Avataar - Worldview (Friday, October 29th on InSound Records)

Avataar is an award-winning world-jazz group featuring a cohort of some of Toronto’s finest jazz, world, funk, and pop musicians. The music is inspired by the deep musical traditions of India, Africa and Brazil, and is rooted within the framework of modern jazz. In an innovative marriage of ancient and modern, driving grooves intersect with cinematic atmospheres and soaring melodies, creating a fresh sonic experience.

The music in Worldview represents a logical artistic evolution for its leader, Sundar Viswanathan. The album is a musical commentary on the state of our world, on the pandemic, and on the inability of our leaders to lead with integrity, honesty, and compassion. While the actions of our leaders affected so many, some of the songs started as gut responses to the treatment of children, our most valuable and vulnerable citizens, and act as vehicles of catharsis for the composer. Song Song explores ideas of childhood nostalgia and memory, and the homesickness and saudade one feels when trying to recollect that song that’s just out of  our memory’s reach. Little Kurdi (for Alan Kurdi) is a lament and memorial for three-year-old Syrian boy Alan Kurdi, who washed up on an Italian shore, a victim of human trafficking; and Innocents (12/14/12) is a dedication to all those who were murdered in Sandy Hook in 2012, tragic victims of gun violence. Together these pieces comment on the honesty and fragility of children faced by a world of uncertainty and confusion created by adults.

Isolation during the COVID lockdown presented not only challenges but an opportunity for a great deal of introspection. The time spent alone offered a potential for creation and self-discovery, and a chance to see things from many perspectives. The fundamental message of this album is that all should have a place of safety, physically and emotionally.

1. Worldview 4:49

2. Ekkriis Spirito (Reclaimed Spirit) 8:34

3. Chrysalis (Emergence) 4:31

4. Innocents (12/14/12) 8:39

5. Song Song 6:15

6. Blue As It Ever Was 7:15

7. A Safe Space For Children (For All) 5:46

8. Little Kurdi (For Alan Kurdi) 10:03

Sundar Viswanathan - Alto and Soprano

Saxophones, Bansuri, Vocals

Felicity Williams - Vocals

Michael Occhipinti - Electric Guitar

Justin Gray - Electric Bass

Ravi Naimpally - Tabla

Max Senitt - Drums & Percussion

Aaron Lightstone - Oud (4)

Todd Pentney - Piano, Synth, Rhodes (1, 2, 4, 6, 8)

Worldview will be released worldwide on Friday, October 29th on InSound Records.

Ilios Steryannis - Bethany Project (2018)

The fact that Ilios Steryannis is a drummer may account for his being drawn not only to complex rhythmic pulses and time signatures. However being able to execute his intricate rhythmic patterns that he has written into the music of the Bethany Project album suggests that Mr. Steryannis leans more towards the “painterly” side of his business – the business of drumming, that is. His sticks may as well be artists-brushes, for instance, and the skin of his battery of drums his canvas. And while he is relatively non-intrusive, it’s clear that he is positioned in this ensemble as a percussion colourist who directs proceedings not by dictating time signatures, but rather drawing attention to the soundscapes that he has created in this enterprising presentation.

If this is an introduction to Mr. Steryannis’ work, then clearly he is a musician with wide open ears and one who is agape at the immensity of the sonic universe before him. His response has been to take every rhythmic impulse top heart. His music, as a result, is whip smart, unpredictable and open to crazy ideas that are all integrated into the well-formed and rather mature album. Yet his style remains deceptive, his limpid, euphonious sound artfully leavens his logical but nonetheless oblique and unpredictable melodic thinking – even when he is writing things with harmonic changes that have been used before. “Keep The Change” is a song the harmonic architecture of which is mirrored on John Coltrane’s “Giant Steps”, but it has also been reshaped to mirror the drummer’s own mind combined with the imaginative use of his wrists and forearms to coax a different tone out of his instrument.

Being based in Toronto and right in the middle of a thriving music scene with a slew of virtuoso and worldly-wise musicians to draw from Mr. Steryannis has made the best use of this by working with the best musicians available. Perhaps the master-stroke, however, was to co-opt the prodigious Eric St. Laurent to produce and shape the sound of this music. As a result Mr. Steryannis and Eric St. Laurent have schemed to produce an album that takes Jazz to heart while grinding its precepts into producing a fine mix of world music that is full of the earthy rumblings of East Africa, the high and mighty parabolic ululations of Mediterranean music, blended seamlessly with influences as far removed as India is from the Southern-most reaches of the US – all with the majestic wheezing of the accordion and the throaty bellow of the baritone saxophone together with the keening wail of the alto saxophone, the elemental twang of the guitar, uplifted with the heaving rumble of bass, percussion and drums.

But more than being a showcase for how flexible a writer he is, Mr. Steryannis’ music is a complex meditation on the interaction between visceral humanity and musical reality, described in eleven wonderful songs with ample breathing space for the voice of each musician to shine, and meld in with the rest of members of this wonderful and truly global ensemble. Toronto Music Report

1 The Group of 7

2 Keep the Change

3 College Street Knowledge

4 Mombasa Lisa

5 Florina

6 The Ornado

7 ScoJoe

8 Alek’s 11

9 Mangambe

10 To Infinity

11 Soledad

Sundar Viswanathan: alto saxophone (1 – 3, 5 – 7, 9, 10) and soprano saxophone (4, 8, 11)

Kenny Kirkwood: baritone saxophone (1, 5)

Eric St-Laurent: guitar (6, 11)

Scott Neary: guitar (2 – 5, 7 – 9)

Joel Visentin: Hammond B3 organ (2, 3, 5, 7, 10, 11), synthesizer (6)

Connor Walsh: contrabass (1, 2, 4, 7, 10) and electric bass (3, 5, 6, 8, 9, 11)

Adam Hay: congas (1, 4, 5, 9, 11)

Larry Graves: percussion (4, 5, 9, 11) and timbales (1)

Ilios Steryannis: drums (1 – 3, 5 – 11) and djembe (4)

Ilios Steryannis Website