Showing posts with label PLANET ARTS. Show all posts
Showing posts with label PLANET ARTS. Show all posts

Sunday, October 21, 2018

Chris Pasin "Ornettiquette" CD Release Shows 11/10 The Sanctuary for Independent Media 12/2 The Falcon


Chris Pasin
Ornettiquette 
CD Release Shows

Friday, November 10th 7:30pm
Sanctuary for Independent Media 
3361 6th Avenue North
Troy, NY 12181
(518) 272-2390

Sunday, December 2nd 8pm 
The Falcon
1348 US-9W
Marlboro, NY 12542
(845) 236-7970

Karl Berger vibraphone, piano
Ingrid Sertso vocals
Harvey Sorgen drums
Michael Bisio bass
Adam Siegel alto saxophone


Jazz trumpeter Chris Pasin releases Ornettiquette, a musical joyride of an album inspired by free jazz pioneers Ornette Coleman and Don Cherry

For his 4th CD as leader, jazz trumpeter Chris Pasin leads his vibrant band Ornettiquette in saluting NEA Jazz Master and Pulitzer Prize winner Ornette Coleman and his long-time collaborator Don Cherry

“Imagine standing on a beach with the tide tugging the sand away under your feet while still feeling grounded in sea
and sand and ski—absolutely thrilling.”
– Michael Hochanadel, Jukebox, The Daily Gazette

Ornettiquette, his adventurous band of inspired musicians, take a joyous look at the music of saxophonist/composer/innovator Ornette Coleman and his long-time sonic partner trumpeter Don Cherry. 

This is the fourth release as a leader for New York-native Pasin, a longtime practitioner of jazz from straight-ahead to avant-garde. "I became acquainted with the music of Ornette Coleman, Don Cherry, and Albert Ayler as a teenager, and played along with their records,” Pasin recalls. “A little later I transcribed ‘Ghosts,’ and started playing it with people, but it was not until recently that the idea of a band playing the music inspired by these heroes occurred to me, thus engendering Ornettiquette.”

Highlights among Ornettiquette’s eight compositions include:

“Ghosts” salutes its composer, Albert Ayler, with steady confidence, from the ethereal vocal/vibes/drums opening, through compelling trumpet/sax interplay, to a tender ending.

A chill-inducing rendition of “Lonely Woman,” among Coleman’s most renowned compositions, featuring an ominous bowed bass undercurrent, introspective vocal, and gripping trumpet solo.

Ornettiquette’s upbeat and jaunty take on the lilting melody of “Tomorrow Is the Question.” Check out the fine saxophone solo and propulsive drumming.

Chris Pasin, a long-time resident of New York’s upper Hudson Valley, earned a dual degree in classical and jazz trumpet performance at New England Conservatory. He has proved his bona fides in both forums, playing with the likes of Gunther Schuller, Toshiko Akiyoshi, George Russell, Jimmy Giuffre, Jaki Byard, Buddy Rich and a host of others. Chris has an affinity for collaborating with singers, working with legends including Frank Sinatra, Mel Torme, Nancy Wilson, Sarah Vaughan and Tony Bennett. 

This album marks the second collaboration between Pasin and producer Patricia Dalton Fennell on Planet Arts records. The first—2017’s successful holiday album Baby It’s Cold Outside—earned critical acclaim as well as a meteoric rise to the top 50 on the charts.

When Pasin sought musicians to accompany him on his adventures into Ornette Coleman/Don Cherry territory, he didn’t have to look far. Fellow Hudson Valley dwellers Karl Berger (piano/vibes) and Ingrid Sertso (vocals) had both played with Coleman and Cherry. With encouragement from the two icons, Berger and Sertso cofounded the Creative Music Studio in Woodstock in the early 1970s. The pair have played and collaborated with innovators including Don Ellis, Carla Bley, Sam Rivers, Pharoah Sanders, Dave Holland, Eric Dolphy, Steve Lacy, Ed Blackwell, Bob Moses, Pauline Oliveros, Nana Vasconcelos, Olatunji, and others.
Also joining Pasin on Ornettiquetteare:

Alto saxophonist Adam Siegel, who has fronted his own bands over the past decade as well as become an in-demand sideman. Recognized for his intense and original approach, the graduate of Philadelphia’s University of the Arts has played with everyone from Dick Oatts to Pete Seeger.

Bassist Michael Bisio has appeared on dozens of albums as leader, coleader or sideman with the likes of Matthew Shipp, Charles Gayle, Connie Crothers, Whit Dickey, Ivo Perelman, Barbara Donald, Newman Taylor Baker, Sonny Simmons and Sabir Mateen. The winner of multiple awards and grants, Bisio is also a widely respected composer and educator.

Drummer Harvey Sorgen has conducted workshops internationally and performed with Ahmad Jamal, Dave Douglas, Zakir Hussain, Wadada Leo Smith, Roswell Rudd, Levon Helm, Bill Frisell, Carlos Santana, Greg Allman, Jack DeJohnette, and more. 

