Showing posts with label SPACE TIME RECORDS. Show all posts
Showing posts with label SPACE TIME RECORDS. Show all posts

Friday, May 21, 2021

NEW RELEASE: Keith Brown Trio’s AFRICAN RIPPLES (f/ Melanie Charles, Camille Thurman + more) via Space Time Records

Acclaimed Pianist Keith Brown Announces the Release of His Revelatory New Album
African Ripples with his Trio, Out May 20, 2021 On Space Time Records

Space Time Records is proud to announce the May 20, 2021 release of African Ripples, the long-awaited new album by multi-faceted pianist, composer and arranger Keith Brown. The pianist’s third album as a leader, African Ripples introduces a new iteration of the Keith Brown trio now anchored by bassist Dezron Douglas and rotating drummers Darrell Green and Terron “Tank” Gully. Augmenting the mix is an abundance of notable special guests including trumpeter Russell Gunn, saxophonist Anthony Ware, vocalist Melanie Charles, vocalist Camille Thurman, vocalist Tamara Brown, spoken word artist Cyrus Aaron, and percussionist Nêgah Santos

After appearing on a number of universally acclaimed jazz recordings last year, including those by Jazzmeia Horn, Charles Tolliver, and Gregory Tardy, Keith Brown fulfills a long-held artistic vision on African Ripples. “The music of African Ripples was composed and collected to convey my personal experiences through Black music and how it has rippled out in so many different directions,” says Brown. “These ripples serve to bring to light our different relationships and connections and different variations of the same impactful shared experiences. This music has always been an extension of how we express ourselves within these relationships.”

Recorded in November of last year at Samurai Hotel Studios in Queens NY, African Ripples features innovative original compositions by Brown as well as several arrangements of tunes by such luminaries as Fats Waller and Stevie Wonder. Though the trio’s current configuration is new, the musicians on African Ripples have long-standing musical relationships. Terreon Gully is a longtime collaborator of Brown’s, having produced and performed on his previous album The Journey.  On Darrell Green, Brown shares that “[he] was one of the first drummers I met on the scene and has become one of my favorite drummers,” and on Dezron Douglas, he says: “anyone familiar with Dezron’s playing knows how deep his groove is but also how free he allows the music to be as well,” adding, “all these musicians provide exactly what I need to make the music speak.”
African Ripples begins with the deeply soulful “African Ripples Epigraph” featuring the evocative spoken word of Cyrus Aaron. Supple horn refrains cascade in between Aaron’s poignant words, underscored by Dezron Douglas’ deep groove and Brown’s powerful pianistic musings. “512 Arkansas St” provides the listener with some insight on the artist’s upbringing in Knoxville, Tennessee. Dedicated to the composer’s extended family, the song conjures the jubilance of family gatherings and features stunning improvisation by Brown as well as Russell Gunn and Anthony Ware. 

Queen” is dedicated to Brown’s wife Tamara and the musical inspiration for the composition comes from a painting by Nigerian-born artist Uzo Egonu entitled ‘Guinean Girl’. The beauty and intensity of the piano is matched by the strength of Camille Thurman’s soaring vocals.“Prayer For My Nephews” is a composition written by Brown for his nephews, who are 19 and 4 years old. Featuring the words of Cyrus Aaron, the song is filled with affirmations and prayer. Brown notes “growing up as young black men, these words are important to hear, and it can also be uplifting to anyone at any age that needs a word of encouragement.” 

Truth and Comfort” is a song about personal growth and re-education. The composer notes: “Everyone is raised in families and communities that can imprint ideas and beliefs that become a part of who we are. However, I think it is everyone’s responsibility to grow beyond the thoughts and beliefs that make them comfortable and see all the world’s many possibilities. This is something that some people have already done in their lives, so they’ll be able to relate to the experience, and for those who have not, maybe it will be an opportunity for them to think and see where they can open up themselves to truths beyond their comfort level.” The trio displays its stellar interplay on this nuanced track, and Brown offers audiences impassioned improvisation, beautifully supported by Terreon Gully and Dezron Douglas.

