Scopes - Age of Reason (September 10, 2021 Whirlwind Recordings)

Following their critically acclaimed eponymous debut in 2018, international jazz quartet SCOPES bring their blend of accessibility and adventure to Whirlwind Recordings for their second album, Age of Reason. Led by Austrian drummer Mathias Ruppnig, German bassist Tom Berkmann and French pianist Tony Tixier, American altoist Matt Chalk makes his debut with the quartet on this their second full-length release.

The group’s name SCOPES describes “the frame we all work within”, says Berkmann. “SCOPES is a creative space that we share, without boundaries.” The group’s second release, Age of Reason, is a personal and philosophical reflection on the pressing matters of a time, when all generations need to come closer together and become more aware of their surroundings. That feeling of maturity emerges on Age of Reason too – it’s the first SCOPES recording to feature the compositional skills of each member, delivering some thrilling results.

Age of Reason opens with ‘Deep Water’, a Tixier composition that carefully balances drive and expansion in a “dive into the depths of our biggest unacknowledged dreams.” For Ruppnig, the album’s aims are encapsulated by this tune– “the songs have an easy feel, and they’re not too specific – every musician has the space to have his own voice speak.” ‘More Hope’ came to Ruppnig when faced with relentless negativity during the Coronavirus period, with characteristically tumbling solo contributions from Tixier and space for Berkmann’s introspective soloing. The angular, bop-ish feel of ‘Continuity’ (also from the pen of Ruppnig) follows a similar theme, on the need to keep a creative drive no matter what life throws at you.

‘Vice’ begins on a completely different tack – Berkmann’s relaxed bossa slowly spirals out of control, aided by Chalk’s frenetic solo contributions. “We call ourselves a modern jazz band, but maybe this symbolises the urge to not always feel so hip,” says Ruppnig. Chalk contributes ‘Riotous Silence’ to the album, borrowing the title from a self-penned poem written in 2019. The freest track on the album, here we find SCOPES at their most focused, on Chalk’s quest to find “new ways to more fully express atemporality.” The title track follows with its combination of melodic ease and structural space, before ‘Gift of Time’, a tune born from the idea of how precious time is. Unable to tour or perform, SCOPES used that time constructively to create and explore the new sounds heard on Age of Reason. ‘Chocolate Travels Slowly’ is a band favourite featuring Tixier on blistering form, before the album closes with ‘Here’s My Prayer’, written for Tixier by Chalk with the aim of “finding melodies and chords that we could all really sink our teeth into.”

Summarising, Ruppnig describes Age of Reason as a “transportation of feelings. “It's a very emotional album, and I hope listeners will find their own stories when listening to it.” SCOPES make that task a pleasant one for audiences of all dispositions.

1. Deep Water

2. More Hope

3. Continuity

4. Vice

5. Riotous Silence

6. Age of Reason

7. Gift of Time

8. Chocolate Travels Slowly

9. Here's My Prayer

Scopes

Matt Chalk - alto saxophone

Tony Tixier - piano/synth

Tom Berkmann - bass

Mathias Ruppnig - drums

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Francesco Ciniglio - The Locomotive Suite (July 16, 2021 Whirlwind Recordings)

Born in Naples, educated in New York and now residing in Paris, drummer Francesco Ciniglio combines spotless drumming facility with substantial compositional flair, and has the capacity to move, reflect and express through his music. An in-demand sideman, Ciniglio has collaborated with Wynton Marsalis, Shai Maestro, Aaron Parks, Dayna Stephens, Seamus Blake and Tony Tixier.

Following his debut solo release (Wood, with Parks and Joe Sanders), Ciniglio returns as leader for his Whirlwind debut, The Locomotive Suite, a set of compositions for sextet that combine a personal metaphor of resilience with snapshots of his formative familial influences. Barcelona- based Raynald Colom (trumpet), fellow Paris emigrée Matt Chalk (alto) and Matteo Pastorino (bass clarinet) take the frontline duties, with Frenchman Alexis Valet on vibraphone and rising star Felix Moseholm on double bass.

“It’s a straight metaphor,” says Ciniglio of the suite. “Every one of us should be our own locomotive, sturdy and reliable, because crazy times can come; if we don't react right away, and don't keep going, we're going to sink.” Composed for sextet, the collection began as reflections on the Ciniglio’s intense experiences of New York. They found another life in Paris and were recorded in May 2020 during one of the city’s brief lockdown respites, which saw the ensemble descend on the capital from all across Europe.

The suite is a collection of substantial, knotty harmonies, rhythmic shifts and spacious textures. But it also experiments internally, with chordal horn textures giving bass and vibraphone more melodic freedom. The unusual scoring is inspired by the soundworlds of Pat Metheny and Ben van Gelder, bridging the gap between music for large ensemble and harmonically focused trio music. Or, as Ciniglio puts it, it’s all about "finding an ensemble that’s not too big or small.”

The Locomotive Suite expands on that resilient ‘locomotive’ metaphor, coupled with ‘wagons’ – ‘personal experiences that nobody can take away from you’. The opener ‘Laura Martina’ is dedicated to Ciniglio’s late grandmother, a charismatic entertainer who helped raise him – a warm chorale sits above a pulsating drum texture. The darting rhythms of ‘Locomotive’ are the most closely related to train travel, but are actually derived from the Neapolitan tarantellas of his youth. Constructed in a series of windows, each new section is “a landscape which a train might pass through.” ‘Arlene’s March’ trots towards the Lower East Side and Arlene’s Grocery, famous for its hip-hop jam nights.

Three personal postcards follow (‘Capitano’ for his Dad, ‘Self-Made Man’ for his Neapolitan ‘Uncle’ who chased the American Dream, and ‘The Turtle’, a tender dedication to bassist Moseholm), followed by two darker pieces (‘Concern in the Background’ and ‘945 St Nicholas Avenue’), before the sweetly melancholic duet ‘Mon Ange’ aptly ends the album with, and in, love.

“This album is all about movement – getting a train here, marching there,” summarises Ciniglio. But it also reflects on people and places, and on the personal growth that helps make The Locomotive Suite a significant compositional statement.

1. Laura Martina

2. Loco-motive

3. Arlene's March

4. Capitano

5. Self-Made Man

6. The Turtle

7. Concern In The Background

8. 945 St. Nicholas Ave.

9. Mon Ange

Francesco Ciniglio - drums & composition

Raynald Colom - trumpet & flugelhorn

Matt Chalk - alto saxophone & arrangements

Matteo Pastorino - bass clarinet

Alexis Valet - vibraphone

Felix Moseholm - double bass

Recorded on July 5th & 6th 2020 at Studio Ferber, Paris

Mixed by Valentin Couineau & Dave Darlington

Mastered by Dave Darlington

Produced by Francesco Ciniglio

Liner Notes by Wynton Marsalis

Photography & Video by Audrey Radas

Graphic Design by Dave Bush & Audrey Radas

All Compositions by Francesco Ciniglio

Executive Producer - Michael Janisch

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