Lisa Hilton | "life is beautiful" | Available April 1

Lisa Hilton and her trio with

Luques Curtis and Rudy Royston

Present an Optimistic Vision

Celebrating Hilton’s 25th Stateside Album:

life is beautiful

Out April 1 / PreOrder March 1

"Attention grabbing!” -KVNF Radio

Lisa Hilton and her trio, manifest a memorable experience on life is beautiful, their third recording of the pandemic era, and the acclaimed pianist, composer, and producer’s twenty-fifth album as a leader in the US. On it, Hilton indulges her love of the piano with ten original tracks and the cover gem, Ernie’s Blues, (written by Ernie Wilkins). Backed by her ever-excellent band mates: Rudy Royston on drums and Luques Curtis on bass, Hilton’s elegantly swinging piano and engaging compositions encompass a range from traditional tracks, Latin, blues and retro seamlessly. Royston continually hits the marks on his kit, and Curtis shows off plenty of style over this splendid repertoire of compositions. 

The album begins with an impressive bass solo from Curtis on the classic Ernie’s Blues. The tune’s complex chords and loose bluesy passages allow accomplished soloing from Hilton as well. Retro Road Trip highlights Royston’s rhythm skills and has a bit of a Prokofiev energy amid mid-century grooves. Inspired by classic American Standards, Hilton includes two romantic compositions here: So This Is Love and Nightingales and Fairy Tales - both evoking nostalgic charms and reminiscent of some of Bill Evans work in his sixties period. Too Hot dips into modal ideas creating its own melodic atmosphere. Hilton includes two Latin flavored compositions: Stepping Into Paradise as well as Santa Monica Samba, that show the versatility of the trio in mingling different Latin styles together effortlessly. Seduction is a solo piano piece that Hilton has recorded before, (some other tracks have also been recorded on past albums), with a new extended version here, showcasing Hilton’s love for the blues. Temporary Lullaby, written for Hilton’s daughter, is a melodic standout. In her liner notes, it mentions that More Than Another Day nods to Miles Davis, Antonio Carlos Jobim and Cole Porter.

 

Besides his work with Hilton, Royston has collaborated with an ever-expanding list of iconic jazz musicians such as Ron Miles, Bill Frisell, Rudresh Mahanthappa, and Tia Fuller. Curtis, an equally sought-after collaborator, has worked with Eddie Palmieri, Orrin Evans, Christian Scott, Sean Jones, and many more. About planning a recording session this far into the pandemic years, Hilton notes: “I think all musicians right now are hungry to play, so it feels really good when we have the opportunity to get together all day in the studio when we record. Despite the masks and other challenges, musicians need to create music. It sounds simplistic, but that's how we thrive.” Hilton has continued to compose, perform and produce an album a year in a trio, quartet, quintet or solo piano setting, and is a familiar name at the top of charts like Jazz Week, ZMR, and #1 Amazon New Releases. Hiltons albums also regularly appear on some “Best Of” lists” at All About Jazz or other sites, and popular music collections like Apple’s Pure Jazz Playlist.

Lisa Hilton’s new album, life is beautiful, is available everywhere April 1, 2022.

Lisa Hilton | life is beautiful

Release Date: April 1, 2022

For more information on Lisa Hilton, please visit:

LisaHiltonMusic.com | Facebook | Instagram | Twitter | Youtube

Lisa Hilton | "Transparent Sky" | Available September 3

Lisa Hilton and her Trio

with Rudy Royston and Luques Curtis

Masterfully Blend Traditions

in an Inspiring New Recording

Lisa Hilton's Transparent Sky

is Available September 3 / Preorder Aug 3

As America and other countries re-emerge from the limitations of 2020, Lisa Hilton and her trio with Rudy Royston and Luques Curtis, enthusiastically embrace the moment with a vibrant new jazz offering titled Transparent Sky, that will inspire, uplift and motivate us all. Rich with glorious harmonies and unique compositions, Hilton’s swinging band radiates a sun bleached aura to listeners. Throughout the album Hilton, Royston and Curtis develop a surprisingly wide range of rhythmic ideas from a variety of genres, masterfully blending classic traditions with new approaches and upbeat style.

The recording jumps in with the Latin tinged "Santa Monica Samba," quickly following with the equally energetic "Random Journey" on this collection of nine originals, plus one cover. “What developed this year was a LOT of movement and richer chords and harmonies – which makes sense when you consider how static last year was. As musicians we need to challenge and also entertain ourselves, so I think that’s why I subconsciously wrote in so many rhythm changes and multiple harmonic directions,” says Hilton. "Living In Limbo," "Chromatic Chronicles," "Fall Upon a Miracle" and "Infinite Tango," highlight the multiple creative rhythms of Hilton’s compositions and showcase ample opportunities for Curtis’s agile bass, and the delightful details of Royston’s drums.

Hilton has a way with ballads, and "Nightingales & Fairy Tales" is no exception. With its slight nod to Bill Evans in the sixties, this has the making of a jazz classic for a twenty - first century audience. In the same vein, a cover of "God Bless The Child," co-written by Billie Holiday and Arthur Herzog Jr, is a charmer, and like all the tracks here, is skillfully and originally presented without being forced. “For a long time I’ve been trying to record cover songs by women who were composers, because there is very little attention paid to them in jazz. I think it’s important to give women recognition for their range of talents, and by promoting them, maybe we will see less discrimination in music”, Hilton muses. 

Photo by Leigh Shane

Slowing towards the album’s end, "Extraordinary Everyday Things" is a calm and expressive soundscape, but with a surprise twist, Hilton finishes up with the title track, "Transparent Sky" as a sonorous piano solo. “The melody is beautiful and has a bit of swing, but the harmonic ideas are quite chromatic and dissonant with overlapping/lingering sonorities between bar lines.” She says. “This piece needs to be played sensitively or it will sound harsh, but that is like our lives today - we are living in sensitive times and need to be aware of how we connect and communicate. The solo piano clearly delivers those delicate harmonies along with the emotions. It’s about accepting our world as it is, whatever may be happening at that moment. Tomorrow will bring what it will, but there is still beauty to be found if we look for it, amid the dissonance of our times.” Hilton explains.

Lisa Hilton’s new album, Transparent Sky, is available everywhere September 3rd, 2021

For more information on Lisa Hilton, please visit:

LisaHiltonMusic.com | Facebook | Instagram | Twitter | Youtube

FIND LISA ON YOUR FAVORITE STREAMING SERVICE