With its invigorating and heartfelt sound, Ornettiquette is certain to delight jazz fans in the know, as well as be a great introduction to the music for the so-far uninitiated.

Karl Berger vibraphone, piano
Ingrid Sertso vocals
Harvey Sorgen drums
Michael Bisio bass
Adam Siegel alto saxophone

OCDC
Jayne
Ghosts
Tomorrow Is The Questions
Just For You
When Will The Blues Leave
Lonely Woman
PTU

Monday, March 12, 2018

Diane Moser "Birdsongs" CD Release Shows 4/14 Beattie Powers Place 4/22 Central Presbyterian Church of Montclair


Diane Moser’s Birdsong Trio
CD Release Concerts 
Presented by Planet Arts Jazz

Featuring:
Diane Moser-piano
Anton Denner-flute/piccolo
Ken Filiano-bass

Saturday, April 14th 5pm
Admission $10
Beattie Powers Place
Prospect Ave. & Bridge St.
Catskill, NY 12414

For information and reservations contact Planet Arts at:
518.945.2669 or planetarts@gmail.com

Diane Moser’s Birdsong Trio
CD Release Concert

Featuring:
Diane Moser-piano
Anton Denner-flute/piccolo
Ken Filiano-bass

Sunday, April 22 5pm
Suggested donation $15
Central Presbyterian Church of Montclair

For more information go to:


Award-winning jazz pianist and composer Diane Moser releases her 7 th CD, Birdsongs, inspired by nature’s most lyrical master improvisers—songbirds. Birdsongs combines virtuoso playing, heartfelt originality, and a unique and personal vibe, resulting in music that is exotic yet accessible, like the aural creations of Moser’s fine feathered friends. This new album is likely to vault the multi-talented pianist from her longtime local-favorite status into the top tier of national voices to be reckoned with in jazz. On Birdsongs , Anton Denner on flute and piccolo, and Ken Filiano on bass join the pianist in a trio setting to present nine songbird-inspired tunes, including seven originals. Over the past decade, Moser has performed Birdsongs at venues across the country with different instrumentation from solo piano to big band, acoustic to electronic, and everything in between. “The reason I decided on this group with Anton and Ken, to record all of my birdsongs, was to give the music a little more space and lightness,” Moser explains. “I also knew that both Anton and Ken would play sonically in those in-between places that is so much like the songs and calls that birds make, not always an exact pitch, but somewhere in between.

What The Press Is Saying About Diane Moser's Birdsong Trio

Dee Dee McNeil/Jazz Journalist Musicalmemoirs’s Blog March 4, 2018
“..a stunningly original package of music that celebrates birds in a very jazzy way..not only beautiful in sound and structure, but this is extremely relaxing music.”

“Here are three very talented human beings who desire to commemorate birdsongs on their instruments. I find them to be incredibly successful. This is a very beautiful production of original music by Diane Moser, capably interpreted by her stellar piano skills and the two talented musicians who accompany her on bass, flute and piccolo...not only beautiful in sound and structure, but this is extremely relaxing music.”

Dick Metcalf Contemporary Fusion Reviews February 26 2018
Diane’s wonderful piano compositions are supported impeccably by flute/piccolo from Anton Denner and bass by Ken Filiano... & don’t let the “avian” moniker throw you for a loop... this is some of the most beautiful jazz you’ll ever hear... I give Diane and her bandmates a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.99 for this splendid album.

Midwest Record February 20, 2018
“Very much in the realm of a Sunday afternoon egghead session, this recital is [a] well conceived round of sitting down jazz that’s a lot fun if you just let it be. Very much a welcome diversion.”

Leonid Auskern, Jazz Quad, February 2, 2018
Diane and her colleagues play chamber music, very refined, beautiful and inspired by the breath of wildlife. This, of course, is jazz, and high-end jazz. But if you are closer to academic music, then I think you will not be disappointed by Birdsongs. The musical impressionism of Diane Moser carries an almost religious feeling of admiration for the beauty and unity of music and nature.

Dodie Miller-Gould, Lemon Wire February 15, 2018
To many listeners, it will call to mind the way some bird species bob from branch to branch. All the while, the birds’ actual songs are replicated with the woodwind, and somehow, the sound of flapping wings appears to have been re-created, too. The song is fun, with listeners trying to match instrument sounds to bird behavior and songs. But the arrangement of sounds never allows audiences to forget that they are, in fact, listening to jazz. Moser [and her band] remind audiences to marvel at nature and enjoy the ways in which jazz can be used to express a variety of aspects of the human experience. 

Diane Moser "Birdsongs"  (Planet Arts 30174) Street Date: March 1, 2018
Diane Moser-piano, Anton Denner-flute & piccolo, Ken Filiano-bass

Media Contact
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Jazz Promo Services
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