Alain Brühl / András Vigh / Simon H. Fell - Trois Jeux (Pour Daniel) BRUCE'S FINGERS October 6, 2018

Improvised music of an occasionally surreal kind, recorded at the first meeting of this trio of improvisors in Aubusson, central France. The combination of Vigh's hurdy-gurdy, Brühl's invented instruments and Fell's transfigured bass results in some truly off-the-beaten-track musical explorations.

Alain Brühl: soprano & alto saxes, saxopette, sonic artefacts

András Vigh: hurdy-gurdy

Simon H. Fell: double bass

01. Első Jéték [21:26]

02. Second Play [05:44]

03. Troisième Jeu [15:33]

all music composed by Alain Brühl / András Vigh / Simon H. Fell

© Brühl / Vigh / Fell 2016

recorded at Au Fabuleux Destin, Aubusson, Creuse, France; 14 October 2016

recording: Simon H. Fell

production: Brühl / Vigh / Fell

mastering: Simon H. Fell

Derek Bailey & Company - Klinker (CONFRONT RECORDINGS 2018)

This recording is more than just a document of a musical performance, it is a time capsule which magically allows the listener to travel back in time and space. But this is not simply a question of a date on a calendar or a point on a map; Klinker gives us a second chance (or for some, a first chance) to luxuriate in an atmosphere, a performance environment and a specific combination of musicians which we will never be able to experience again. 

The most obvious and immediate thing that this recording brings back is the living, human presence of Derek and Will. In publishing the entire performance from start to finish, this Confront release allows us to experience these much-missed artists at work with a degree of intimacy and familiarity absent from (for example) prestigious festival performances. Of course, any new addition to the Bailey discography is an exciting development, but I feel I must also mention just how well Will Gaines plays (and yes, I use that term deliberately) on this gig. For those who might be unsure why Derek was always so happy to play with Will, listen to how Will uses his strongly idiosyncratic technique with invention, flexibility and imperturbability in the Company context. Similarly, hearing Bailey and Gaines exchange one-liners reminds me just how strongly Derek’s early career in light entertainment imprinted his ideas about musical practice and performance ethics; with his combination of show business schmaltz and improvisational acuity Will was a marvellous foil for Derek. Listen to Will, having dangerously skirted raconteur territory in his solo introduction to WG / MW, suddenly getting serious and creative when Mark decides to join him. But most of all, listen to the constantly re-inventing interaction between these four relaxed performers, one distant Thursday night in De Beauvoir Town. 

For this recording is also a tribute to the London Improvised Music Club scene of the late 20th century. During the 1990s I played extremely regularly in clubs such as The Klinker, sometimes as often as three or four times a week; the idea of playing frequently in low-pressure situations, with an ever-changing roster of colleagues, was the very essence of improvised music for many musicians of my generation. For all kinds of reasons, Improvised Music in London no longer has the luxury of a seemingly never-ending supply of informal musician-run clubs. So, enjoy this marvellous opportunity to join us in the hot, sweaty, noisy, beery atmosphere of The Klinker Club in August 2000. But perhaps you were actually there at the time….. 

Simon H. Fell

Various Artists - Live @ Sound 323 [Complete] CONFRONT RECORDINGS 2018

1. Derek Bailey and Simon H. Fell - 15 August 2001 (1) 09:24

2. Derek Bailey and Simon H. Fell - 15 August 2001 (2) 11:57

3. Keith Rowe - 29 October 2001 21:02

4. Cremaster (Alfredo Costa Monteiro & Ferran Fages) - 23 November 2002 20:28

5. Sakada (Mattin & Eddie Prévost) - 30 November 2002 21:25

Recorded in concert at Mark Wastell’s Sound 323 record shop and originally issued as a series of four 3" mini-CDs — each in a limited edition of 300 — on Confront’s Sound 323 imprint.

Recorded by David Reid (Keith Rowe) and Tim Fletcher (all others). 

Original CD colour schemes by Damien Beaton.