Showing posts with label Esperanza Spalding. Show all posts
Showing posts with label Esperanza Spalding. Show all posts

Monday, November 15, 2021

Relief: A Benefit for the Jazz Foundation of America's Musicians’ Emergency Fund | Mack Avenue Music Group

AVAILABLE NOW, RELIEF: A BENEFIT FOR
THE JAZZ FOUNDATION OF AMERICA’S MUSICIANS’ EMERGENCY FUND
 
An Unprecedented, Star-Studded Collection from
America’s Top Jazz Labels in Support of Musicians
Affected by the Pandemic
 
2-LP Set, CD and Digital Album Features Herbie Hancock,
Wallace Roney, Buster Williams, Jimmy Heath, Albert “Tootie” Heath, Joshua Redman, Christian McBride, IRMA and LEO (Esperanza Spalding & Leo Genovese), Cécile McLorin Salvant, Charles Lloyd, Hiromi, Kenny Garrett, Jon Batiste,
and Other Jazz Greats

A consortium of major jazz labels – Concord Music Group, Mack Avenue Music Group, Nonesuch Records, Universal Music Group’s Verve Label Group and Blue Note Records, and Warner Music Group – has taken the unprecedented step of joining hands for Relief, an all-star compilation of previously unreleased music on LP, CD and digitally November 12, continuing the non-profit Jazz Foundation of America’s (JFA) ongoing efforts to aid musicians affected by the international shutdown of venues and other performance opportunities in the wake of the coronavirus pandemic. PURCHASE/SHARE HERE.
 
All net proceeds from the package – comprising studio and live tracks by top-flight jazz artists – will benefit the JFA’s Musicians’ Emergency Fund, established in the spring of 2020 after the pandemic ground the music industry to a sudden, catastrophic halt.
 
JFA executive director Joe Petrucelli says, “The Jazz Foundation of America deeply appreciates the artists, songwriters and label teams who contributed to this project with such compassion and generosity. As pandemic restrictions continue to lift, we recognize that musicians will face a particularly lengthy recovery. They were among the first to be hit by the effects of the crisis and will be among the last to achieve a true sense of normalcy or stability. We and our partners are here for the long haul.”
 
Relief commences with a recording that exemplifies the extreme challenges faced by musicians in the depths of the 2020 health emergency: “back to who,” a track by vocalist Esperanza Spalding and pianist Leo Genovese, recording as IRMA and LEO, was created remotely at home studios in Hillsboro, OR and Brooklyn, NY.
 
The compilation concludes with a live quintet performance captured at the JFA’s 2014 “A Great Night in Harlem” benefit show at New York’s historic Apollo Theater. It features pianist Herbie Hancock, trumpeter Wallace Roney, who died after contracting the coronavirus, bassist Buster Williams, drummer Albert “Tootie” Heath and tenor saxophonist Jimmy Heath, the composer of the number, who died at the age of 93 in January 2020, in a poignant version of “Gingerbread Boy.”
 
“I'm honored to be part of this meaningful project that supports the important work of the Jazz Foundation, who has always been there for musicians going through tough times. They have been an especially critical resource for the community during the pandemic, helping those in need of medical care, putting food on the table and paying their rent,” says Hancock. 
Offering a compact overview of jazz’s past, present, and future, the album also presents fresh tracks from bassist Christian McBride, vocalist Cécile McLorin Salvant, saxophonists Kenny Garrett, Charles Lloyd, and Joshua Redman, pianist Hiromi Uehara, and pianist-vocalist Jon Batiste.

The set is merely the latest pandemic relief effort mounted under the aegis of the JFA’s Musicians’ Emergency Fund. 2020 benefit events included the virtual concert #TheNewGig in May, an international “Gershwin Global” online performance led by Israeli pianist Guy Mintus in July, and the Charlie Parker-themed “Bird Calls” streaming fundraiser in December.
 
Mack Avenue Music Group president Denny Stilwell, who spearheaded the formation of the label consortium with longtime JFA board member and entertainment lawyer Geoffrey Menin last spring, says, “We had met via conference call for about two months before the idea of putting an album together came up. The initial impetus was to raise money for the fund. Sometime around eight weeks in, Blue Note’s president, Don Was, said, ‘Why don’t we make a record? Let’s all contribute some tracks.’ There was a nanosecond of silence, and then everybody in our core group – including John Burk at Concord, Jamie Krents at Verve – said, ‘Yeah, let’s do it.’
 
“We all decided that we were going to look into the vaults and agreed that we wanted to have unreleased tracks…it just came together organically. Once we got all the music together, we traded some ideas and Joe Petrucelli, John Burk and Will Wakefield laid out the final sequence of how the tracks would flow. I think it works great!”
 
Relief marks the first appearance on record of a performance from one of the JFA’s annual benefits at the Apollo. (The 2020 “A Great Night in Harlem” show, which had been set for April 14, was postponed due to the COVID outbreak.)
 
