Friday, September 1, 2017

Sábado & Domingo - Porta-Jazz ao Pôr do Sol - Renato Dias Trio e Eduardo Cardinho Quinteto


PORTA-JAZZ AO PÔR DO SOL
Jardins do Palácio de Cristal
- entrada livre -


Sábado, 2 de setembro
19:00

Renato Dias Trio
Renato Dias - guitarra
Filipe Teixeira - contrabaixo
Filipe Monteiro - bateria

Renato Dias apresenta com o seu trio, uma seleção de composições de sua autoria que revelam a sua personalidade e identidade em contexto jazzístico e da música improvisada.

Uma revelação audaz e sincera, da musicalidade e sensibilidade que o caracterizam como compositor e instrumentista no panorama jazzístico português patente neste trio, constituído por músicos de vasto currículo musical e experiência profissional no panorama nacional.

O trio explora de vários ângulos o conceito do "belo" transportando-nos para ambientes e sonoridades que tanto têm de profundidade e delicadeza harmónica como de enérgica complexidade rítmica.


Domingo, 3 de setembro
18:30

Eduardo Cardinho Quinteto
Eduardo Cardinho - vibrafone
José Soares - saxofone
Mané Fernandes - guitarra
Filipe Louro - contrabaixo
Alex Lázaro - bateria

O quinteto vencedor do Prémio Jovens Músicos 2013, liderado pelo vibrafonista Eduardo Cardinho, é um dos grupos promissores do jazz português, segundo Mário Laginha:

"Há relativamente pouco tempo fiz parte do Júri da 27ªedição do Prémio Jovens Músicos e fui surpreendido pela performance do Quinteto de Eduardo Cardinho. Arranjos elaborados e muito bem feitos, bem como uma evidente procura de uma linguagem própria, numa faixa etária a rondar os vinte anos, levam-me a pensar - e dizer - que devem ser seguidos com muita atenção!"

Em palco estarão 5 pessoas reunidas e movidas pela questão: 'todas as coisas que poderias ser por esta altura se a tua mãe fosse a mulher do Sigmund Freud'; 

Cinco jovens pessoas que daí partem e, através dos seus instrumentos, inocência e garra, se dedicam à ousadia de fazer boa música, numa reunião íntima com o público de profunda reflexão e energia faiscante e com um repertório de música original.


PRÓXIMOS CONCERTOS
PORTA-JAZZ AO PÔR-DO-SOL
Jardins do Palácio de Cristal
- entrada livre -

9 de setembro
Susana Santos Silva 'Impermanence'
Susana Santos Silva - trompete
João Pedro Brandão - saxofone alto / flauta
Hugo Raro - piano
Torbjörn Zetterberg - contrabaixo
José Marrucho - bateria

10 de setembro
Rui Filipe Freitas Sexteto
Rui Filipe Freitas - vibrafone
João Mortágua - saxofone alto
José Pedro Coelho - saxofone tenor
Mané Fernandes - guitarra
Filipe Teixeira - contrabaixo
João Martins - bateria

17 de setembro
Pedro Neves Trio
Pedro Neves - piano
Miguel Ângelo - contrabaixo
Leandro Leonet - bateria

PLEASE HELP SAVE OUR BLUES, ROOTS & JAZZ MUSICIANS DEEP IN THE HEART OF TEXAS


PLEASE HELP SAVE OUR BLUES, ROOTS & JAZZ MUSICIANS
DEEP IN THE HEART OF TEXAS

The Jazz Foundation brought over 1000 musicians & their families back after Katrina, by rehousing, donating top shelf instruments and creating paying gigs for hundreds.  They were there for hundreds affected by Superstorm Sandy, and rebuilt the homes of the musicians who lost everything in last year's devastating floods in Baton Rouge. 

They have started connecting with dozens of jazz, blues, and roots musicians in Harvey's wake, they will help them rebuild as they always do, repairing homes, replacing belongings and treasured instruments and even replacing work.

Our success to save these musicians depends on you.

Your donation will provide miracles like basic necessities, clothing, bedding, instrument replacement, home cleaning and decontamination, rent/mortgage payments, car repairs, home reconstruction and financial support. 

Texas brought us some the the greatest music that America has given to the world. 

Help the Jazz Foundation and rebuild the life of someone whose music was there for you during your times of need. 



