisted by David Bowie for the recording of his final album, the Tony Visconti co-produced Blackstar - and is in a particular niche to serve as keyboardist for Angelique Kidjo's Talking Heads Remain in Light project and with Ethiopean Jazz pioneer Mulatu Astatke. He also embarks on solo and collaborative electronic projects under the name Oscillations.


"Rhythm provides more than a heartbeat for Jason Lindner. It also seems to fuel his respiratory functions and digestive activity, and maybe his neurons...What matters to him is groove, however it comes." - The New York Times

"Will this alien music make you want to dance? Absolutely, but be warned: once you step into the group's intoxicating, alternate universe, you may find it hard to leave." - NPR Music

"...an open minded kid from Brooklyn [Lindner] became one of jazz's most interesting keyboardists, with an identity spanning genres, cultures, formats and technologies." - JazzTimes

1. Buffering 3% 01:08
2. Cloud Fishing 05:26
3. Glimmer 07:21
4. Motion Potion 07:05
5. Silkworm Society 05:26
6. Buffering 43% 00:59
7. Dichotomy 08:32
8. Pergamos 06:42
9. Squoosh 00:50
10. 400 PPM 06:24
11. The Scarecrow (Silkworm Society Remix) 02:33
12. Accelerating Returns 05:52
13. Buffering Failed - Restart 00:38

Monday, May 28, 2018

R+R=NOW - Collagically Speaking (BLUE NOTE June 15, 2018)



Dream team band R+R=NOW—featuring Robert Glasper on keyboards, Terrace Martin on synthesizer and vocoder, Christian Scott aTunde Adjuah on trumpet, Derrick Hodge on bass, Taylor McFerrin on synth and beatbox, and Justin Tyson on drums—will release their debut album Collagically Speaking (Blue Note) on June 15. The album is available for pre-order today on vinyl, CD or download, along with the new single “Colors In The Dark” which can be streamed or downloaded now. The band’s DNA is evident in the song’s woozy soul with Martin's robo-coo floating like a hallucination over a lush scene rooted by Hodge’s warm bass and featuring a breezy Glasper piano solo that crests in a sudden burst from Tyson.

Okayplayer wrote that “R+R=NOW consists of some of the brightest and baddest musicians in the game today,” adding that the album’s first single “Change Of Tone” “finds R+R=NOW fluidly showcasing their individual sounds as a cohesive blend… expressing hope, love, confidence, and resiliency through their respective melodies.” Stereogum declared the song “a powerful introduction to the band, highlighting each members’ skill and spirit,” while Paste called it “a hybrid encompassing all of black music—hip-hop, R&B, jazz, soul, funk—with its layered instrumental laying out black excellence.”

In an era when every headline carries some new horror or fresh worry, we need music that can clap back with immediacy, skill, and heart. We need a band so at home in its skin that it can play without ego and lead with love—artists whose very existence attests to resilience and hope. We need R+R=NOW, a supergroup assembled by Glasper but functionally egalitarian, in no small part because its members are visionary players, composers, and producers on their own. This genre-mashing outfit moves as one and, as their name reveals, with great purpose.

“R+R stands for ‘Reflect’ and ‘Respond’,” says Glasper. The idea came to him via Nina Simone while he was coproducing Nina Revisited, a companion album to the 2015 film What Happened, Miss Simone? Facing backlash for her politics, Simone was asked, more or less, why she didn't just shut up and sing. Her answer: “an artist’s duty, as far as I’m concerned, is to reflect the times.” Glasper adds: “When you reflect what's going on in your time and respond to that, you can't not be relevant. So ‘R’ plus ‘R’ equals ‘NOW’.”


In that spirit, Collagically Speaking isn't some wonky thesis on the state of the nation. It’s a raw document that seamlessly adheres neo-soul to future-funk, West Coast jazz of the moment to astral electronica, instrumental hip-hop to musique concrète, avant-garde to classical—these are single-take songs, written live in the room, that go wherever this formidable crew's mood goes. Guest voices get caught in that mix as well: actors Omari Hardwick (Power) and Terry Crews (Brooklyn Nine-Nine, Expendables); actress Amanda Seales (Insecure); MCs Stalley and yasiin bey (f.k.a. Mos Def); and singers Amber Navran (of Moonchild) and Goapele. The themes that bind it all together are both spoken and inferred: romantic love, universal love, systemic bigotry, the women's movement, quiet power, wild creativity, personal loss and growth.

“Everyone in this band is a six-foot-tall black guy who didn't come from an affluent background,” says Scott. “In order for us all to make it into that room together, we've had to go through some hell, fight for some things, build up a lot of armor, and do a lot ourselves to forge our realities, to become who we are. We're all very aware of that, so anytime we get together, it's a celebration.”

R+R=NOW will celebrate with U.S. album release shows in Atlanta (Variety Playhouse, June 15), Washington DC (DC Jazz Fest, June 16), and Brooklyn (BRIC Celebrate Brooklyn, June 22) before launching an extensive European summer tour. The band will return to the US for additional dates in the late-Summer and Fall including an appearance at the Newport Jazz Festival on August 3. Further dates will be announced shortly.


R+R=NOW – TOUR DATES

June 15 – Variety Playhouse – Atlanta, GA

June 16 – DC Jazz Fest – Washington DC

June 22 – BRIC Celebrate Brooklyn – Brooklyn, NY

June 28 – Leopolis Jazz Festival – Lviv, Ukraine

June 30 – JazzTM – Timisoara, Romania

July 1 – La Defense – Paris, France

July 4 – Vienne Jazz Festival – Vienne, France

July 5 – ICE Krakow Congress Center – Krakow, Poland

July 6 – Istanbul Jazz Festival – Istanbul, Turkey

July 7 – Locus Festival – Locorotondo, Italy

July 8 – Montreux Jazz Festival – Montreux, Switzerland

July 11 – Vicar Street – Dublin, Ireland

July 13 – North Sea Jazz Festival – Rotterdam, Netherlands

July 14 – Dour Festival – Dour, Belgium

July 15 – Citadel Festival – London, UK

July 16 – Shephed’s Bush Empire – London, UK

July 17 – Nice Jazz Festival – Nice, France

July 18 – Mode Jazz Festival – Molde, Norway

July 20 – Pori Jazz Festival – Pori, Finland

July 22 – Black Sea Jazz Festival – Batumi, Georgia

July 24 – Jazz Festival at Barts – Barcalona, Spain

July 26 – Heineken Jazzaldia – San Sebastian, Spain

August 3 – Newport Jazz Festival – Newport, RI

August 29-30 – Billboard live – Osaka, Japan

September 1 – Tokyo Jazz Festival – Tokyo, Japan

January 26-February 2, 2019 – Blue Note at Sea