Stilwell recalls, “Joe Petrucelli was pretty excited about including a live track. The thing that makes that track heartbreaking and relevant is the inclusion of Wallace Roney, who was one of the first of our community to pass from COVID. I think that track, which also features Jimmy Heath, who also left us last year, has some extra weight and meaning for all of us.”
 
In his notes for the album, Rolling Stone senior music editor Hank Shteamer writes, “Even in a pandemic, the jazz ecosystem – not just its practitioners and facilitators but those who value the music as a lifelong sustenance – has managed to summon grace, dignity and unexpected joy. That spirit extends to Relief, a compilation which continues the relief efforts undertaken last year. This album reflects the duality at the heart of jazz: It's a music of cooperation, of intuitive teamwork, that also leaves room for a broad array of personal idiosyncrasy. Differences of generation, heritage, methodology…strengthen the music's vast collective mesh.”

Album Tracklist:
1. IRMA and LEO back to who feat. Esperanza Spalding and Leo Genovese 4:41
2. Christian McBride Brother Malcolm 4:47                  
3. Cécile McLorin Salvant Easy Come, Easy Go Blues 2:32
4. Kenny Garrett Joe Hen’s Waltz 8:07
5. Jon Batiste Sweet Lorraine 3:52
6. Hiromi Green Tea Farm [2020 version] 7:52
7. Joshua Redman Facts feat. Ron Miles, Scott Colley, Brian Blade 3:39
8. Charles Lloyd & Kindred Spirits Lift Every Voice and Sing [live] 8:26
9. Herbie Hancock Gingerbread Boy feat. Wallace Roney, Jimmy Heath, Buster Williams, Albert “Tootie” Heath [live] 6:54


For more information on Jazz Foundation of America, please visit:

Tuesday, October 16, 2018

FRED HERSCH DUOS: OCTOBER 16TH - OCTOBER 18TH - OCTOBER 19TH & OCTOBER 21ST @ The Village Vanguard


FRED HERSCH DUOS

OCTOBER 16TH - OCTOBER 18TH
Fred Hersch (piano)
Anat Cohen (clarinet)

OCTOBER 19TH - OCTOBER 21ST
Fred Hersch (piano)
Esperanza Spalding (vocals)

Monday, December 18, 2017

Esperanza Spalding - Exposure & Undeveloped (2 CD) 2017


CD 1: Exposure
01. Swimming Toward the Black Dot
02. Public Trance It
03. Heaven in Pennies (feat. Robert Glasper)
04. Colonial Fire
05. Coming to Life (feat. Lalah Hathaway)
06. Geriment
07. I Am Telling You
08. The Ways You Got the Love (feat. Andrew Bird)
09. I Do
10. Double Jointed Canyon

Today's world has a way of teaching us that who we are is not good enough as it is. It tells us that we're better when we look our best. And that as artists, our work requires polish before it can be seen.

But the truth is, the creations that come from us are at their most powerful, at their most potent, the moment they surface.

In her new work entitled 'Exposure', composer, vocalist and bassist Esperanza Spalding will create an album of music in just 3 days, every second of the process broadcast live for a global audience.

The three-day livestream will begin on Facebook Live on September 12th, giving the audience a chance to see what it takes not just to create an album, but to create an album entirely composed on the spot.

Once the cameras start rolling, the audience will witness every second of Esperanza's process, including her eating and taking breaks to sleep in the studio. A monitor will also capture and show Esperanza the comments from the live audience, allowing them to participate in the creative process. Making it the first album ever created entirely on Facebook Live, not just for an audience, but with an audience, for an unprecedented 77 hour live feed.

After the record is finished, a limited edition 7,777 CDs will be released. The packaging of each CD will include a piece of the original notepaper Esperanza will have used to write the lyrics and music, allowing those who witnessed the process to own a piece of the creation itself, directly from the source.

Part of the theory behind Exposure comes from the idea that everything we've ever seen as people - anything we've ever seen, studied, heard, wished, read or thought - has been permanently captured by the mind. During Esperanza Spalding's Exposure, she'll aim to open this cache in her mind, allowing songs, lyrics, music and themes to develop spontaneously from the depths of her imagination and experience.

Esperanza says, "I foresee that creating before a live audience will add excitement and extra inspiration energy.  Knowing someone is watching and listening to what you're making seems to conjure up a sort of "can't fail" energy, the necessity to keep going because it's live draws up another depth of creative facility that can't be reached when you know you can try again tomorrow."

Having such limited time to write and record will also force us to rely on improvisation and first instinct. Not allowing us time to judge, second guess, question, or alter the initial hits of inspiration that drive the creation of each song.  

That means that the audience will get a record of the most potent, charged, fresh-from-the ethers-compositional, musical and lyrical content. Of course they will be formed into songs, but they'll carry the charge of the immediate, of the innately inspired artists co-creating in the room throughout the 3 day process.


CD 2: Undeveloped (Pre-exposure Practice)
01. Helluva
02. Tangerine
03. Word Jungle
04. Chelsea Mercy
05. Work of Art
06. Winning Machines
07. Trouble
08. 4th Grade
09. Whisper
10. Fittest