With the express purpose of fostering connection and positivity, African Ripples takes listeners on a journey throughout the life of the composer and offers a musical interpretation of many experiences that we all share in common – communion, hope, fear, nostalgia, grief and love. ‘My hope is that the listener will find enjoyment in the sounds, rhythms, harmonies, and melodies familiar to them and the ones that may be unfamiliar,” asserts Brown. “I hope that the energy and soul we put into this recording give them energy and uplift the soul.”

1. African Ripples Epigraph (featuring and lyrics by Cyrus Aaron) [2:03]
2. Truth and Comfort [5:01]
3. NAFID [5:19]
4. Just You, Just Me (Jesse Greer) [4:52]
5. 512 Arkansas St. (featuring Russell Gunn and Anthony Ware) [6:33]
6. African Ripples Part I (Thomas “Fats” Waller) [2:04]
7. African Ripples Part II (Thomas “Fats” Waller) [4:31]
8. Queen (featuring Camille Thurman) [6:37]
9. Come Back As A Flower (featuring Melanie Charles) (Stevie Wonder and Syreeta Wright) [5:23]
10. 118 & 8th [6:07]
11. What’s Left Behind [6:45]
12. Song of Samson (featuring Russell Gunn and Anthony Ware) [7:14]
13. Eye 2 Eye with the Sun [5:31]
14. Prayer for My Nephews (featuring and lyrics by Cyrus Aaron) [2:32]
15. African Ripples (Thomas “Fats” Waller) [0:46]

Keith Brown Trio:
Keith Brown- Piano, Rhodes, Synths
Dezron Douglas- Acoustic and Electric Bass
Terreon “Tank” Gully- (Drums, except tracks 6, 7, 8, and 13)
Darrell Green- (Drums, tracks 6,7,8, and 13)

Special Guests:
Russell Gunn-(Trumpet, tracks 1,5 and 12)
Anthony Ware- (Tenor saxophone, tracks 1,5 and 12)
Melanie Charles- (Vocals, track 9)
Camille Thurman- (Vocals track 8)
Cyrus Aaron- (Spoken Word, tracks 1 and 14)
Nêgah Santos- (Percussion, tracks 12 and 13)
Tamara Brown- Background Vocals (tracks 8 and 9)

MORE ABOUT KEITH BROWN
Memphis-born, Knoxville-raised and New York-based Keith Brown is one of the most in-demand pianists on the contemporary jazz scene. Since he began playing jazz at the age of 18, Brown has performed and recorded with a who’s-who of jazz luminaries. He currently tours as the pianist for Charles Tolliver and Jazzmeia Horn and has shared the stage with great jazz artists such as Camille Thurman & The Darrell Green Trio, Dezron Douglas, Sherman Irby, Steve Slagle, Terreon Gully, Kenneth Whalum III, David Weiss, Mike Clark, Bill Saxton, Joe Farnsworth, Greg Tardy, John Clayton, Benny Golson, and Bobby Watson to name a few. 

African Ripples is Brown’s third release as a leader, following the release of The Journey, in 2015 and Sweet and Lovely, in 2011. Brown appears on a number of highly acclaimed recent recordings including Jazzmeia Horn’s Where We Are, Charles Tolliver’s Connect, Janinah Burnett’s Love The Color of Your Butterfly, and Gregory Tardy’s If Time Could Stand Still. 

Wednesday, May 24, 2017

Kenneth Brown - 3 Down (SPACE TIME RECORDS 2017)



"He's a great player" -Essiet Okon Essiet

Knoxville, Tennessee-3/17/17- Knoxville Tn. based drummer, educator, composer, he wrote 6 of the tunes here, and band leader Kenneth Brown, son of jazz visionary, pianist Donald Brown is set to release his debut CD 3 Down on Space Time Records.

Born into a musical family Kenneth's household was filled with music led by his father. and later his brother Keith also a pianist. It was also during this same time period that Kenneth starting to gain exposure to all kinds of music which has always paid big dividends! 

By the age of 4 Kenneth was already playing drums and within a couple more years was studying piano "to gain a harmonic foundation in the music". With lots of practice and informal playing by the age of 14 Kenneth had established himself as a working musician and has since maintained a steady career within the genres of jazz, R&B, blues, funk, and rock with performances with David "Fathead" Newman, Curtis Fuller, Steve Nelson, Warren Wolf and Greg Tardy to name a few!