Saving blues, jazz, American roots music...

one musician at a time

JIM EIGO, JAZZ PROMO SERVICES,
272 State Route 94 South #1,
Warwick, NY 10990-3363
“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

Tiziano Tononi and Southbound - Trouble No More... All Men Are Brothers (A tribute to the spiritual unity of the Allman Brothers Band) LONG SONG RECORDS 2017



A MUSICA DELLA ALLMAN BROTHERS BAND INCONTRA COLTRANE, AYLER E MINGUS. UN MIX ENTUSIASMANTE DI AVANT JAZZ E ROCK BLUES.

Gli Allman Brothers + fiati + violino + accordion – le chitarre = Tiziano Tononi & Southbound!!!!

Tutto è cominciato da “Brothers And Sisters”. In realtà tutto era cominciato prima, con la scoperta del Blues attraverso i dischi di John Mayall, ma quella è un’altra storia…Vedere all’interno di quella copertina una specie di “super extended family” con musicisti, roadies, amici, donne e bambini, e ascoltare le suggestioni blues della voce di Gregg Allman e della chitarra di Dicky Betts era stato un connubio letale, e nei miei sogni avrei voluto andare  a stare lì, in un oblio Bluesfamiliare che avrebbe potuto fermare il tempo, e durare per sempre. A marcia indietro, da lì a poco avrei comprato “Fillmore East”, avrei scoperto Duane e Berry Oakley, e gli Allman Brothers sarebbero entrati nel mio mondo, e ne avrebbero fatto parte per sempre. Dunque sono quasi quarantacinque anni che li ascolto (ho seguito poi anche molte delle loro vicende successive, fino alla chiusura ufficiale della “ditta” nel 2014), e ancora mi stupiscono, da ascoltatore, per come fossero avanti sui tempi, e per come la loro musica, al dì là della passione totale per quel suono sontuosamente southernblues, infarcito di ritmiche New Orleans, contenesse già da subito molto più di quanto poteva sembrare. In fondo era il pregio di un periodo musicalmente ultra fertile, in cui molti stimoli ed influenze diverse, a volte persino contrastanti, venivano fatti convivere “pacificamente” tra loro, creando così alcune delle sintesi più straordinariamente originali che la storia recente ricordi. Era il Blues di Duane, con quello slide tagliente, difficile da dimenticare, che mi riempiva di gioia in “Statesboro Blues”, o quel modo di affrontare il solo, che letteralmente mi “ammazzava”,  in “Loan Me A Dime” di Boz Scaggs,  ….era il country (blues) di Betts, con le sue melodie scavate nelle dita, per un’ Elizabeth Reed che nel tempo è diventata un po’ anche mia, e ancora la capacità di Gregg di emozionare con le sue canzoni, e con la sua voce che che giganteggia, sorniona, sulle note del suo Hammond, era il Coltrane di “A Love Supreme” e la musica di Miles, che Jaimoe fece ascoltare a Duane, era il soul e la funkyness del basso di Berry e della batteria di Butch….Loro in fondo sono “i miei” Allman Brothers. Un gruppo di freaks multirazziale, in un Sud ancora pervaso da tensioni e intolleranza, che ha realizzato un piccolo grande miracolo musicale con le proprie forze, a dispetto di tutto e di tutti, creando un suono unico,  irripetibile. Come in una magia antica, come in un rito ancestrale africano officiato nelle paludi della Georgia, a cui partecipavano i “santi” del Blues, numi tutelari anche per me, e a cui, da parte mia, questa volta ho invitato anche Rahsaan Roland Kirk e Sun Ra, Coltrane, Don Cherry, Mingus e l’Art Ensemble of Chicago…Chicago, un nome, un simbolo, come sempre dal Blues al Blues…ma questa è un’altra storia.

Lunga vita alla leggenda dell’Allman Brothers Band, the road goes on forever, no?

