Matt Mitchell - A Pouting Grimace (PI RECORDINGS 2017)

A regular member of Tim Berne’s Snakeoil and the Dave Douglas Quintet, pianist / keyboardist / composer Matt Mitchell has recently appeared on Rudresh Mahanthappa’s Bird Calls (2015) and Jonathan Finlayson’s Moving Still (2016). Mitchell has worked with a broad array of top-name artists including Steve Coleman, John Hollenbeck and Mario Pavone. Mitchell is a chameleon, able to take on completely different musical personas across of fast array of situations. His own Vista Accumulation (2015) was one of the most highly regarded releases of that year. Frequently in demand, he has managed to produce ten albums as a leader or co-leader. The most recent, A Pouting Grimace, is an eclectic collection that defies categorization.

Mitchell’s previous albums have been elatively small formations -solo through quartet and so the twelve- person ensemble on a A Pouting Grimace is new territory for him, as a leader. In that company of players are exceptional names. Saxophonist Jon Irabagon (Mostly Other People Do the Killing), flautist Anna Webber and percussionists Ches Smith and Dan Weiss are on hand, and Tyshawn Sorey serves as conductor on two pieces.

The very brief “Bulb Terminus” is a bit of programmed reverie that leads to the loosely structured “Plate Shapes,” a multifaceted maelstrom of cadences and noises with an impulsive sense of movement. Irabagon and bassoonist Sara Schoenbeck spend much of the time searching for their own alternate routes. “Brim” is the centerpiece of A Pouting Grimace as it provides a platform for the development of the surrounding compositions. At the core of “Brim” is a phantasmagorical, full-ensemble mélange that feels omnidirectional and free-flowing. The longest piece on the album, “Sick Fields” is an episodic anomaly that moves in fits and starts; it is as unstoppable as it is—at times—impenetrable. “Ooze Interim” concludes the album with a floating, solo electronics performance from Mitchell.

The free nature, density and complexity of A Pouting Grimace does not give way to blowout solos or overall chaos. The musicians wander a marauder’s map, at times, interacting with each other, or occasionally looking for their own opening. This is an album focused on detail; it can be identified in slight, contrasting hues and in unflinching statements. It is certainly a unique and challenging listen.

1. bulb terminus 01:10

2. plate shapes 08:12

3. mini alternate 05:32

4. brim 06:49

5. deal sweeteners 01:38

6. squalid ink 00:15

7. gluts 04:28

8. heft 04:16

9. sick fields 09:10

10. ooze interim 05:07

Produced by David Torn and Matt Mitchell 

Mixed and mastered by David Torn 

Matt Mitchell - piano, Prophet 6, electronics 

Kim Cass - upright bass 

Kate Gentile - drums, gongs, percussion 

Ches Smith - vibraphone, glockenspiel, bongos, timpani, gongs, Haitian tanbou, percussion 

Dan Weiss - tabla 

Patricia Brennan - vibraphone, marimba 

Katie Andrews - harp 

Anna Webber - flute, alto flute, bass flute 

Jon Irabagon - sopranino sax, soprano sax 

Ben Kono - oboe, English horn 

Sara Schoenbeck - bassoon 

Scott Robinson - bass sax, contrabass clarinet 

Tyshawn Sorey - conductor