Karolina Strassmayer & Drori Mondlak - Freescapes (March 20, 2022)

With their latest recording Freescapes, drummer Drori Mondlak and alto saxophonist and flautist Karolina Strassmayer, continue their creative adventure that began in New York City in 2000. In their eighth recording together their vision has further crystallised their original and deeply personal sound.

Freescapes describes the open musical landscapes that offer complete creative freedom.

The album includes a spontaneous improvisational suite in 3 movements, two solo drums & percussion pieces, a saxophone and drum duet and three original Strassmayer compositions.

Mondlak and Strassmayer consider Freescapes their most powerful and authentic recording to date.

Freescapes reflects the live performances of their quartet KLARO!, weaving together group improvisations and composed pieces while remaining dedicated to lyricism, melody, and the creation of beauty.

The sound quality is exquisite. As always, they have taken great care in the recording process–in this case, in a great concert venue. The mastering quality is superb and offers the best and truest sound of the quartet.

If you’d like the CD signed with a dedication inside the digipack, please specify this in your order

Internationally renowned journalist Doug Ramsey writes,

“This international quartet is one of the most interesting small groups at work today.”

1. Sing To Me Of... 03:32

2. Mallets And Air 03:48

3. Sticks And Flurries 03:17

4. Brushes Dancing 04:22 video

5. Courage 07:33

6. Hands And Feet Talking 03:47

7. Aahhh! 09:38

8. Both Held And Free 08:08

9. Octopus Dance 04:29

Drori Mondlak - drums, percussion

Karolina Strassmayer - alto saxophone, flute, compositions

Rainer Böhm - piano

Thomas Stabenow - bass

PRE-ORDER

Paul Heller Meets Roman Schwaller (MONS RECORDS 2018)

”This music touches me deeply. I can hear the brotherly passion.“

(Jimmy Heath)

You just need to listen to Paul Heller‘s new CD for a few seconds before you notice it; here are two people who fit together like the pieces of a jigsaw puzzle. It‘s not just because they both play the same instrument, the tenor saxophone. No, it‘s something more than mere outward appearances. It‘s a long-standing friendship, a musical partnership, and a spiritual kinship. And they both pursue the one and the same goal. Paul Heller and Roman Schwaller just want to play. Simply playing. Uncompromising. Full of energetic commitment. Straight ahead!

Heller and Schwaller first met exactly twenty-five years ago, and numerous projects together have followed. The Swiss Schwaller (born in 1957) twice invited the Rhinelander Heller (born in 1971) to the musical meet up “Three Generations of Tenor Saxophone“ with Johnny Griffin (born in 1928).

The new album by these two representatives of the “younger“ generation is heavily influenced by the American saxophone legend, Johnny Griffin. Nevertheless, the nine tracks equally reflect both the history and current state of jazz. A few of the compositions are by Roman Schwaller, Thelonious Monk and Johnny Griffin. Five of the nine pieces were composed by Paul Heller, including the opener “Romanshorn“, which he dedicated to his mentor and musical role model Roman Schwaller (who was born in Romanshorn!).

Whether it be a ballad, mid-tempo or uptempo, what follows is a prime example of improvisation and interaction. In addition to Schwaller and Heller are the scintillating Martin Sasse (piano), Thomas Stabenow (bass) and Niklas Walter (drums). Here are three open-eared musicians who are happy to get themselves involved in this style of “playing“ again and again. It‘s not surprising that the tracks were recorded in the “classical“ style, and in the exact running order (with a maximum of two takes) as they are to be heard on the album.

Incidentally, aside from just listening to certain passages on the CD, it‘s definitely worthwhile to play it through in its entirety. That way you‘ll quickly understand what the saxophone legend Jimmy Heath meant when he said: “This music touches me deeply. I can hear the brotherly passion“.