Tiziano Tononi, TizTheWiz



1. Whippin' Post 7:48 
2. Midnight Rider 4:36 
3. Whippin' Post (Reprise) 5:19 
4. For Berry O. 2:11 
5. Les Brers (In G Minor) 7:03 
6. Don't Want You No More 2:56 
7. It's Not My Cross To Bear 5:33 
8. Kind Of Bird 12:32 
9. Clouds On Macon 1:51 
10. Hot' Lanta 6:47 
11. Requiem For Skydog 5:48 
12. You Don't Love Me 9:18 
13. Soul Serenade 3:14 
14. You Don't Love Me (Glorious Ending) 3:39 

Tiziano Tononi: drums, percussion, udu drum (Midnight Rider), gongs
Emanuele Passerini: soprano & tenor saxophones
Piero Bittolo Bon: alto sax, bass clarinet & flutes
Emanuele Parrini: violin & viola
Carmelo Massimo Torre: accordion
Joe Fonda: acoustic & electric bass
Pacho: congas, bongos, percussion
Marta Raviglia: vocals

With guests

Fabio Treves: harmonica on “You Don’t Love Me”
Daniele Cavallanti: tenor sax solo on “Soul Serenade”

All arrangements & musical directions by T.Tononi

“For Barry O.”, “Clouds of Macon” and “Skydog Blues” composed by T. Tononi

Produced by Fabrizio Perissinotto


Milo & Moses - Among Friends (2017)


Suomalaisen jazz-elämän yksi uusimpia ja kiinnostavimpia ilmiöitä on 15-vuotiaiden Milo Mäkelän ja Moses Kuloniemen sekä 18-vuotiaan Jon Petterssonin trio Milo & Moses. Trio julkaisi järjestyksessä toisen albuminsa Flow Festivalin yhteydessä. Kulttuurivihkojen videolla trion jäsenet kertovat musiikillisista taustoistaan, tyylistään ja työtavoistaan.

Nuoren jazztrion esikoislevy ja poikien ikäänsä nähden poikkeuksellinen kypsyys on kerännyt runsaasti kiittäviä arvioita ja radiosoittoa. Myös koko Flow'n avannut yhtyeen esiintyminen sai innostuneen vastaanoton. Kaksi vuotta toiminut ja säännöllisesti keikkaileva Milo & Moses on kahden yläastelaisen perustama kokoonpano, jonka ytimen muodostavat Milo Mäkelä (sähkökitara) ja Moses Kuloniemi (rummut). Kontrabassoa soittaa Jon Pettersson. Levy-yhtiö KHY Suomen Musiikki Oy poimi nuorukaiset talliinsa vuosi sitten ja julkaisi yhtyeen debyytti-lp:n syyskuussa 2016. Tämä kaikkien aikojen nuorin levyttänyt suomijazz-yhtye edustaa tyylillisesti groove jazzia.

01 Loose It 00:03:40
02 Among Friends 00:04:47
03 Haunting 130 00:03:17
04 Don't Go There It's A Trap 00:04:57 
05 East-Helsinki Ballad 00:04:01 
06 Je! 00:03:05
07 Ten Commandments Of Moses 00:04:21 
08 Headache 00:10:20
09 Vesibiisi 00:03:29 
10 Freddie Freeloader (Bonus Track) 00:03:49
11 Little Two (Bonus Track) 00:03:08


Milo Mäkelä: guitar
Moisés Kuloniemi: drums
Jon Pettersson: bass

Enrico Bergamini - Out of Place (2017)


Enrico Bergamini is a saxophone player, composer and arranger from Bergamo, Italy. After being exposed during his teenage years to bands and artists such as Weather Report, Brecker Brothers and Frank Zappa, Enrico has made it his first and foremost goal to compose and perform music as creative and exiting as theirs.

01. Feed The Lyons 05:51
02. Ivory Duke 06:31
03. Bahp! 06:57
04. She Was Born From Sand 06:22
05. Convergence 06:31
06. Out of Place 04:08
07. Virtual Proof 05:47

Enrico Bergamini - Composition, Arrangement, Tenor Sax (all tracks), Artwork Concept

Feed The Lyons: 
Daniele Germani - Alto Sax 
Clay Lyons - C Melody Sax 
Justin Salisbury - Piano 
Juan Dhas - Electric Guitar 
Giuseppe Campisi - Double Bass 
Jongkuk Kim - Drums 
Federico Masetti, Giuseppe Taccini - Recording Engineers 

Duke, Convergence, Virtual Proof: 
Clay Lyons - Alto Sax 
Eitan Kenner - Piano, Rhodes, Synth 
Jernej Bervar - Electric Guitar 
Mark Minoogian - Electric Bass 
Clemens Graßmann - Drums 
Christopher Benham - Recording Engineer 

Bhap!: 
Clay Lyons - Alto Sax 
Jimmy O'Connell - Trombone 
Jernej Bervar - Electric Guitar 
Fabrizio Sciacca - Double Bass 
Clemens Graßmann - Drums 
Christopher Benham, Jacopo Penzo - Recording Engineers 