His performance background in those varied musical settings along with his musical influences of Prince, Elvin Jones, Stevie Wonder and Tony Williams to name a few has prepared Kenneth Brown and readied him to record 3 Down! 

Prior to recording his debut CD Kenneth has appeared on recordings with Ravi Coltrane, Wallace Roney, Kenny Garrett and Donald and Keith Brown to name a few! 

While 3 Down is foundation-ally a jazz recording Kenneth has been able to infuse elements of some of his other musical influence's and has created a sound that's musically interesting with diversity while being cohesive and prov-active! 


A great example of the "infusing" of elements is the R&B song Weak. Led by Ashlee Varner's very jazzy but tender lead vocals, brother Keith Brown adds a very appropriate talk box solo that works wonderfully in this context! That's proceeded by a very lyrical and inventive Will Boyd soprano solo and then Jamel Mitchell adds a soul filled tenor solo. Kenneth Brown could have laid back and played pocket but instead he's extremely adventurous and progressive here and its in-creditable! 

On Better Late Than Never a tune composed by Kenneth that captures the best of Art Blakey's Jazz Messenger's with a ferocious tempo, hot crisp breaks and burning solo's by Greg Tardy sax, trumpeter Jeremy Pelt and a dazzling piano solo from brother Keith. While bassist Daryl Hall adds a full and round sound. Kenneth has everything locked down and swings it madly! 

Continuning with his sound shifting Kenneth leads the team to the title track 3 Down sort of a polyrhynmic tune as Kenneth moves and shifts patterns and riffs, while keyboardist Keith Brown and bassist Darryl Hall lay low with a haunting groove. Jeremy Pelt begins with the trumpet but plays with the depth of the flugle horn and quickly lifts, soars, and then segue's to Keith Brown's soloing, here with the dexterity of Chick and Herbie but with his own idea's and imagination! Greg Tardy continues to amaze! 

Grovin is a tune Kenneth says "I wrote it for Roy Hargrove so it's a play on his name". Another example of exceptional writing by Kenneth and interesting as well is Greg Tardy playing clarinet seemingly as it 's a soprano, it makes for some very fun listening. As much as Grovin is heavy on the groove via the pulsating Daryl Hall on bass is as much as it swings. Jeremy Pelt returns with another stroling solo and Kenneth shifts gears as easily as the varying tempo's dictate. 

I'm gonna venture to say that you may have never heard an arrangement, here Keith Brown, of Dukes In A Sentimental Mood performed with such energy and emotion, I'm sure the great composer would appreciate this modern version. 

3 Down is simply loaded with great tunes and perhaps none better than bsassist Daryl Halls Back Then. With its break neck tempo, such magmificant soloing and bullet proof drumming from the thunerous Kennneth Brown. That's followed by Cool, a slower tempo but just as dynamic! 

Be on the look for It Could Have Been The Blues with it's Charles Mingus mood! On Encounters Behind The Gate the double saxophone front line of Jamel Mitchell and Will Boyd break through the gate and deliver extremely compelling solo's as Kenneth's roaring drum's seals it off! 

Kenneth Brown's debut CD 3 Down is loaded with in-creditable musician's and in-creditable music! It seems all the musican's got the memo bring your A game to the session, ripped it up and came with their A+ game!! 

It feels like you're hearing Elvin, Max and the aforementioned Art Blakey when in fact you've heard composer arranger and drummer Kenneth Brown!

01. Grovin
02. Better Late than Never
03. Weak
04. Interlude 1
05. Scenic Route
06. Back Then
07. It’s Cool
08. Interlude 2
09. Encounters Behind the Gate
10. It could’ve been the Blues
11. 3 Down
12. Interlude 3
13. In a Sentimental Mood
14. Some Place Familiar
15. Interlude

Kenneth Brown : drums
Jeremy Pelt : trumpet
Greg Tardy, Will Boyd, Jamel Mitchell : saxophone
Keith Brown : piano, keys
Darryl Hall : double bass, bass
Donald Brown : keys
Dorothy Brown : flute
Ashlee Varner, Mina Bradley, Cynthia Brown, Donald Brown Jr. : vocals