Showing posts with label Lucy Railton. Show all posts
Showing posts with label Lucy Railton. Show all posts

Friday, March 18, 2022

Koma Saxo with Sofia Jernberg - Koma West (March 18, 2022 We Jazz Records)

Petter Eldh's explosive ensemble Koma Saxo continues their adventures with a new album "Koma West", out on We Jazz Records, 18 March 2022. The album sees Koma Saxo expand on their previous sound with the addition of vocalist Sofia Jernberg and a strong cast of featured artists, including cellist Lucy Railton, violinist Maria Reich, pianist Kit Downes and accordionist Kiki Eldh (Petter's mom!). The hard-hitting key quintet remains, including Eldh on bass and assorted instruments, Christian Lillinger on drums, plus saxophonists Otis Sandsjö (of Y-OTIS), Jonas Kullhammar and Mikko Innanen bringing the SAXO to the KOMA operation.

At 14 tracks, "Koma West" is a full menu of monumental compositional ideas that could spawn entire albums. True to his chop & go production style, Eldh relies on continuous movement while presenting another all killer no filler program taking Koma Saxo on a sonic outing not quite like anything that had previously appeared under the band's name. That being said, there's very much the Petter Eldh touch here, one which might be hard to pinpoint and verbalise, but nevertheless a recognisable style of composing, producing and arranging.

Thematically, the album is rooted in the West Coast of Sweden, where Eldh grew up – he's from a tiny town called Lysekil. There's a thread of Swedish folk song tradition that has been part of the Koma Saxo DNA from the get-go and you can hear that here as well, especially on cuts such as "Närhet", beautifully sung by Sofia Jernberg.

Petter Eldh says:

"In a way, it's a concept album and a celebration of the Swedish West Coast. The first single is called 'Koma Kaprifol', and kaprifol is the landscape flower of Bohuslän on the West coast, where I grew up. I'm not too wild about attaching strong narratives to my music but there's no way around it this time. The oysters, a common snack around the coast, are a strong conceptual presence here. Anyway, they seem to pop up here and there quite often already thus far in the Koma Saxo narrative, even though it's not always so obvious. Koma Vocals! Koma Strings! I love the presence of Sofia Jernberg here and I love writing string arrangements, too, although I never thought I would do it for Koma, but of course, Koma should have some strings, why not?. Koma Saxo should and can become anything." 

1. Lo Ve Ko Ma
2. Croydon Koma
3. Koma Krig
4. Flamman
5. Lake Koma
6. Koma Kaprifol
7. Ostron Accordion
8. Klippan Granit
9. Koma Rail
10. Närhet
11. Koma Fred
12. Saxo Chop
13. Clos Eko
14. Koma Camu

Petter Eldh - Double Bass, Sampler, Piano, Percussion
Sofia Jernberg - Voice
Christian Lillinger - Drums
Otis Sandsjö - Tenor Saxophone, Alto Clarinet
Jonas Kullhammar - Tenor Saxophone, Flute, Slide Saxophone
Mikko Innanen - Alto Saxophone, Sopranino Saxophone
Lucy Railton - Cello
Maria Reich - Violin
Kiki Eldh (the momvillain) - Accordion
Kit Downes - Piano

Produced by Petter Eldh
Executive producer Matti Nives

All compositions by Petter Eldh except “Närhet”, written by Fritz Sjöström, arranged by Petter Eldh
Recorded at Atlantis, Stockholm, 14th of April 2021, by Niclas Lindström
Additional recordings by Petter Eldh at Koma Saxo Industries, Berlin
Some of the voice and piano additions recorded by Sofia and Kit somewhere in Europe
Kiki Eldh recorded by Petter Eldh at Mountain Man Studios, Lysekil
Mixed by Petter Eldh at Koma Saxo Industries, Berlin
Mastered by Martin Ruch at CONTROL ROOM BERLIN
Design by Matti Nives

Friday, October 22, 2021

Fred Thomas / Aisha Orazbayeba / Lucy Railton - Three Or One (J.S. Bach) October 22, 2021 ECM

Here is Johann Sebastian Bach in transfigured light: with organ chorale preludes, vocal cantata movements and orchestral sinfonias – 24 pieces in all – transcribed for trio and solo piano by Fred Thomas, and threaded into a compelling new sequence by Manfred Eicher. On Three Or One, Bach’s idiom is respectfully explored by three innovative players, a process Thomas describes as “quietly joyful,” and the trio pieces, primarily drawn from Bach’s Orgelbüchlein, acquire a fresh character in the hands of Kazakh violinist Aisha Orazbayeva and British cellist Lucy Railton, musicians more often associated with contemporary composition’s cutting edge. Fred Thomas, who makes his ECM New Series debut here, has always worked across contexts and genres, and considers the trio’s wide-ranging experience “an incitement to creativity. Bach often re-used his own material and it is no surprise it came out differently each time. With his imaginative, technical and improvisatory powers, do we really believe that Bach would play the same thing the same way twice?” It’s a good question, and the key to the approach taken on Three Or One.