She Was Born From Sand: 
Clay Lyons - Alto Sax 
Justin Salisbury - Piano 
Leandro Pellegrino - Electric Guitar 
Alex Gorchesky - Electric Bass 
Clemens Graßmann - Drums 
Jacopo Penzo, Ben Milchev, Steven Xia - Recording Engineers 

Out of Place: 
Dylan George - Piano 
Garry Purohit - Recording Engineer 

Giosuè Greco - Mixing and Mastering Engineer, Album Title 

Zekkereya El-megharbel - Artwork 

Tracks 1, 4 and 6 recorded at The Record Company, Boston MA 
Tracks 2, 3, 5 and 7 recorded at Big Orange Sheep, Brooklyn NY

David Benoit & Marc Antoine - So Nice! (2017)


What do you get when you have two veteran musicians that have their unique individual styles, but who can also come together as they blend perfectly to create something out of the ordinary?

David Benoit & Marc Antoine have a new collaboration. The album is titled, So Nice!  If you like Bossa Nova-inspired creations, then this is for you.

David Benoit has been in the game for 40 years, and he has not slowed down one bit!  In addition to his solo work, Benoit has worked with artists as diverse as the Rippingtons, and Faith Hill to David Sanborn and CeCe Winans.  Benoit wanted to become a jazz artist at an early age, after hearing the music from a Charlie Brown special.   “I was already a fan of the comic strip,” he says, “but when I heard that jazz piano trio, that was the defining moment when I decided that I wanted to play like Vince Guaraldi.”


In case you forgot about that music from way back, here is Linus and Lucy from Benoit:

It also appears in our Smooth Jazz Series.  It is still one of my favorites. In addition to the 40+ albums he has recorded, Benoit has also diversified his talents.  Benoit’s film scores include The Stars Fell on Henrietta (1995), produced by Clint Eastwood, and The Christmas Tree, produced by Sally Field, which was voted Best Score of 1996 by Film Score Monthly. He has served as conductor with a wide range of symphonies including the Los Angeles Philharmonic, Asia America Symphony Orchestra and the London Symphony Orchestra.

Marc Antoine was born in France, but he also lived in London and Tokyo, as well as the United States.  He has also played with some diverse artists.  They include Basia, Soul II Soul, George Benson and Sting.

With experience like that, you know a collaboration would be So Nice! READ MORE...



Vijay Iyer Sextet - Far from Over (ECM RECORDS 2017)

Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014 – Far From Over, featuring his dynamically commanding sextet – finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of the world’s most inventive new-generation jazz pianists” and The New Yorker to describe him as “extravagantly gifted… brilliantly eclectic.”

Far From Over features this sextet of virtuoso improvisers – with horn players Graham Haynes, Steve Lehman and Mark Shim alongside rhythm partners Stephan Crump and Tyshawn Sorey – leveraging a wealth of jazz history even as it pushes boldly forward. The music ranges from the thrillingly explosive (“Down to the Wire,” “Good on the Ground”) to the cathartically elegiac (“For Amiri Baraka,” “Threnody”), with melodic hooks, entrancing atmosphere, rhythmic muscle and an elemental spirit all part of the allure. “This group has a lot of fire in it, but also a lot of earth, because the tones are so deep, the timbres and textures,” Iyer says. “There’s also air and water – the music moves.”




Brian Charette - Kürrent (2017)


New CD for 2017!! Circuit Bent organ trio with Ben Monder on Guitar and Jordan Young on Drums. Moments of Prog and Metal!! All new compositions by Brian. Circuit Bending is a technique where electronic instruments are manipulated so that they misfire (!!) creating far out sonic landscapes.


