Jamie Fox's first CD, released in 2006, featuring a crew of stellar NYC based musicians. All compositions are originals by Jamie Fox, performed in various instrumental combinations.
Renowned pianist Kenny Werner makes poetic, brilliant music
in the moment on The Space
New solo recording, out November 2 via Pirouet, reaffirms Werner
as one of our great jazz pianists
“Perfection. 360 degrees of soul and science in one human being.”
—Quincy Jones
“Kenny Werner is a total musician. He feeds my heart and brain and pushes me into fresh territories.”
—Toots Thielemans
“Werner owns more chops and brains than most pianists do…Werner hardly raises his voice to make subtle points, couching his logic in neat vamps, sinewy angular lines, dizzying rhythmic double entendres.”
—DownBeat
“Werner has become one of our most literate and visceral pianists.”
—JazzTimes
Pianist Kenny Werner has long been a major player on the world jazz scene. His long-term musical relationships with the likes of the legendary Toots Thielemans, saxophonist Joe Lovano, and the Mel Lewis Big Band, coupled with his recognition as composer and bandleader have propelled him to the forefront of the music. Quincy Jones proclaimed him to be "360 degrees of soul and science in one human being," and Nate Chinen of The New York Times marveled at "Ša pianist who tempers fearsome technique with a questing spiritualism." Werner is also an acclaimed educator. The title of his new solo recording The Space comes from a chapter in Effortless Mastery, his book dealing with creativity and his approach to playing that has influenced a generation of jazz players. Werner calls The Space "Šthe most important title I've ever had for my music." It's about "Šbeing in the moment, content with what is." The Space will be released November 2, 2018 on Pirouet (PIT3106). This album is the fourth Werner has recorded for Pirouet. Engineer-artistic director Jason Seizer had actually wanted to do a solo recording with Kenny, but Werner persuaded Jason to record his trio first. After two Pirouet trio albums and one beautiful duo album with the great Brazilian singer Joyce, the time for The Space had come. Pirouet has recorded some of the premier pianists in jazz, including such artists as Marc Copland, Bill Carrothers, and Pablo Held. The new production with Werner continues that tradition. The album's eight pieces consist of two memorable standards, a classic Keith Jarrett composition, two perceptive pieces by Seizer, and three Werner originals, including the spare, mysterious title piece. In Werner's hands they are transformed into intimate poems of self-discovery. Werner characterizes The Space as "the place where every note I play is the most beautiful sound I've ever heard." With his new album, Kenny Werner makes that space his home.
Kenny Werner has been a world-class pianist and composer for over forty years. His prolific output of compositions, recordings and publications continue to impact audiences around the world. In 1996 he wrote his landmark book Effortless Mastery, Liberating the Master Musician Within. Werner has since created videos, lectured worldwide and authored many articles on how musicians, artists or even business people can allow their "master creator" within to lift their performance to its highest level, showing us how to be spontaneous, fearless, joyful and disciplined in our work and in our life. He is currently the artistic director of The Effortless Mastery Institute at Berklee College Of Music. Kenny was awarded the 2010 Guggenheim Fellowship Award for his seminal work, No Beginning No End, a musical journey exploring tragedy and loss, death and transition, and the path from one lifetime to the next. Utilizing over 70 musicians, Kenny's third album for Half Note Records is an expansive composition featuring Joe Lovano, Judy Silvano, wind ensemble, choir, and string quartet. Born in Brooklyn on November 19, 1951 and then growing up in Oceanside, Long Island, Kenny began playing and performing at a young age, first recording on television at the age of 11. Although he studied classical piano as a child, he enjoyed playing anything he heard on the radio. In high school and his first years of college he attended the Manhattan School of Music as a classical piano major. His natural instinct for improvisation led Kenny to the Berklee College of Music in 1970. There he sought tutelage of the renowned piano teacher Madame Chaloff. Her gracious wisdom and inspiration became a driving force in Kenny's conception: a music conscious its spiritual intent and essence. From Boston, Kenny traveled to Brazil with the saxophonist Victor Assis Brasil. There he met Victor's twin brother, Brazilian pianist Joao Assis Brasil. He studied with Joao, who provided another piece of the puzzle for Kenny's conception that would lead to Effortless Mastery. Kenny has performed and/or recorded with artists including Toots Thielemans, Charles Mingus, Gunther Schuller, Marian McPartland, Dizzy Gillespie, Stan Getz, Elvin Jones, John Scofield, Bill Frisell, Lee Konitz, Pat Metheny, Randy Brecker, Joe Henderson, Archie Shepp, Dave Liebman, Bob brookmeyer, Kenny Wheeler, Dave Douglas, Chris Potter, Ambrose Akinmusire, Ron Carter, Eddi Gomez, Dave Holland, Rufus Reid, Jack DeJohnette, Billy Hart, Bobby McFerrin, Lou Rawls, and Betty Buckley. Werner has composed for orchestras around the world, and taught at The New School, Berklee College of Music, the Banff Center, New York University, and other schools. He has received awards from the National Endowment for the Arts, the New Jersey Council of the Arts, and the Guggenheim Foundation, as well as a 2001 Grammy nomination.
Saxophonist Dave Liebman put together an all-star cast for Fire: percussionist Jack DeJohnette, bassist Dave Holland, and pianist Kenny Werner. All four have shaped modern jazz during the 1970s and 1980s, and continue to do so today. Fire is a unique and innovative album, recorded in 2016, and released in heavyweight 180gram, gatefold sleeve, and extensive liner notes by Liebman.
Two outstanding jazz veterans of the Americas – one based in Rio, the other in New York – have come up with a simple idea: to record an album of ballads. Joyce Moreno and Kenny Werner have been friends since first meeting in 1989, and have worked together during that time on two of Joyce’s previous albums.
Poesia feels very different to the exuberance of Joyce’s last album Raiz, which was an exploration of her Brazilian musical roots. This is a collection of chamber pieces, and what work so beautifully and distinctively on it is the combination of styles - Moreno singing in the latin tradition of drama and melancholy, accompanied by Werner’s delicate, empathetic less-is-more piano.
Confusingly, Second Love Song, which they wrote together, is the opening track, and it’s one of the highlights of the album. Werner had originally penned the tune for a big band, but with Moreno’s newly-added lyrics, it sounds perfect and complete a deux.
Of course, working in a duo can also cruelly expose any vocal frailties, and here and there, for example on Jobim’s Olha Maria, Joyce sounds a little uncertain. But elsewhere it’s great to hear her take on such standards as Estate and Mad About The Boy. Werner’s piano on the former ripples and riffs, sometimes complementing and supporting the voice, sometimes providing an edgy counterpoint. He doesn’t ‘latinise’ the material, sticking instead to conventional jazz ballad stylings.
Caymmi’s Velho Piano - a new one on me - is a sweet and melodic delight; Pra Dizer Adeus (‘Just To Say Goodbye’) is a tear-jerker, darkened by Werner’s interpolated melody lines and bittersweet chords; Charlie Chaplin’s Smile (whose lyrics, by John Turner and Geoffrey Parsons, weren’t added until a full 18 years after the song appeared in Chaplin’s film Modern Times) is another excellent choice, perfectly in keeping with the overall mood, and the same goes for Bernstein’s Some Other Time.
Don’t expect innovation or even surprises from Poesia; it’s not that kind of album. But if you want a mellow, chilled-out listen for the early hours of the morning, this is it.