JOHANN SEBASTIAN BACH - SCHÜBLER CHORÄLE
1 Ach bleib bei uns, Herr Jesu Christ, BWV 649 02:34

JOHANN SEBASTIAN BACH - ORGELBÜCHLEIN
2 Herr Christ, der ein'ge Gottes Sohn, BWV 601 01:59
3 Ich ruf zu dir, Herr Jesu Christ, BWV 639 02:22
4 Durch Adams Fall ist ganz verderbt, BWV 637 02:22

5 ERBARM DICH MEIN, O HERRE GOTT, BWV 721 (Johann Sebastian Bach) 04:46

JOHANN SEBASTIAN BACH - CANTATA 'DER HERR DENKET AN UNS' BWV 196
6 Sinfonia 01:54

JOHANN SEBASTIAN BACH - ORGELBÜCHLEIN
7 Alle Menschen müssen sterben, BWV 643 01:39
8 Der Tag, der ist so freudenreich, BWV 605 01:15
9 Christe, du Lamm Gottes, BWV 619 01:23
10 Liebster Jesu, wir sind hier, BWV 633 00:02 - 03:48

JOHANN SEBASTIAN BACH - CANTATA 'HERR, GEHE NICHT IN'S GERICHT MIT DEINEM KNECHT' BWV 105
11 Aria 04:59

JOHANN SEBASTIAN BACH - CANTATA 'WEICHET NUR, BETRÜBTE SCHATTEN' BWV 202
12 Aria 02:51

JOHANN SEBASTIAN BACH - CANTATA 'O HEIL'GES GEIST- UND WASSERBAD' BWV 165
13 Aria 02:09

JOHANN SEBASTIAN BACH - CANTATA 'ALLEIN ZU DIR, HERR JESU CHRIST' BWV 33
14 Aria 03:58

15 PARTITA 'WENN WIR IN HÖCHSTEN NÖTEN SEIN', VERS III, BWV ANH. II 78 (Johann Sebastian Bach) 00:54

16 GELOBET SEIST DU, JESU CHRIST, BWV 723 (Johann Sebastian Bach) 02:10

JOHANN SEBASTIAN BACH - PARTITA 'O GOTT, DU FROMMER GOTT', BWV 767
17 VIII 03:09

JOHANN SEBASTIAN BACH - ORGELBÜCHLEIN
18 O Lamm Gottes unschuldig, BWV 618 04:11
19 Jesu, meine Freude, BWV 610 02:59

20 ALLEIN GOTT IN DER HÖH SEI EHR, BWV 711 (Johann Sebastian Bach) 02:30

JOHANN SEBASTIAN BACH - ORGELBÜCHLEIN
21 In dulci jubilo, BWV 608 01:10
22 Gott, durch deine Güte, BWV 600 00:44
23 Das alte Jahr vergangen ist, BWV 614 02:17

JOHANN SEBASTIAN BACH - SCHÜBLER CHORÄLE
24 Meine Seele erhebt den Herren, BWV 648 03:04

Fred Thomas   Piano
Aisha Orazbayeva   Violin
Lucy Railton   Violoncello

Wednesday, January 3, 2018

Thomas Strønen, Time Is A Blind Guide - Lucus (ECM January 19, 2018)

Norwegian drummer/composer Thomas Strønen presents a revised edition of his acoustic collective Time Is A Blind Guide, now trimmed to quintet size, and with a new pianist in Wakayama-born Ayumi Tanaka. Tanaka has spoken of seeking associative connections between Japan and Norway in her improvising, a tendency Strønen seems to be encouraging with his space-conscious writing for the ensemble, letting in more light. As on the group’s eponymously-titled and critically-lauded debut album there are excellent contributions from the string players – the quintet effectively contains both a string trio and a piano trio – and Manfred Eicher’s production brings out all the fine detail in the grain of the collective sound and the halo of its overtones, captured in the famously-responsive acoustic of Lugano’s Auditorio Stelio Molo RSI in March 2017.


1. La Bella
2. Friday
3. Release
4. Lucus
5. Fugitive Places
6. Baka
7. Wednesday
8. Tension
9. Truth Grows Gradually
10. Islay
11. Weekend

Ayumi Tanaka, piano
Håkon Aase, violin
Lucy Railton, cello
Ole Morten Vågan, double bass