01. Doll Fin 8:02
02. Time Changes 4:35
03. Mano Y Mano 5:41
04. Intermezzo 1 0:22
05. Honeymoon Phase 4:02
06. Schooby's Riff 7:23
07. Intermezzo 2 1:27
08. Conquistador 5:26
09. 5th Base 6:34
10. The Shape of Green 6:21
11. Intermezzo 3 2:04
12. Catfish Sandwich 6:11


New Christmas Jazz CD From Chris Pasin and Friends "Baby It's Cold Outside"


New Christmas Jazz CD
From Chris Pasin and Friends
"Baby It's Cold Outside"

Jazz trumpeter Chris Pasin spreads warm holiday spirit with his new CD
of seasonal classics, Baby, It’s Cold Outside

Artist: CHRIS PASIN AND FRIENDS
Title: BABY IT’S COLD OUTSIDE
Label: Planet Arts
Artist Website: www.chrispasin.com 
Release Date: OCTOBER 6, 2017
UPC Code: 820428301714

Track listing w/ track time
1. Have Yourself a Merry Little Christmas 5:44
2. Santa Claus is Coming to Town 5:21
3. We Three Kings of Orient Are 6:31
4. Oh Come Oh Come Emmanuel 6:34
5. Baby It’s Cold Outside 4:22
6. It Came Upon a Midnight Clear 4:41
7. God Rest Ye Merry Gentlemen 4:48
8. Greensleeves 4:10
9. Christmas Time is Here 4:24
10. I’ll be Home for Christmas 3:24
11. The Christmas Song 7:18

Musicians
Chris Pasin - trumpet, ugelhorn, vocal
Armen Donelian - piano
Ira Coleman - bass
Je Siegel - drums
Rich Syracuse - bass
Peter Einhorn - guitar
Patricia Dalton Fennell - vocal


From subtle to sexy to swinging, Chris Pasin and friends shine a brilliant light on the best yuletide favorites

Nothing gets music lovers in a celebrating mood like listening to their favorite carols, and this brand-new CD, Baby, It’s Cold Outside, delivers a whopping dose of holiday cheer. On 11 of the most-beloved sounds of the season, trumpeter Chris Pasin and friends show they have a real gift for making such familiar material their own, while maintaining the spirit and warmth that’s such a major part of the yuletide celebrations.

Equally comfortable on both trumpet and ugelhorn, leader Chris Pasin has proved himself among the most versatile of musicians. Besides fronting his own bands, he’s been a mainstay of ensembles led by the likes of Buddy Rich, Toshiko Akiyoshi/Lew Tabackin, George Russell, and Brother Jack McDu . Pasin has also appeared with legendary gures including Frank Sinatra, Tony Bennett, Mel Torme and Ray Charles, to name a few.

For Baby, It’s Cold Outside, Pasin has assembled a stellar ensemble of some of the most in-demand musicians on the New York jazz scene. Among them: pianist Armen Donelian (Sonny Rollins, Chet Baker, Paquito D’Rivera); bassists Ira Coleman (Freddie Hubbard, Betty Carter, Herbie Hancock) and Rich Syracuse (Mose Allison, Bernard Purdy, Kurt Elling); drummer Je Siegel (Ron Carter, Jack DeJohnette, Sheila Jordan); singer Patricia Dalton Fennell (Dave Holland, Giacomo Gates, Pete Levin); and guitarist Peter Einhorn (Joe Lovano, Placido Domingo, Jim Hall).

Highlights from Baby, It’s Cold Outside include:

“Have Yourself a Merry Little Christmas”: Here’s a subtle, sensitive and understated version of a classic that steers clear of the overly sentimental, right from Donelian’s heart-felt piano opener. “We Three Kings”: Uptempo and bursting with energy, the band brings great drive and brilliant feeling to this beloved carol, which features an excellent solo from leader Pasin. “Baby, It’s Cold Outside”: Check out the sexy and playful collaboration between Pasin and vocalist Patricia Dalton Fennell. The twosome demonstrate their wit and camaraderie as they work their seductive skills on the lyrics. “God Rest Ye Merry Gentlemen”: A very welcome new take on a traditional tune turns it into a cooker; the great rhythmic drive makes it downright danceable. “I’ll Be Home for Christmas”: Pasin and Einhorn shine on solos in this unique treatment of a 1940s-vintage hit.

Pasin and friend’s fresh take on the greatest songs of the season celebrate the beloved classics in an original and vastly appealing style. Listeners will enjoy old favorites in a new way this holiday season, thanks to the great renditions performed by this talented and creative ensemble.

NATIONAL PRESS CAMPAIGN
JIM EIGO, JAZZ PROMO SERVICES,
272 State Route 94 South #1,
Warwick, NY 10990-3363
“Specializing in Media Campaigns for the music community, artists, labels, venues and events.”

Darren Barrett’s dB-ish To Release “The Opener” 8/22


Darren Barrett’s dB-ish Presents Experimental New Release “The Opener”
Featuring Special Guest Guitarists Kurt Rosenwinkel & Nir Felder
Due out August 22nd, 2017


With the help of his eight piece ensemble, dB-ish, Grammy Award-winning trumpeter and multi-instrumentalist Darren Barrett proudly announces the August 22nd release of his highly-anticipated new album The Opener. Featuring special guest guitarists Kurt Rosenwinkel and Nir Felder, The Opener brilliantly weaves acoustic instruments with synthesis, samples and soundscapes into the fabrics of modern jazz. “Sometimes we play open, sometimes we play structured and then sometimes we play over vamps.  What I really love is there is room for melodies, room for improvisation, room for the synthesis, room for samples and soundscapes,” says Barrett on his approach to his new project. 

dB-ish features several long time bandmates including Alexander Toth on bass, Anthony Toth on drums and Santiago Bosch on piano and keyboards. The album also includes respected saxophonists Clay Lyons and Erena Terakubo, percussionist Judith Barrett and dynamic keyboardist Chad Selph. Barrett is particularly honored to be joined by world-renowned guitarists Kurt Rosenwinkel on aptly-titled track “The Opener” and Nir Felder on composition “To Conversate”.

“Kurt is simply brilliant. His abilities are endless. Nir Felder has a wondrous approach to playing music that was so perfect for this project.”


Multi-instrumentalist Darren Barrett has had an extraordinary career. He has performed and recorded with Elvin Jones, Jackie McLean, Herbie Hancock, Roy Hargrove Big Band, Common, Will.i.am, Myron Walden Momentum, D’Angelo and Antonio Hart. After winning the Thelonious Monk International Jazz Competition for Trumpet in 1997, Barrett went on to release his first album First One Up in 1999 followed by Deelings in 2001, The Attack of Wren: Wrenaissance Volume 1 in 2004, and A Very Barrett Christmas in 2011.

He performed on the Grammy Award-winning Esperanza Spalding album, Radio Music Society in 2012 and in 2014 he released The Music of the Bee Gees (2014), with Energy in Motion and Live and Direct (2014), with dB Quintet. In 2015, Barrett released the reggae infused Trumpet Vibes and in 2016, he explored the work of the late Amy Winehouse on Trumpet Vibes: The Music of Amy Winehouse.

He now leads dB Quintet, Energy In Motion, dB-ish, and dB Treyo and is a professor in the Ensemble Department at his alma mater, Berklee College of Music in Boston. 

The Opener is a departure from Barrett’s previous work as it explores his interest in electronic and experimental music more-so than any of his earlier projects. “I grew up with many different influences and always experimented in the electronic world so I am so happy to have finally realized a project utilizing all of these ingredients,” says Barrett. A prime example of this is the opening track, “The Opener”, which features Kurt Rosenwinkel and incorporates soundscapes, samples and drum machines synthesized with the acoustic instruments.

Barrett considers this track to be “the heart of dB-ish”. Another standout is “Throughout” which turns the traditional jazz tune on its head with orchestrated electronics. The utilization of old synths like the Prophet 5 and Oberheim Xpander help to bring the track to life.

With The Opener Darren Barrett brings a fresh approach to the genre-bending world of experimental jazz and ushers in a new era of his already expansive career.


Mário Laginha, Julian Argüelles and Helge Andreas Norbakken - Introducing Setembro (EDITION RECORDS 6th October 2017)

NEW RELEASE

Mário Laginha, Julian Argüelles and Helge Andreas Norbakken
'Introducing Setembro'

We're very excited to introduce to you 'Setembro', the brilliantly conceived and executed album from three supremely gifted and creative musical minds in Portuguese pianist Mário Laginha, English saxophonist Julian Argüelles & Norwegian percussionist Helge Andreas Norbakken.

With propulsive grooves, complex but ever-lyrical melodies, and open-minded interaction ‘Setembro’ demonstrates the vitality and importance of what is great about contemporary jazz in Europe.

Released on 6th October 2017


11th Oct - Jack Lyons Concert Hall, University of York, YO10 5DD

13th Oct - The Voice Box, Kensington Mews, Forman St, Derby DE1 1JQ. 8pm. Tickets: https://www.derby-jazz.co.uk

14th Oct - Vortex Jazz Club, 11 Gillett Square, London N16 8AZ. 


NEW RELEASES THIS SEPTEMBER...